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Graceland is much more than a wildly popular historic house and tourist destination associated with a famous entertainer, and Elvis Presley is much more than the King of Rock ‘n’ Roll. As former Walters Art Museum director and medievalist Gary Vikan shows us in his fascinating new book, Graceland, the second-most visited historic house in the U.S., is a locus sanctus —a holy place—and Elvis is its resident saint, while the hordes of fans that crowd Elvis Presley Boulevard in Memphis are modern-day pilgrims, connected in spirit and practice to their early Christian counterparts, sharing a fascination for icons and iconography, relics, souvenirs, votives, and even a belief in miracles. Vikan reveals the emergence of contemporary holy places—Ground Zero in Lower Manhattan, the Lorraine Motel in Memphis, the Grassy Knoll in Dallas, Place de l’Alma in Paris—and shows us that the saints of our day are our “martyred” secular charismatics, from Elvis to John F. Kennedy, Princess Diana, Michael Jackson, and others.
IndieFab Book of the Year Bronze Medal Winner in Romance Benjamin Franklin Award Silver Medal Winner Jilted by her fiancé, Geneva watches her seemingly idyllic life suddenly fall apart. Bereft and desolate, she packs up her nine cats and leaves her home in Washington, DC, to return to her native hills of West Virginia where she plans to rest and heal from her heartbreak. When Geneva’s ambition and machinations run up against rugged mountain ways, she finds herself flung from one perilous adventure and heartbreak to another. After facing illness, disaster in the wilderness, and courtships gone wrong, Geneva finally finds what she’s been missing. Ultimately, Geneva realizes she must face herself before she is free to truly love and be loved. Set in 1977 West Virginia, A Sinner in Paradise is a heartwarming, uproarious affair with love in all its forms. “A Sinner in Paradise pretty much sums up what this tale is about! What it doesn’t say is that there is humor, pretty amazing and beautiful scenes described that are breathtaking to picture and some well-developed characters along the way. “ – Tome Tender Book Blog “ The descriptions made me want to sit on the porch swing with a cuddly kitten while the characters live out their fascinating lives.” – Elizabeth Hein, author of How to Climb the Eiffel Tower ”The sense of place shines through and carries the reader right into the story. The supporting characters are wonderfully drawn, with rich local flavor.” – Summer Kinard, author of Tea & Crumples
A multidisciplinary study of the commonalities between heroes, icons, saints, and their institutions, across several cultures.
"An endearing ballad of the struggle for existence and understanding." – Booklist Ten-year-old Pearl Wallace is living in the mountains of rural Tennessee in the depths of the Great Depression and several years into Prohibition. Pearl struggles with her moral dilemmas: What can she do to protect her best friend Darlene from an abusive stepfather? And, especially, how much does she need to tithe on the money she has earned from stealing her daddy’s moonshine and selling it? Meanwhile, Emily Weston, a missionary, has come to “lift the poor hillbillies of the region out of their ignorance and misery.” Coming from a place of affluence and privilege, she is quickly overwhelmed by the social and racial issues facing her students and their families. When murder, fire, and heartbreak threaten those they love, Pearl and Emily must confront the hate and bigotry of their neighbors. Emily’s time in the mountains will be one not of saving souls, but of personal reckoning. "Deborah Hining is a remarkable talent.” – Elizabeth Hein, author of How to Climb the Eiffel Tower
The International Conference on Elvis Presley, convened at the University of Mississippi in August, transformed a rock and roll icon into a scholarly phenomenon. Educators, artists, and Elvis aficionados from across the worldplus over one hundred internationally based reporterscollected on Oxford, Mississippi, soil to analyze and celebrate Elvis impact on the world stage.From this conference, which became front page New York Times Magazine news, springs this book, the best and brightest essays and artwork swirling around the cultural, social, political, and iconographic figure of Elvis Presley. Discussed within are such topics as Elvis as Southerner, Elvis as sign system, Elvis multicultural audiences, Elvis and rockabilly, Elvis as redneck, the Elvis oeuvre, and Elvis religious roots. Taken together, In Search of Elvis represents a daring and groundbreaking academic analysis. Richly illustrated with original Elvis-inspired artwork, this book captures the subterranean essence of one of the most phenomenal artists to have ever lived. }The International Conference on Elvis Presley, convened at the University of Mississippi in August, transformed a rock and roll icon into a scholarly phenomenon. Educators, artists, and Elvis aficionados from across the worldplus over one hundred internationally based reporterscollected on Oxford, Mississippi, soil to analyze and celebrate Elvis impact on the world stage.From this conference, which became front page New York Times Magazine news, springs this book, the best and brightest essays and artwork swirling around the cultural, social, political, and iconographic figure of Elvis Presley. Discussed within are such topics as Elvis as Southerner, Elvis as sign system, Elvis multicultural audiences, Elvis and rockabilly, Elvis as redneck, the Elvis oeuvre, and Elvis religious roots. Taken together, In Search of Elvis represents a daring and groundbreaking academic analysis. Richly illustrated with original Elvis-inspired artwork, this book captures the subterranean essence of one of the most phenomenal artists to have ever lived.
While the modern world has largely dismissed the figure of the saint as a throwback, we remain fascinated by excess, marginality, transgression, and porous subjectivity—categories that define the saint. In this collection, Françoise Meltzer and Jas Elsner bring together top scholars from across the humanities to reconsider our denial of saintliness and examine how modernity returns to the lure of saintly grace, energy, and charisma. Addressing such problems as how saints are made, the use of saints by political and secular orders, and how holiness is personified, Saints takes us on a photo tour of Graceland and the cult of Elvis and explores the changing political takes on Joan of Arc in France. It shows us the self-fashioning of culture through the reevaluation of saints in late-antique Judaism and Counter-Reformation Rome, and it questions the political intent of underlying claims to spiritual attainment of a Muslim sheikh in Morocco and of Sephardism in Israel. Populated with the likes of Francis of Assisi, Teresa of Avila, and Padre Pio, this book is a fascinating inquiry into the status of saints in the modern world.
A comprehensive review of art in the first truly modern century A Companion to Nineteenth-Century Art contains contributions from an international panel of noted experts to offer a broad overview of both national and transnational developments, as well as new and innovative investigations of individual art works, artists, and issues. The text puts to rest the skewed perception of nineteenth-century art as primarily Paris-centric by including major developments beyond the French borders. The contributors present a more holistic and nuanced understanding of the art world during this first modern century. In addition to highlighting particular national identities of artists, A Companion to Nineteenth-Century Art also puts the focus on other aspects of identity including individual, ethnic, gender, and religious. The text explores a wealth of relevant topics such as: the challenges the artists faced; how artists learned their craft and how they met clients; the circumstances that affected artist’s choices and the opportunities they encountered; and where the public and critics experienced art. This important text: Offers a comprehensive review of nineteenth-century art that covers the most pressing issues and significant artists of the era Covers a wealth of important topics such as: ethnic and gender identity, certain general trends in the nineteenth century, an overview of the art market during the period, and much more Presents novel and valuable insights into familiar works and their artists Written for students of art history and those studying the history of the nineteenth century, A Companion to Nineteenth-Century Art offers a comprehensive review of the first modern era art with contributions from noted experts in the field.
This in-depth series of literary portraits studies celebrities who died in famous and tragic ways—ways that still resonate as archetypal death scenarios in present day. We know their likes and dislikes, admire their talents, envy them for daring to be what we can't or what we won't. When they are snatched from us, we feel a personal loss and an unwillingness to let go. And so we transform these mere human beings into icons whose stars often shine in death even more brilliantly than in life. Dead Celebrities, Living Icons: Tragedy and Fame in the Age of the Multimedia Superstar explores this phenomenon through a series of essays on 14 men and women who are, arguably, the most famous people of the 20th and early 21st centuries. The book covers the epoch of the celebrity beginning in the 1930s with Howard Hughes and Walt Disney and continues to the present day with the life and death of Michael Jackson. Far more than just a collection of biographies, Dead Celebrities, Living Icons documents the philosophical importance and significance of the contemporary cult of the celebrity and analyzes the tragic consequences of a human life lived in the glare of the media spotlight.
While the modern world has largely dismissed the figure of the saint as a throwback, we remain fascinated by excess, marginality, transgression, and porous subjectivity—categories that define the saint. In this collection, Françoise Meltzer and Jas Elsner bring together top scholars from across the humanities to reconsider our denial of saintliness and examine how modernity returns to the lure of saintly grace, energy, and charisma. Addressing such problems as how saints are made, the use of saints by political and secular orders, and how holiness is personified, Saints takes us on a photo tour of Graceland and the cult of Elvis and explores the changing political takes on Joan of Arc in France. It shows us the self-fashioning of culture through the reevaluation of saints in late-antique Judaism and Counter-Reformation Rome, and it questions the political intent of underlying claims to spiritual attainment of a Muslim sheikh in Morocco and of Sephardism in Israel. Populated with the likes of Francis of Assisi, Teresa of Avila, and Padre Pio, this book is a fascinating inquiry into the status of saints in the modern world.
This book calls attention to the importance of scholarly reflection on the writing of liturgical history. The essays not only probe the impact of important shifts in historiography but also present new scholarship that promises to reconfigure some of the established images of liturgy’s past. Based on papers presented at the 2014 Yale Institute of Sacred Music Liturgy Conference, Liturgy’s Imagined Past/s seeks to invigorate discussion of methodologies and materials in contemporary writings on liturgy’s pasts and to resource such writing at a point in time when formidable questions are being posed about the way in which historians construct the object of their inquiry.