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Sri M.P. Pandit said of this work “Readers will be grateful to Rand Hicks for his labour of love in compiling these words in Savitri, used in a special sense, and presenting them dictionary-wise to facilitate easy reference. He has also added words that are likely to hold up a reader with an average knowledge of English.” The standard format used by Rand in this work is to set forth the word in alphabetica order, provide a reference for where in the text it appears (book, canto, line) and then to provide the definition within the context of the text. Rand Hicks is the guiding light at the Integral Knowledge Study Center in Pensacola, Florida. In his own quiet and persistent way, he provides an atmosphere of dedication and focus that uplifts those who come in contact with him. He recognized the need to aid those reading Sri Aurobindo’s Savitri: A Legend and a Symbol to enter into the precise and subtle uses of language that Sri Aurobindo employs, and to that end he developed a dictionary format with these terms defined briefly.
A study of Sri Aurobindo's "Savitri" in the light of the Bhagavad Gita which was awarded the doctorate in English by the University of Calicut in 1996 is being now published on the occasion of the 150th birth anniversary of Sri Aurobindo. The thesis was an attempt to establish the intimations of intimacy between Sri Aurobindo's epic poem "Savitri" and the Bhagavad Gita. The influence of the Gita on Sri Aurobindo is well known starting with his vision of Krishna at the Alipore jail and by his own statement that he was not only able to understand intellectually but also realize what Sri Krishna demanded of Arjuna. The cardinal teaching of Gita, "Vasudeva Sarvam iti" provided for him the bedrock of his philosophy in "Savitri". The spiritual revolution he envisioned in "Savitri" is that the universe is a manifestation of consciousness occurring in an integral process. Modern quantum physics is bearing many similarities with his ideas. Thus while "Savitri" is a symbol of struggle, redemption, and the incarnation of a divine mother who restores the Golden age, the Bhagavad Gita teaches the same call to the eternal avatar in each being and to the establishment of Sat-Chit-Ananda on the terrestrial plane.
Rabindranath Tagore S Drama Chitra Is Aimed At Reminding Man That The Ultimate Truth Is To Be Found Not At The Physical Level But In The Steady Evolution Of The Self. The Illumination Of A Young Princess Mind Lies In The Recognition And Realization That It Is In Truth Alone That True Happiness Resides. Similarly Aurobindo S Epic Savitri Seeks To Narrate The Story Of A Young Princess Who Saves The Life Of Her Husband From Death To Suggest The Ultimate Liberation Of Man From Universal Death. Chitra And Savitri Are Upanishadic Works In The Sense That Their Principal Theme Is The Search For Vidya (Knowledge) That Liberates Man From Avidya (Ignorance), And That Their Main Stylistic Device Is The Conversation Between The Human And Divine Characters. Evolution Thus Becomes The Watchword Of Both Aurobindo And Tagore. The Awakening Of The Self Or Raising The Life And Existence To A Higher Level Of Consciousness Is One Of The Parallel Themes Observed In Chitra And Savitri. Further, The Integral Transformation Of Chitra And Savitri And Their Inner Intuitive Development Has A Much Wider Connotation To Mankind At Large. Chitra And Savitri Are Thus Established As Works Of Self-Discovery. Although There Are Fundamental Differences In Terms Of The Nature Of Chitra And Savitri S Awareness, There Is No Denying The Fact That These Legends From The Mahabharata Are Exquisite Examples Of The Female Aspect Of The Indian Women.
Presents the Hindu religious tradition's major events, individuals, texts, sects, and concepts in the context of its historical development through various periods.
Reprint of the original, first published in 1871. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
This is Volume VIII in a series of ten on India: Religion and Philosophy. Originally published in 1879, work an endeavour has been made to supply the long-felt want of a Hindu Classical Dictionary. The main portion of this work consists of mythology, but religion is bound up with mythology, and in many points the two are quite inseparable.
G. A. Gaskell’s Dictionary of the Sacred Language of All Scriptures and Myths, first published in 1923, examines several different aspects of religion, including examples from Ancient Egyptian religion and mythology to modern-day Christianity, providing explanations of gods, events, and symbols in alphabetical order. This is a perfect reference book for students of theology or the history of religion.