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It has been more than thirty-five years since Jimi Hendrix died, but his music and spirit are still very much alive for his fans everywhere. Charles R. Cross vividly recounts the life of Hendrix, from his difficult childhood and adolescence in Seattle through his incredible rise to celebrity in London's swinging sixties. It is the story of an outrageous life--with legendary tales of sex, drugs, and excess--while it also reveals a man who struggled to accept his role as idol and who privately craved the kind of normal family life he never had. Using never-before-seen documents and private letters, and based on hundreds of interviews with those who knew Hendrix--many of whom had never before agreed to be interviewed--Room Full of Mirrors unlocks the vast mystery of one of music's most enduring legends.
Drawing on candid personal narratives derived from reunions ranging from the fifth to the fiftieth, this pathbreaking book demonstrates that for many Americans the high school reunion is a rich, poignant experience and a dramatic moment in the construction of self and meaning in adulthood.
Famous professor Joseph Wieder was brutally murdered, and the crime was never solved. Years later when literary agent Peter Katz receives an incomplete memoir written by a student of the murdered professor, he becomes obsessed with solving the crime.
A relaxed and informal presentation conveying the joy of mathematical discovery and insight. Frequent questions lead readers to see mathematics as an accessible world of thought, where understanding can turn opaque formulae into beautiful and meaningful ideas. The text presents eight topics that illustrate the unity of mathematical thought as well as the diversity of mathematical ideas. Drawn from both "pure" and "applied" mathematics, they include: spirals in nature and in mathematics; the modern topic of fractals and the ancient topic of Fibonacci numbers; Pascals Triangle and paper folding; modular arithmetic and the arithmetic of the infinite. The final chapter presents some ideas about how mathematics should be done, and hence, how it should be taught. Presenting many recent discoveries that lead to interesting open questions, the book can serve as the main text in courses dealing with contemporary mathematical topics or as enrichment for other courses. It can also be read with pleasure by anyone interested in the intellectually intriguing aspects of mathematics.
It didn't take long after Jimi Hendrix's death for the artist to become a myth of music. He has been surrounded by a shroud of intrigue since he first came into the public eye, and the mystery has only grown with time. Much has been written and said about him by experts and fans and critics, some of it true and some of it not; Starting at Zero will set the record straight. This is Hendrix in his own words. The lyricism and rhythm of Jimi Hendrix's writing will be of no surprise to his fans. Hendrix wrote prolifically throughout his life and he left behind a trove of scribbled-on hotel stationary, napkins and cigarette cartons. Starting at Zero weaves the scraps and bits together fluidly with interviews and lyrics revealing for the first time a continuous narrative of the artist's life, from birth through to the final four years of his life. The result is a beautifully poetic, charming and passionate memoir as smooth and memorable as Hendrix's finest songs. The pieces of Starting at Zero came together in large part because of the inspiration of Alan Douglas. Douglas first met Jimi Hendrix backstage at Woodstock, and soon after became Hendrix's producer and close friend. In creating the book he joined forces with Peter Neal, who edited Hendrix's writing with the reverence and light touch it deserved.
"Japanese artist Yayoi Kusama's iconic Infinity Mirror Rooms are filled with a multiplicity of lights that reflect endlessly, projecting the illusion of infinite space. Yayoi Kusama: Infinity Mirrors traces these installations over five decades, revealing the ways in which they developed from a strategy of "self-obliteration" and political liberation during the Vietnam War to a means of social harmony in the present. By examining her early unsettling installations alongside her more recent ethereal atmospheres, this volume aims to historicize her pioneering work amidst today's renewed interest in experiential practices"--
A study of Kusama's era-defining work, a “sublime, miraculous field of phalluses,” against the background of abstraction, eroticism, sexuality, and softness. Almost a half-century after Yayoi Kusama debuted her landmark installation Infinity Mirror Room—Phalli's Field (1965) in New York, the work remains challenging and unclassifiable. Shifting between the Pop-like and the Surreal, the Minimal and the metaphorical, the figurative and the abstract, the psychotic and the erotic, with references to “free love” and psychedelia, it seemed to embody all that the 1960s was about, while at the same time denying the prevailing aesthetics of its time. The installation itself was a room lined with mirrored panels and carpeted with several hundred brightly polka-dotted soft fabric protrusions into which the visitor was completely absorbed. Kusama simply called it “a sublime, miraculous field of phalluses.” A precursor of performance-based feminist art practice, media pranksterism, and “Occupy” movements, Kusama (born in 1929) was once as well known as her admirers—Andy Warhol, Donald Judd, and Joseph Cornell. In this first monograph on an epoch-defining work, Jo Applin looks at the installation in detail and places it in the context of subsequent art practice and theory as well as Kusama's own (as she called it) “obsessional art.” Applin also discusses Kusama's relationship to her contemporaries, particularly those working with environments, abstract-erotic sculpture, and mirrors, and those grappling with such issues as abstraction, eroticism, sexuality, and softness. The work of Lee Lozano, Claes Oldenburg, Louise Bourgeois, and Eva Hesse is seen anew when considered in relation to Yayoi Kusama's.
In a unique style that is both sensory and utopian, Yayoi Kusama’s work possesses a highly personal character, yet one that has connected profoundly with large audiences around the globe. Throughout her career she has been able to break down traditional barriers between work, artist, and spectator. Kusama’s work—which spans paintings, performances, room-size presentations, sculptural installations, literary works, films, fashion, design, and interventions within existing architectural structures—has transcended some of the most important art movements of the second half of the twentieth century, including pop art and minimalism. Conveying extraordinary vitality and passion, her work seems to encompass an autobiographic, even confessional dimension. As stated by Roberta Smith in The New York Times, “These paintings form a great big infinity room of their own, but one in which each part is also an autonomous work of art, its own piece of wobbly, handwrought infinity. You may not want to know these paintings Ms. Kusama has made, but in the moment their vitality is infectious. It is the vitality of an artist who lives to work, whose work keeps her alive.” Yayoi Kusama: Festival of Life documents the artist’s exhibition at David Zwirner’s Chelsea location in New York in late 2017, featuring a selection of paintings from her iconic My Eternal Soul series, new large-scale flower sculptures, a polka-dotted environment, and two Infinity Mirror Rooms. The monograph includes new scholarship on the artist by Jenni Sorkin, as well as a special foldout poster.
Hailed for its astounding portrait of Jimi Hendrix, Philip Norman’s Wild Thing has become the definitive biography of rock’s most outrageous—and tragic—genius. Today, Jimi Hendrix (1942–1970) is celebrated as the greatest rock guitarist of all time. But before he was setting guitars and the world aflame, James Marshall Hendrix was a shy kid in Seattle, plucking at a broken ukulele. Bringing Hendrix’s story to vivid life against the backdrop of midcentury rock, and interweaving new interviews with friends, lovers, bandmates, and his family, Wild Thing vividly reconstructs Hendrix’s remarkable career, from playing segregated clubs on the Chitlin’ Circuit to achieving stardom in Swinging London.
A survey of the history, forms, stylistic range, and use of mirrors in interior design. An ideal resource for anyone designing or re-creating period rooms or studying historical aesthetics, Mirrors looks at the ever-changing forms and uses of mirrors as major elements and points of emphasis in domestic interiors in the West. With a glimpse of their antecedents in classical antiquity and western Asia, the book traces a path from Louis XIV's Hall of Mirrors at Versailles and the royal and noble interiors that emulated it to mirrors in eighteenth- and nineteenth-century European and New World interiors and high-chic applications in twentieth- and twenty-first-century rooms. Mirror frames and furniture incorporating mirrors are also considered.