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Scotland is a nation of dramatic weather and breathtaking landscapes – of nature resplendent. And, over the centuries, the people who have lived, explored and thrived in this country have developed a rich language to describe their surroundings: a uniquely Scottish lexicon shaped by the very environment itself. A Scots Dictionary of Nature brings together – for the first time – the deeply expressive vocabulary customarily used to describe land, wood, weather, birds, water and walking in Scotland. Artist Amanda Thomson collates and celebrates these traditional Scots words, which reveal ways of seeing and being in the world that are in danger of disappearing forever. What emerges is a vivid evocation of the nature and people of Scotland, past and present; of lives lived between the mountains and the sky.
Novelist, playwright, essayist, and master of the short story. Artist and engaged working-class intellectual; husband, father, and grandfather as well as committed revolutionary activist. From his first publication (a short story collection An Old Pub Near the Angel on a tiny American press) through his latest novel (God's Teeth and other Phenomena) and work with Noam Chomsky (Between Thought and Expression Lies a Lifetime—both published on a slightly larger American press), All We Have Is the Story chronicles the life and work—to date—of “Probably the most influential novelist of the post-war period.” (The Times) Drawing deeply on a radical tradition that is simultaneously political, philosophical, cultural, and literary, James Kelman articulates the complexities and tensions of the craft of writing; the narrative voice and grammar; imperialism and language; art and value; solidarity and empathy; class and nation state; and. above all, that it begins and ends with the story. “One of the things the establishment always does is isolate voices of dissent and make them specific—unique if possible. It's easy to dispense with dissent if you can say there's him in prose and him in poetry. As soon as you say there's him, him, and her there, and that guy here and that woman over there, and there's all these other writers in Africa, and then you've got Ireland, the Caribean—suddenly there's this kind of mass dissent going on, and that becomes something dangerous, something that the establishment won't want people to relate to and go Christ, you're doing the same as me. Suddenly there's a movement going on. It's fine when it's all these disparate voices; you can contain that. The first thing to do with dissent is say ‘You're on your own, you're a phenomenon.’ I'm not a phenomenon at all: I'm just a part of what's been happening in prose for a long, long while.” —James Kelman from a 1993 interview
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Edited and introduced by Valentina Bold. This selection of Lewis Grassic Gibbon’s writing brings together old favourites and new material for the first time. There are all his lively contributions to Scottish Scene (co-written by Hugh MacDiarmid) including the unforgettable lilt and flow of his short stories ‘Smeddum’, ‘Clay’, ‘Greendenn’, ‘Sim’ and ‘Forsaken’. The anthology ends with the full text of his last novel, The Speak of the Mearns, unpublished in his lifetime. Valentina Bold has also included a collection of poems, ‘Songs of Limbo’, taken from typescripts in the National Library of Scotland, and a selection of Grassic Gibbon’s articles and short fiction, with work done for The Cornhill Magazine along with book reviews and essays on Diffusionism, ancient American civilization and selected studies from his book on the lives of explorers, Nine Against the Unknown. A Lewis Grassic Gibbon Anthology provides an indispensable supplement to Canongate’s edition of A Scots Quair, and it also offers further insight into the wide-ranging interests and the lyrical, historical and political writing of the greatest and best-loved Scottish novelist of the early twentieth century. ‘It would be impossible to over-estimate Lewis Grassic Gibbon’s importance . . . [his work] permeates the Scottish literary consciousness and colours all subsequent writing of its kind.’ David Kerr Cameron ‘Gibbon’s style is one of the great achievements of [A Scots Quair] and should be seen in relation to Scottish forerunners like John Galt as well as in the context of modern innovators such as James Joyce, Gertrude Stein and William Faulkner.’ Tom Crawford
Written by a leading sociologist of Scotland, this ground-breaking new introduction is a comprehensive account of the social, political, economic and cultural processes at work in contemporary Scottish society. At a time of major uncertainty and transformation The New Sociology of Scotland explores every aspect of Scottish life. Placed firmly in the context of globalisation, the text: examines a broad range of topics including race and ethnicity, social inequality, national identity, health, class, education, sport, media and culture, among many others. looks at the ramifications of recent political events such as British General Election of 2015, the Scottish parliament election of May 2016, and the Brexit referendum of June 2016. uses learning features such as further reading and discussion questions to stimulate students to engage critically with issues raised. Written in a lucid and accessible style, The New Sociology of Scotland is an indispensable guide for students of sociology and politics.
Bella Caledonia: Woman, Nation, Text looks at the widespread tradition of using a female figure to represent the nation, focusing on twentieth-century Scottish literature. The woman-as-nation figure emerged in Scotland in the twentieth century, but as a literary figure rather than an institutional icon like Britannia or France's Marianne. Scottish writers make use of familiar aspects of the trope such as the protective mother nation and the woman as fertile land, which are obviously problematic from a feminist perspective. But darker implications, buried in the long history of the figure, rise to the surface in Scotland, such as woman/nation as victim, and woman/nation as deformed or monstrous. As a result of Scotland's unusual status as a nation within the larger entity of Great Britain, the literary figures under consideration here are never simply incarnations of a confident and complete nation nurturing her warrior sons. Rather, they reflect a more modern anxiety about the concept of the nation, and embody a troubled and divided national identity. Kirsten Stirling traces the development of the twentieth-century Scotland-as-woman figure through readings of poetry and fiction by male and female writers including Hugh MacDiarmid, Naomi Mitchison, Neil Gunn, Lewis Grassic Gibbon, Willa Muir, Alasdair Gray, A.L. Kennedy, Ellen Galford and Janice Galloway.
This new and extensively illustrated history explores the reality behind stereotypical views of Glasgow.
During the North American colonial period, the expansion of European capital and labour into North America created two broad patterns of regional development: agricultural settlement and the exploitation of raw materials or staples. Hornsby examines the development of nineteenth-century Cape Breton in light of these patterns, focusing on the impact of Scottish immigration on the island's settlement and agricultural development, and on the role of mercantile and industrial capital in developing Cape Breton's two great staple industries, cod fishing and coal mining. Hornsby also outlines the reasons for the massive exodus from Cape Breton during the late nineteenth century. The intersection of these two patterns of development gave rise to a distinctive regional geography. Over the course of a hundred years, a complex mosaic of different settlements, economies, and cultures emerged on the island. While the details and circumstances of these developments were unique to the island, elements of the Cape Breton experience were found in other areas of Maritime Canada. Viewed more generally, Hornsby suggests that the historical geography of this small, peripheral island offers a simple, somewhat stark encapsulation of some of the salient developments in the rest of settled Canada during the nineteenth century.
Alistair Moffat tells the extraordinary story of the Highlands in the most detailed book ever written about this remarkable part of Scotland. This is the story of the Highlands and Islands of Scotland as it has never been told before. From the formation of the landscape millions of years ago to the twenty-first century, it brings to life the events and the people who have shaped Highland history, from saints, sinners and outlaws to monarchs, clan chiefs and warriors. Highly readable and informative, it mines a wide range of sources including medieval manuscripts and sagas, poetry and popular culture. Picts, Romans, Irish missionaries, Vikings, Jacobites and the flood of emigrants who left to forge new lives abroad are just some of the important players in the drama. As he paints the bigger picture, Alistair Moffat also introduces many key aspects of Highland culture and explores the experience of ordinary Highlanders and Islanders over thousands of years.