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In the year 1889 Sofya Vasilievna Kovalevskaya, Profes sor of Mathematics at the University of Stockholm, pub lished her recollections of growing up in mid-nineteenth century Russia. Professor Kovalevskaya was already an international celebrity, and partly for the wrong reasons: less as the distinguished mathematician she actually was than as a "mathematical lady"--A bizarre but fascinating phenomenon.* Her book was an immediate success. She had written it in Russian, but its first publication was a translation into Swedish, the language of her adopted homeland, where it appeared thinly disguised as a novel under the title From Russian Ltfe: the Rajevski Sisters (Sonja Kovalevsky. Ur ryska lifvet. Systrarna Rajevski. Heggstrom, 1889). In the following year the book came out in Russia in two *"My gifted Mathematical Assistant Mr. Hammond exclaimed ... 'Why, this is the first handsome mathematical lady I have ever seen!'" Letter to S.V. Kovalevskaya from].]. Sylvester, Professor of Mathe matics, New College, Oxford, Dec. 25, 1886
The House by the Dvina is the riveting story of two families separated in culture and geography but bound together by a Russian-Scottish marriage. It includes episodes as romantic and dramatic as any in fiction: the purchase by the author's great-grandfather of a peasant girl with whom he had fallen in love; the desperate sledge journey in the depths of winter made by her grandmother to intercede with Tsar Aleksandr II for her husband; the extraordinary courtship of her parents; and her Scottish granny being caught up in the abortive revolution of 1905. Eugenie Fraser herself was brought up in Russia but was taken on visits to Scotland. She marvellously evokes a child's reactions to two totally different environments, sets of customs and family backgrounds, while the characters are beautifully drawn and splendidly memorable. With the events of 1914 to 1920 - the war with Germany, the Revolution, the murder of the Tsar and the withdrawal of the Allied Intervention in the north - came the disintegration of Russia and of family life. The stark realities of hunger, deprivation and fear are sharply contrasted with the adventures of childhood. The reader shares the family's suspense and concern about the fates of its members and relives with Eugenie her final escape to Scotland. In The House by the Dvina, Eugenie Fraser has vividly and poignantly portrayed a way of life that finally disappeared in violence and tragedy.
The mother of 11 year old Ilse Glaus turned down the last plane out of East Prussia ahead of the advancing Russians in order to stay back with her aged parents. That decision cost her family dearly in wartorn Europe, 1945. Ilse grew up on a small farm, with a wonderful family, the woods as a playground and the beaches of the Baltic. Then turmoil followed the German defeat by the Russians and the subsequent occupation. In 31 months under the Russians, Ilse's family is driven from their home, she mourns her missing father, witnesses her mother's rape, sees her grandparents and baby brother succumb to the brutal conditions, and hears of her oldest sister's capture and death in a work prison. Fighting starvation, Ilse crafts ways to coexist with the Russians, scavenging, begging and stealing to help the family survive.
Fujimura takes us across history and into Russian society, its orphanages and shelters, and along the streets of the nation to see how abandoned children are stigmatized and shunned. Readers come to understand how and why these children, left orphans by death or by choice, form their own culture to find power and to survive. This pioneering work on child abandonment looks at Russian society from a new angle: from the perspectives of abandoned youngsters and their caretakers. Based on direct observation of and interviews with abandoned children, this work shows why any effort to rescue these children calls for a deep understanding of Russian culture, and why any effort to address abandonment in Russia calls for a joint effort between psychologists, social workers, and the children themselves. Researcher Fujimura takes us across history, into Russian society, its orphanages and shelters, and along the streets of the nation to see how abandoned children are stigmatized and shunned. We also come to understand how and why these children, left orphans by death or by choice, form their own culture to find power and to survive. This pioneering work on child abandonment looks at Russian society from a new angle: from the perspectives of abandoned youngsters and their caretakers. Based on direct observation of and interviews with abandoned children, this work shows why any effort to rescue these children calls for a deep understanding of Russian culture, and why any effort to affect abandonment in Russia calls for a joint effort between psychologists, social workers, and the children themselves.
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The first English-language account of the changing role of children in the Russian workforce, from the onset of industrialization until the Communist Revolution of 1917, and an examination of the laws that would establish children's labor rights.
Relates the adventures of a group of Mites led by Dunno when their hot air balloon carries them far beyond their home in Flower Town.
The Story Of Babushka colouring book is a companion book that goes alongside the illustrated children's book "The Story Of Babushka" The book comes with over forty-five wonderful line-drawn illustrations ready for children to colour in! Recommended use with colouring pencils, and crayons. Please note this book comes without the written story and is meant to compliment the written story.
A Modern History of Russian Childhood examines the changes and continuities in ideas about Russian childhood from the 18th to the 21st century. It looks at how children were thought about and treated in Russian and Soviet culture, as well as how the radical social, political and economic changes across the period affected children. It explains how and why childhood became a key concept both in Late Imperial Russia and in the Soviet Union and looks at similarities and differences to models of childhood elsewhere. Focusing mainly on children in families, telling us much about Russian and Soviet family life in the process, Elizabeth White combines theoretical ideas about childhood with examples of real, lived experiences of children to provide a comprehensive overview of the subject. The book also offers a comprehensive synthesis of a wide range of secondary sources in English and Russian whilst utilizing various textual primary sources as part of the discussion. This book is key reading for anyone wanting to understand the social and cultural history of Russia as well as the history of childhood in the modern world.
Historical and Cultural Transformations of Russian Childhood is a collection of multidisciplinary scholarly essays on childhood experience. The volume offers new critical approaches to Russian and Soviet childhood at the intersection of philosophy, literary criticism, film/visual studies, and history. Pedagogical ideas and practices, and the ideological and political underpinnings of the experience of growing up in pre-revolutionary Russia, the Soviet Union, and Putin’s contemporary Russia are central venues of analysis. Toward the goal of constructing the "multimedial childhood text," the contributors tackle issues of happiness and trauma associated with childhood and foreground its fluidity and instability in the Russian context. The volume further examines practices of reading childhood: as nostalgic text, documentary evidence, and historic mythology. Considering Russian childhood as historical documentation or fictional narrative, as an object of material culture, and as embodied in different media (periodicals, visual culture, and cinema), the volume intends to both problematize but also elucidate the relationship between childhood, history, and various modes of narrativity.