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Sakura and the seven Princeton brothers, along with their families and friends, are heading off to Hawaii for the fashion photo shoot. Immersed in the exotic scenery and exquisite beaches, the love confessions Sakura receives from Sebastian and Darcy Princeton are more passionate than ever. When she finally makes her decision and professes her heart’s desire to the two men, danger lurks just around the corner and threatens to destroy her chance at happiness.
All Beth Gallatin has really wanted out of life is to settle down in one town, with one man, and raise a family. But with her father's roaming ways, she's always been denied that dream; instead, she found solace in reading romantic books. With her father's passing, she can, for the first time, dare to claim the rugged Montana frontier as her home. Nick Lassiter has loved Beth since she first came to town, but she's always seemed to think of him more as a brother. Just when he finally gets Beth to consider him, however, a challenger threatens the affection growing between them. But neither Nick nor Beth is prepared when they must face the consequences of Nick's complicated past. As a past fraught with unwise choices and guilt invades their world, can Nick and Beth find a love that will last forever?
Study of the British playwright, Howard Barker which arose from Lamb's idea that current performance theories and production techniques do not work with Barker's plays. Lamb sets Barker's work against those ideas expounded by Edward Bond and the world of deconstruction and postmodern thought. Nine of Barker's drawings are also reproduced.
In the aftermath of the May Fourth movement, a growing expectation of revolution raised important intellectual issues about the position of the individual within a society in turmoil and the shifting boundaries of political and sexual identities. The theme of "revolution plus love," a literary response to the widespread insurrections and upheaval, was first popularized in the late 1920s. In her examination of this popular but understudied literary formula, Liu Jianmei argues that revolution and love are culturally variable entities, their interplay a complex and constantly changing literary practice that is socially and historically determined. Liu looks at the formulary writing of "revolution plus love" from the 1930s to the 1970s as a case study of literary politics. Favored by leftist writers during the early period of revolutionary literature, it continued to influence mainstream Chinese literature up to the 1970s. By drawing a historical picture of the articulation and rearticulation of this theme, Liu shows how changes in revolutionary discourse force unpredictable representations of gender rules and power relations, and how women's bodies reveal the complex interactions between political representation and gender roles. Revolution Plus Love is a nuanced and carefully considered work on gender and modernity in China, unmatched in its broad use of literary resources. It will be of considerable interest to scholars and students of modern Chinese literature, women’s studies, cultural studies, and comparative literature.
Dark. Powerful. Dangerous. James Maxwell is one of the billionaire elites who rules Las Vegas with an iron fist. My name is Mia Donovan, a twenty-two-year-old, small-town girl who has signed a contract with the billionaire elite James Maxwell in exchange for protection and my brother’s freedom. Since I’ve become James’s mistress, my world has changed—both for better and worse. I’m falling even deeper in love with the man, for he has shown me his kind and caring characteristics, the traits he hides from the outside world. My days with him are filled with contentment and happiness. But alas, I know this will not last because danger is lurking just around the corner. And so our story continues… Loved by You contains Chained to You: Volumes 5 & 6 of the Chained to You serial. Vegas Billionaires Series: 1 - Chained to You [James and Mia Book 1] 2 - Entwined with You [James and Mia Book 2] 3 - Loved by You [James and Mia Book 3] 4 - Chained by Love [William and Savannah]
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1994.
This book explores the ways in which three women novelists of the late-17th and early-18th centuries challenged and reworked both contemporary gender ideologies and generic convention.
This is the story of a mature love relationship between a man and a woman in their mid 40s. Each of them has been a bit unlucky in love in the past and have almost given up hope of ever finding a real love. Becca Connelly is approximately 45 years old, gorgeous, and an elementary school teacher living in Williamsburg,Virginia. Tall, brown shoulder length hair, green eyes and feminine figure. She was deeply heartbroken when her marriage ended and has not seen or heard from her ex-husband Tripp in fifteen years. She has struggles to make it but has rebuilt her life to some degree. She has not been with any man since her husband deserted her. She does not trust men. She does not let anyone but close girlfriends and family into her life. She thinks it was her fault that she was abandoned by someone she loved and trusted. She had expected to live her entire life with him. Divorce was not an option, but forced on her unwillingly. Michael Stevens has just recently moved to Williamsburg. He is tall, muscular, brown haired, gray eyes and gorgeous of course too. He has just retired from a career in the Marines. He was a Colonel when he left active duty, having served all over the country and tours in Iraq and Afghanistan. He settles in Williamsburg since the only family he has left is a sister and her family living in Richmond an hour away. He buys an expensive colonial brick home for a life he doesn’t have as of yet. He has never been married, only passing relationships that really mean nothing to him at all. Michael sees Becca one night in June when she comes into a restaurant while he is having a drink alone at the bar. He watches her and wonders about her. He sees her ex-husband come in and after while figures out that she is meeting her ex to give him back a bracelet she still has. Even though Tripp is now on his third wife, he makes a move to start things up with Becca. Michael sees she is distressed and impulsively goes to rescue her by pretending to be her boyfriend. It takes a while but Tripp finally leaves. And so it begins...
Since the mid-1950s, the psychoactive compound DMT has attracted the attention of experimentalists and prohibitionists, scientists and artists, alchemists and hyperspace emissaries. While most known as a crucial component of the “jungle alchemy” that is ayahuasca, DMT is a unique story unto itself. Until now, this story has remained untold. Mystery School in Hyperspace is the first book to delve into the history of this substance, the discovery of its properties, and the impact it has had on poets, artists, and musicians. DMT has appeared at crucial junctures in countercultural history. William Burroughs was jacking the spice in Tangier at the turn of the 1960s. It was present at the meeting between Ken Kesey's Merry Pranksters and Tim Leary's associates. It guided the inception of the Grateful Dead in 1965. It showed up in Berkeley in the same year, falling into the hands of Terence McKenna, who would eventually become its champion in the post-rave neo-psychedelic movement of the 1990s. Its indole vapor drifted through Portugal's Boom Festival and has been evident at Nevada's Burning Man, where DMT has been adopted as spiritual technology supplying shape, color, and depth to a visionary art movement. The growing prevalence of use is evident in a vast networked independent research culture, and in its impact on fiction, film, music and metaphysics. As this book traces the effect of DMT's release into the cultural bloodstream, the results should be of great interest to contemporary readers. The book permits a broad reading audience to join ongoing debates in studies in consciousness and theology where the brain is held to be either a generator or a receiver of consciousness. The implications of the "spirit molecule" or "the brain's own psychedelic" among other theories illustrate that DMT may lift the lid on the Pandora's Box of consciousness. Features a foreword by Dennis McKenna, cover art by Beau Deeley, and thirty color illustrations by various artists, including Alex Grey, Android Jones, Martina Hoffmann, Luke Brown, Carey Thompson, Adam Scott Miller, Randal Roberts, along with Jay Bryan, Cyb, Orryelle Defenestrate-Bascule, Art Van D'lay, Stuart Griggs, Jay Lincoln, Gwyllm Llwydd, Shiptu Shaboo, Marianna Stelmach, and Mister Strange. Regarded as the “nightmare hallucinogen” or celebrated as the “spirit molecule,” labelled “psychotogenic” or “entheogenic,” considered a dangerous drug or the suspected X-factor in the evolution of consciousness, DMT is a powerful enigma. Documenting the scientists and artists drawn into its sphere of influence, navigating the liminal aesthetics of the “breakthrough” experience, tracing the novum of “hyperspace” in esoteric and science fiction currents, Mystery School in Hyperspace excavates the significance of this enigmatic phenomenon in the modern world. Exposing a great many myths, this cultural history reveals how DMT has had a beneficial influence on the lives of those belonging to a vast underground network whose reports and initiatives expose drug war propaganda and shine a light in the shadows. This conversation is highly relevant at a time when significant advances are being made to lift the moratorium on human research with psychedelics.
The version of the Rule of St. Augustine used at the Abbey of St.Victor began with the command to love God above all things and ones neighbor as oneself. Not surprisingly, then, love was a pervasive theme in the writings produced there, many of which are introduced and translated here: (1)five lyrical essays by Hugh of St.Victor (d.1141): The Praise of Charity; The Betrothal Gift of the Soul; In Praise of the Spouse; On the Substance of Love; What Truly Should Be Loved?; (2)On the Four Degrees of Violent Love, by Richard of St.Victor (d.1173), which traces the likenesses and differences between romantic love and the love of God; (3)Achard of St.Victor (d.1170), Sermon5 and two of Adam of St.Victors sequences are examples of how these authors wove love into their writings; (4)excerpts from the Microcosmus by Godfrey of St.Victor (d.ca.1195), summarize the central place of love in his humanistic theological anthropology.