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Norman Douglas, one of the 20th century's great travellers in Italy, was for most of his life inextricably, passionately, connected to the Bay of Naples. This breathtaking sweep of sea and coastline - dominated by Vesuvius and with Pozzuoli and Sorrento standing sentinel - was Douglas' first experience of Italy. It was here, on the island of Capri, that he died, some 55 years after first buying a villa in Naples. "Siren Land", Douglas' first travel book, is a homage to a part of the world that captivated him more than any other. Weaving the myths of the Sirens into the landscape and history of the region, Douglas writes with knowledge and an irrepressible exuberance of the past and the present, of legends and archaeology, folklore and daily life, patron saints, local ghosts, wine and the wind. As the summer draws to a close, Douglas' prose becomes suffused with a melancholy tinged with excitement at what still remains to be discovered: 'relics of Roman rule, of old Hellas, or medieval romance...These are the delights of Siren Land'. 'What makes "Siren Land" exceptional is the quality of the telling. Weaving scholarship, impressions, fact and fantasy into an intricate fabric as enchantingly entertaining and full of human interest as the best of fairy tales or ancient myths. One of the most memorable books of its genre' - Mark Holloway, in his introduction to "Siren Land".
Water is commonly taken for granted and treated with contempt, yet it is the very foundation of human existence. Assuming countless forms, it is deeply associated both with life and death, body and soul, purity and pollution, creation and destruction. "The Concept of Water" seeks to bring together the various aspects of our deeply ambiguous relationship with water, providing a systematic account of its symbolic and philosophical significance. This involves looking at how water has been conceived and the role it has played in everyday thought, mythology, literature, religion, philosophy, politics and science, both across cultures and through history. R. D. V. Glasgow was born in Sheffield and currently lives in Zaragoza. His previous books are "Madness, Masks and Laughter" (1995), "Split Down the Sides" (1997), and "The Comedy of Mind" (1999).
Unlock the lost and hidden meanings of the world's ancient and modern signs and symbols with the latest in the hugely popular series of 'Element Encyclopedias'. This is the biggest A-Z reference book on symbolic objects you'll ever find.
A truly groundbreaking collaboration of original theatre history with exciting literary criticism, Shakespeare in Parts is the first book fully to explore the original form in which Shakespeare's drama overwhelmingly circulated. This was not the full play-text; it was not the public performance. It was the actor's part, consisting of the bare cues and speeches of each individual role. With group rehearsals rare or non-existent, the cued part alone had to furnish the actor with his character. But each such part-text was riddled with gaps and uncertainties. The actor knew what he was going to say, but not necessarily when, or why, or to whom; he may have known next to nothing of any other part. Starting with a comprehensive history of the part in early modern theatre, Simon Palfrey and Tiffany Stern's work provides a unique keyhole onto hitherto forgotten practices and techniques. It not only discovers a newly active, choice-ridden actor, but a new Shakespeare.