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To those who know the charm of Aldo Leopold's writing in A Sand County Almanac, this collection from his journals and essays will be a new delight. The journal entries included here were written in camp during his many field trips--hunting, fishing, and exploring--and they indicate the source of ideas on land ethics found in his longer essays. They reflect as well two long canoe trips in Canada and a sojourn in Mexico, where Leopold hunted deer with bow and arrow. The essays presented here are culled from the more contemplative notes which were still in manuscript form at the time of Leopold's death in 1948, fighting a brush fire on a neighbor's farm. Round River has been edited by Leopold's son, Luna, a geologist well-known in the field of conservation. It is also charmingly illustrated with line drawings by Charles W. Schwartz. All admirers of Leopold's work--indeed, all lovers of nature--will find this book richly rewarding.
To those who know the charm of Aldo Leopold's writing in A Sand County Almanac, this collection from his journals and essays will be a new delight. The journal entries included here were written in camp during his many field trips--hunting, fishing, and exploring--and they indicate the source of ideas on land ethics found in his longer essays. They reflect as well two long canoe trips in Canada and a sojourn in Mexico, where Leopold hunted deer with bow and arrow. The essays presented here are culled from the more contemplative notes which were still in manuscript form at the time of Leopold's death in 1948, fighting a brush fire on a neighbor's farm. Round River has been edited by Leopold's son, Luna, a geologist well-known in the field of conservation. It is also charmingly illustrated with line drawings by Charles W. Schwartz. All admirers of Leopold's work--indeed, all lovers of nature--will find this book richly rewarding.
Nature writings of Aldo Leopold, one of the foremost conservationist of our century.
This ground-breaking study examines visual and literary responses to, and representations of, illness, dying and death from the perspective of the chronically ill, their families and carers, medics, artists, photographers, authors, and academics. It encourages a re-examination of cultural taboos and visual and literary practices that engage with illness and death. Focusing upon a wide range of creative and critical engagements, this book makes a significant contribution to the medical humanities via its exploration of medical practice, literature and film, digital media studies, graphic design, and both contemporary and historical attitudes towards illness, death (including infant mortality), mourning and bereavement. For some, the experience of illness provokes feelings of exile, crisis or social critique, whilst for others it instigates utopian discourses predicated upon personal reflection, communication or connectivity, wherein the “self” is redefined beyond the parameters and constraints of the “body”.