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Documents the broad range of Russian Impressionism in lush colorplates & illuminating essays.
A completely revised and updated edition of Soviet Impressionism.
The 1860s were marked by a strong realistic movement in Russian painting. Artists became interested in depicting the lives and customs of their fellow countryman. This new art form was mostly the work of the itinerants group, who wanted to take art to the people and paint the outdoors. Mikhail Guerman here traces the converging lines of Russian and French art in the immensely fertile period of the late 19th and early 20th century.
Antosha and Levitasha is the first book in English devoted to the complex relationship between Anton Chekhov and Isaac Levitan, one of Russia's greatest landscape painters. Outside of Russia, a general lack of familiarity with Levitan's life and art has undermined an appreciation of the cultural significance of his friendship with Chekhov. Serge Gregory's highly readable study attempts to fill that gap for Western readers by examining a friendship that may have vacillated between periods of affection and animosity, but always reflected an unwavering shared aesthetic. In Russia, where entire rooms of galleries in Moscow and St. Petersburg are devoted to Levitan's paintings, the lives of the famous writer and the equally famous artist have long been tied together. To those familiar with the work of both men, it is evident that Levitan's "landscapes of mood" have much in common with the way that Chekhov's characters perceive nature as a reflection of their emotional state. Gregory focuses on three overarching themes: the artists' similar approach to depicting landscape; their romantic and social rivalries within their circle of friends, which included many of Moscow's leading cultural figures; and the influence of Levitan's personal life on Chekhov's stories and plays. He emphasizes the facts of Levitan's life and his place in late nineteenth-century Russian art, particularly with respect to his dual loyalties to the competing Itinerant and World of Art movements. Accessible and engaging, Antosha and Levitasha will appeal to scholars and general readers interested in art history, late nineteenth-century Russian culture, and biographies.
From the author who bravely faced down a seven-headed, fire-breathing, riddle-speaking dragon... and got eaten for his pains. The realm of Russian fairy tales is perilous. You might think you know who’s friend, who’s foe. But you’d be wrong. Wolves might be friends. Old grandmothers might be cannibals. And the idiot might be the wisest man in the room. So say you find yourself at the waystone, a boundary between the real world and the world of story. Every road you take from the waystone leads to danger and the potential of great rewards. But you could end up being eaten, chopped into little pieces, or even turned into a goat. This book is a short guide for your survival. At the end, you’ll find the fountain of youth, riches unimaginable, the man or woman of your dreams…and maybe something even more lasting. But getting there is the real pleasure. Buy this book today to enter the weird and wonderful world of Russian fairy tales.
A major resource, collecting essays, articles, manifestos, and works of art by Russian artists and critics in the early twentieth century, available again at the 100th anniversary of the Russian Revolution
Anatoly Dverin:An American Impressionist is a combination of autobiographical story telling and brilliant painting in the Impressionist style. This is the story of a child's hardships in the 1930's in Communist Ukraine and his drive and determination to realize his dream of becoming a professional artist. Anatoly graduated from art college and became a member in the prestigious Artists' Union in the U.S.S.R. His future was secure with commissions from the Ministry of Culture and various publishing companies. Then, at the expense of giving up everything - college diplomas, precious old sketchbooks, and all personal property except $300 - and being repeatedly intimidated by the KGB, Anatoly immigrated to the United States with his wife and small daughter in 1976. During the last thirty years, Anatoly has worked as a professional illustrator whose astounding draftsmanship and attention to detail is so fine one could assume a colored pencil drawing to be a photograph. Still, Anatoly has traveled further with his talent to become not only a contemporary artist whose paintings are carried by the finest galleries but also a gifted teacher who is giving back by sharing his talent through teaching his craft. This is a man whose work is prolific and important. His portraits, sensitive to the nuance of personality, embody the life of the subject. The still lifes vary from delicate to bold through the subtleties of combining light, shadow and color. Most abundant in the book, and in Anatoly's work, are his landscapes. Readers can expect to enjoy the old and traditional landscapes of Europe as well as all the color and ruggedness of New England. Unifying all of Anatoly's work is his absolute mastery of composition and his playfulness with light. This book generously offers not only the pages of text, photographs, and illustrations for the autobiography, but also over 170 full color pages of portraits, still-lifes, and most importantly, Anatoly's landscapes.