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This hymnal is comprised of 550 hymns which are considered the core repertoire of many churches. To these were added 300 titles of all genres appropriate for congregational worship, including contemporary, folk, gospel, New English Renaissance, and high church hymns.
Since its publication in 1977, the Australian Hymn Book has been widely used throughout Australia. Under its international title, With One Voice, it is also used in parishes and schools in the United Kingdom, New Zealand and Canada. International, ecumenical and contemporary, tOGEtHER IN SONG draws material from no fewer than 48 countries, containing a blend of hymns, psalms, songs and responses. Includes lyrics and melodies for 780 popular hymns and worship songs. Eleven indices included.
"The shape-note tradition first flourished in the small towns and rural areas of early America. Church-sponsored "singing schools" taught a form of musical notation in which the notes were assigned different shapes to indicate variations in pitch; this method worked well with congregants who had little knowledge of standard musical notation. Today many enthusiasts carry on the shape-note tradition, and The New Harp of Columbia (recently published in a "restored edition" by the University of Tennessee Press) is one of five shape-note singing-manuals still in use."--Jacket.
Beginning with the arrival of the first Africans in the English colonies, Eileen Southern weaves a fascinating narrative of intense musical activity. As singers, players, and composers, black American musicians are fully chronicled in this landmark book. Now in the third edition, the author has brought the entire text up to date and has added a wealth of new material covering the latest developments in gospel, blues, jazz, classical, crossover, Broadway, and rap as they relate to African American music.