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A Cornwall mansion filled with artworks is the setting for this tale of romance, chilling mystery, and a journey into the past . . . “Wherever you go, I will follow . . .” Merryn Burton is excited about her first big job for the London art dealers she works for—which requires traveling to rugged seaside Cornwall. But as soon as she arrives at Pencradoc, a beautiful old mansion, she realizes this will be no ordinary commission. Pencradoc is filled with fascinating, and possibly valuable, artwork, and is owned by the Penhaligon brothers. And Merryn’s instant connection with Kit Penhaligon could be another reason why her trip suddenly becomes a whole lot more interesting. But the longer Merryn stays at Pencradoc, the more obvious it is that the house has a secret, and a long-forgotten Rose might just hold the key . . .
There once was a red rose that spells love. And it's beauty filled with air. And was noticed everywhere. I bring the queen of flowers for you, a rose in hand looks so much beautiful.
A collection of poems and stories by Irish writer and poet William Butler Yeats, including: To The Secret Rose; The Crucifixion Of The Outcast; Out Of The Rose; The Wisdom Of The King; The Heart Of The Spring; The Curse Of The Fires And Of The Shadows; The Old Men Of The Twilight; Where There Is Nothing, There Is God; and, Of Costello The Proud, Of Oona The Daughter Of Dermott, and, Of The Bitter Tongue.
Reproduction of the original.
Arranged in chronological sequence, The Secret Rose offers a glimpse of all Yeats' styles-beginning with his youthful romantic idealism and ending with his more outspoken, sardonic treatment of sexuality.
The Secret Rose (1897) is a collection of poems by W.B. Yeats. Written in response to demands that the poet write “a really national poem or romance,” The Secret Rose exhibits Yeats’ devotion to personal mythology and occult orders, and is a brilliant display of symbolism by one of Irish literature’s premier poets. “To the Secret Rose” opens the collection. The poem, inspired by Yeats’ membership in the Rosicrucian Hermetic Order of the Golden Dawn, uses symbolism to evoke religion, myth, and history. The “Far off, most secret, and inviolate Rose” is an image of utopian longing, an ideal moment the poet awaits, envisions, and longs for. “The Crucifixion of the Outcast” is a parable in which a wandering bard is led by Christian brothers to his execution. As his cross is set in the earth, he offers a portion of his last meal to the beggars who have gathered to watch. When he is nailed to the cross, however, he finds that mercy without humility is a seed that cannot grow. In “The Curse of the Fires and of the Shadows,” Puritan soldiers storm an abbey and attack a group of friars. Before he dies, the abbot raises the cross upon the altar, and promises divine vengeance. Immediately afterward, the soldiers are told that two messengers have escaped on horseback to warn and gather the people for a counterattack. The Secret Rose explores themes of faith and persecution while illuminating the proximity of life and myth for a poet whose subject is the soul. With a beautifully designed cover and professionally typeset manuscript, this edition of W.B. Yeats’s The Secret Rose is a classic of Irish literature reimagined for modern readers.
This is a reissue of a much-admired variorum edition of Yeats's stories. 'This edition, which includes previously unpublished texts, gives a text history, which establishes once and for all the extent to which Yeats's work was modified by editors. Truly definitive. Indispensible for any major collection, including public libraries.' Library Journal
The mystic verse of Shabistari, written during a period of fierce conflict between Christianity and Islam in the fourteenth century, must be considered among the greatest poetry of any time or land. Restating ibn 'Arabi's ideas in poetic form and treating such themes as the Spiritual Journey, Time and This Dream-World, and the ecstasy of Divine Inebriation, it bears perennial witness to the capabilities and destiny of humanity. While he was deeply rooted in the Sufi mystical tradition, there are no cultural gaps to be bridged, for he was keenly aware of that one unique truth which all religions strive to approximate. Thus he writes: 'I' and 'you' are but the lattices, / In the niches of a lamp, / Through which the One Light shines. / 'I' and 'you' are the veil / Between heaven and earth; / Lift this veil and you will see / No longer the bonds of sects and creeds. / When 'I' and 'you' do not exist, /What is mosque, what is synagogue? / What is the Temple of Fire.
Reproduction of the original.