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Presents the story of how the Protestant English King Charles I, and his young, French, Catholic wife, Henrietta, found unexpected love and helped reign over an era of peace and prosperity until a war with Puritan Scotland risked their lives.
From quarrels, passion, treason to execution, discover one of the great overlooked love stories of history. King Charles I was a Protestant. Henrietta Maria, a 15-year-old French princess, was a Catholic. Arranged for political gain, their marriage was a dangerous experiment, yet against the odds they fell in love. However Henrietta's Catholicism fuelled rumours of improper influence over a supposedly helpless king. Unable to trust his Parliament, Charles's fear for the queen's safety plummeted the country into civil war and forced her to flee abroad, never to see her husband again. They kept up a poignant correspondence but in 1649, the king was condemned as a traitor and publicly executed, thus ending an extraordinary partnership that influenced the course of history.
This book examines the lives and tenures of all the consorts of the Tudor and Stuart monarchs of England between 1485 and 1714, as well as the wives of the two Lords Protector during the Commonwealth. The figures in Tudor and Stuart Consorts are both incredibly familiar—especially the six wives of Henry VIII—and exceedingly unfamiliar, such as George of Denmark, the husband of Queen Anne. These innovative and authoritative biographies recognise the important role consorts played in a period before constitutional monarchy: in addition to correcting popular assumptions that are based on limited historical evidence, the chapters provide a fuller picture of the role of consort that goes beyond discussions of exceptionalism and subversion. This volume and its companions reveal the changing nature of English consortship from the Norman Conquest to today.
This book examines how early Stuart queens navigated their roles as political players and artistic patrons in a culture deeply conflicted about the legitimacy of female authority. Anna of Denmark and Henrietta Maria both employed powerful female archetypes such as Amazons and the Virgin Mary in court performances. Susan Dunn-Hensley analyzes how darker images of usurping, contaminating women, epitomized by the witch, often merged with these celebratory depictions. By tracing these competing representations through the Jacobean and Caroline periods, Dunn-Hensley peels back layers of misogyny from historical scholarship and points to rich new lines of inquiry. Few have written about Anna’s religious beliefs, and comparing her Catholicism with Henrietta Maria’s illuminates the ways in which both women were politically subversive. This book offers an important corrective to centuries of negative representation, and contributes to a fuller understanding of the role of queenship in the English Civil War and the fall of the Stuart monarchy.
This collection examines the afterlives of early modern English and French rulers. Spanning five centuries of cultural memory, the volume offers case studies of how kings and queens were remembered, represented, and reincarnated in a wide range of sources, from contemporary pageants, plays, and visual art to twenty-first-century television, and from premodern fiction to manga and romance novels. With essays on well-known figures such as Elizabeth I and Marie Antoinette as well as lesser-known monarchs such as Francis II of France and Mary Tudor, Queen of France, Remembering Queens and Kings of Early Modern England and France brings together reflections on how rulers live on in collective memory.
From the exemplary to the notorious to the obscure, this comprehensive and innovative encyclopedia showcases the worthy women of early modern England. Poets, princesses, or pirates, the women of power and agency found in these pages are indeed worth knowing, and this volume will introduce many female figures to even the most established scholars in early modern studies. Rather than using the conventional alphabetical format of the standard biographical encyclopedia, this volume is divided into categories of women. Since many women will fit in more than one category, each woman is placed in the category that best exemplifies her life, and is cross referenced in other appropriate sections. This structure makes the book an interesting read for seasoned scholars of early modern women, while students need not already be familiar with these subjects in order to benefit from the text. Another unusual feature of this reference work is that each entry begins with some incident from the woman’s life that is particularly exciting or significant. Some entries are very brief while others are extensive. Each includes a source listing. The book is well illustrated and liberally sprinkled with quotations of the time either by or about the women in the text.
The life of Frances Coke Villiers, Viscountess Purbeck. A story of love, sex, and high drama set against the backdrop of a tumultuous and formative period of English history, this is also the story of an exceptional and courageous rebel against an age in which women were expected to be obedient, silent, and chaste.
This book argues that the early modern public/private boundary was surprisingly dynamic and flexible in early modern literature, drawing upon authors including Shakespeare, Anne Lock, Mary Wroth, and Aphra Behn, and genres including lyric poetry, drama, prose fiction, and household orders. An epilogue discusses postmodern privacy in digital media.
A richly imagined, gorgeously written historical novel set in the Stuart court featuring a unique hero: Jeffrey Hudson, a dwarf tasked with spying on the beautiful but vulnerable queen It's 1629, and King Charles I and his French queen Henrietta Maria have reigned in England for less than three years. Young dwarf Jeffrey Hudson is swept away from a village shambles and plunged into the Stuart court when his father sells him to the most hated man in England—the Duke of Buckingham. Buckingham trains Jeffrey to be his spy in the household of Charles' seventeen-year-old bride, hoping to gain intelligence that will help him undermine the vivacious queen's influence with the king. Desperately homesick in a country that hates her for her nationality and Catholic faith, Henrietta Maria surrounds herself with her "Royal Menagerie of Freaks and Curiosities of Nature"—a "collection" consisting of a giant, two other dwarves, a rope dancer, an acrobat/animal trainer and now Jeffrey, who is dubbed "Lord Minimus." Dropped into this family of misfits, Jeffrey must negotiate a labyrinth of court intrigue and his own increasingly divided loyalties. For not even the plotting of the Duke nor the dangers of a tumultuous kingdom can order the heart of a man. Though he is only eighteen inches tall, Jeffrey Hudson's love will reach far beyond his grasp—to the queen he has been sent to destroy. Full of vibrant period detail, The Queen's Dwarf by Ella March Chase is a thrilling and evocative portrait of an intriguing era.
This is the biography of Edward Reynolds (1599–1676), a Presbyterian clergyman in the Church of England in the seventeenth century. He distinguished himself as a popular preacher who participated in the struggle to redefine the national church during the century after Henry VIII withdrew England from Roman Catholicism. He represented the attempt to have Calvinistic preaching and church order represented as legitimate options over against Anglo Catholic ritualism in the new church. He did not succeed, but was appointed Bishop of Norwich, where he functioned as a moderate voice within the church. He was known as the Pride of the Presbyterians, and was the author of a Treatise on the Passions of the Soul of Man and a number of volumes of sermons delivered to many leaders of the nation. He was a central figure in the development of the Westminster Confession of Faith and selected prayers within the Book of Common Prayer.