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"I am going blind. I am going blind," my mother would proclaim whenever I would call her in the psychiatric hospital, from almost three thousand miles away in Los Angeles. "By tomorrow," my mother would shout into the phone, "I will be blind." For years she had coped on her own until her doctor reduced her Haldol in hopes of decreasing harmful neurological side effects. The results were cataclysmic. This would be one of many relapses after receiving a diagnosis for paranoid schizophrenia in her mid-forties, after a ten-year prolonged psychosis during which my mother worked as criminal public defense counsel on behalf of some of New York and New Jersey's most disadvantaged residents. A Room with a Darker View is an unflinching, feminist work that chronicles the author's troubled relationship with her mother, an Oxford-trained lawyer, whose severe illness -- marked by manic bouts of senseless laughter, persistent delusions, and florid hallucinations -- went unrecognized for decades by both her husband, a world-class British astrophysicist, and her father, a Jewish-Zimbabwean doctor knighted by Pope Paul VI. Told in fragments, flashbacks, and chronicling the most extreme but unfortunately common aspects of schizophrenia, this elegantly written memoir is a reflection on illness, shame, and the generation gaps that have defined mother-daughter relationships amid the evolution of feminism in the 20th century. Like Porochista Khakpour's lauded memoir, Sick (2018), A Room with a Darker View is not a linear tale of redemption or restitution. Rather, it challenges conceptions about mental illness, difficulties caring for an aging parent with a chronic disease, and how we frame contributions by outliers to society, while offering a scathing look at a broken medical system, the unwillingness of an elite educated family to reckon with its secrets, and finally, the universally-understood difficulty of caring for an aging parent with a chronic illness. Unsurprisingly, feminists have been at the forefront of writing illness narratives, from Virginia Woolf to Audre Lord and Susan Sontag. My family's inability to accommodate my mother's illness, the perniciousness of her particular subtype of schizophrenia, paranoia, and the story of women's fight for gender equality in both the workplace and at home are part of this chronicle. In 500-word vignettes A Room with a Darker View retrospectively examines the trauma of undiagnosed mental illness besieging a mother-daughter relationship from toddlerhood through college and into the author's adult life as a writer and lecturer. Of particular note, the author documents her mother's determination in trying to find a place for herself in the male dominated field of law in the 1970s, and her equal determination to recover some semblance of a life after a difficult diagnosis, as she becomes heavily medicated and impoverished by divorce. Only with her mother's final relapse at 73 did the author begin to tell this story, first in Black Clock, an essay for which she received a Pushcart nomination and notable mention in The Best American Essays 2015.
Creak... Crash... BOO! Shivering skeletons, ghostly pirates, chattering corpses, and haunted graveyards...all to chill your bones! Share these seven spine-tingling stories in a dark, dark room.
Virginia Woolf's playful exploration of a satirical »Oxbridge« became one of the world's most groundbreaking writings on women, writing, fiction, and gender. A Room of One's Own [1929] can be read as one or as six different essays, narrated from an intimate first-person perspective. Actual history blends with narrative and memoir. But perhaps most revolutionary was its address: the book is written by a woman for women. Male readers are compelled to read through women's eyes in a total inversion of the traditional male gaze. VIRGINIA WOOLF [1882–1941] was an English author. With novels like Jacob’s Room [1922], Mrs Dalloway [1925], To the Lighthouse [1927], and Orlando [1928], she became a leading figure of modernism and is considered one of the most important English-language authors of the 20th century. As a thinker, with essays like A Room of One’s Own [1929], Woolf has influenced the women’s movement in many countries.
Kidnapped as a teenage girl, Ma has been locked inside a purpose built room in her captor's garden for seven years. Her five year old son, Jack, has no concept of the world outside and happily exists inside Room with the help of Ma's games and his vivid imagination where objects like Rug, Lamp and TV are his only friends. But for Ma the time has come to escape and face their biggest challenge to date: the world outside Room.
In a dark, dark room, in a soft, soft voice, tell a scary story! Newly reillustrated, this classic I Can Read full of spooky stories is perfect for beginning readers who love a bit of a scare. Victor Rivas’s silly and spooky art will introduce a new generation to stories inspired by traditional folktales like “The Teeth,” “In the Graveyard,” “The Green Ribbon,” “In A Dark, Dark Room,” “The Night It Rained,” “The Pirate,” and “The Ghost of John.” The original edition has won many state awards and is an ALA Notable Children’s Book. In a Dark, Dark Room is a Level Two I Can Read book, geared for kids who read on their own but still need a little help.
“A Shakespearean comedy of misaligned lovers” set in the modern English countryside by a Man Booker Prize winner (Publishers Weekly). Hugh Peronett’s life is tinged with regret: the regret of never following his passions and losing the one woman he loved. Twenty-five years ago, he ended an affair with Emma Sands, a detective novelist who had stolen his heart, to be with his wife, Fanny. Now, Fanny is gone, and both Hugh and his grown son, Randall, find themselves at a crossroads of passion and righteousness. As Hugh, Emma, Randall, Randall’s wife, Randall’s mistress, and several others are caught in a dance of romance and rejection in bucolic rural England, they will discover the true meanings of love, companionship, and desire. From the acclaimed author of The Sea, The Sea, An Unofficial Rose is a novel of wit, sorrow and an unparalleled psychological insight.
"A Room with a View is a 1908 novel by English writer E. M. Forster, about a young woman in the restrained culture of Edwardian era England. Set in Italy and England, the story is both a romance and a humorous critique of English society at the beginning of the 20th century. Merchant Ivory produced an award-winning film adaptation in 1985.The Modern Library ranked A Room with a View 79th on its list of the 100 best English-language novels of the 20th century (1998)."
Juan Cabrillo and his crew aboard the Oregon take on modern-day pirates for a surprising new client in this #1 New York Times-bestselling series. Cabrillo and his motley crew aboard the clandestine spy ship Oregon have made a very comfortable and very dangerous living working for high-powered Western interests. But their newest clients have come from the Far East to ask for Cabrillo's special brand of assistance: a consortium of Japanese shipping magnates whose fortunes are being threatened by brutal pirates trolling the waters of Southeast Asia. Normally, such attacks on the high seas are limited to smaller ships and foreign-owned yachts-easy targets on the open ocean. Now, however, giant commercial freighters are disappearing. But when Cabrillo confronts the enemy, he learns that the pirates' predations hide a deadly international conspiracy-a scheme of death and slavery that Juan Cabrillo is going to blow out of the water.
Catalog of an exhibition held at the Metropolitan Museum of Art, New York, April 5-July 4, 2011.
"In what kinds of spaces do we become most aware of the thoughts in our own heads? My Dark Room is a book about the intimate sites of inner experience in eighteenth-century England and their role in the rise both of interiority and the novel. Julie Park considers sites such as grottos, cottages, closets, and especially the camera obscura, that beguiling enclosure into which the outside world is projected through a lens. This type of "dark room" and the projections within it serve Park as a paradigm for the fleeting states of interiority that eighteenth-century figures felt compelled to generate and experience. Park integrates material analyses of these "interior" spaces with close readings of novelistic and proto-novelistic texts. Taken together, these case studies amount to a fresh narrative of the novel's development as a genre of interiority from 1650 to 1811. They include Andrew Marvell's country house poem, Upon Appleton House; Margaret Cavendish's loosely fictional letters about domestic life, Sociable Letters, and the utopian fantasy/critique of the new science, The Blazing World; and Alexander Pope's long poem, Eloisa to Abelard. Park's innovative method of "spatial formalism" reveals how physical settings enable psychic interiors to achieve vitality in fictive and real lives"--