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The subject of Roman scandal has been recounted at various points in all histories of Rome, but not in one unified place. Roman scandal often depended on the social class, not to mention the sex, of the perpetrator and that of the victim. As we survey the thousand year history of Rome and its western rump state stumbling into final oblivion in 476, one notes that it ran on the fuel of extreme violence and brutality, such as most modern people in the West have not had to deal with, at least since Hitler was defeated in 1945. Romans were continuously at war with foreigners, against tribes beyond the pale, and with each other in civil strife, for centuries. When the ruling elite were not plundering abroad to fuel the empire, they were plotting and killing each other in the palace, the Senate, and the Forum. In fact, they often combined the two pursuits all at once. Plunder gave them wealth and slaves, and with wealth came leisure, and in their leisure the Romans chose to entertain themselves with blood spectacles. Men and women fought to the death as gladiators in the Colosseum and hippodrome, and wild animals were killed for fun. Surely the depravity and excess that took place under the emperors proves not that success and luxury assured the empire's destruction, as Livy feared, but that the empire could function well enough to last several centuries, despite moral and political anarchy at the very top. Historian of empire, Dr. Frank H. Wallis, makes a valuable contribution to Roman studies based on the ancient authorities, including Tacitus, Suetonius, Herodian, Livy, Plutarch, Zosimus, Ammianus, Dio, Eutropius, Zonares, Josephus.
The Art of Scandal advances a relatively simple claim with far-reaching consequences for modernist studies: writers and readers throughout the early twentieth century revived the long-despised codes and habits of the roman á clef as a key part of that larger assault on Victorian realism we now call modernism. In the process, this resurgent genre took on a life of its own, reconfiguring the intricate relationship between literature, celebrity, and the law. Sean Latham summons cases of the novel's social notoriety--and the numerous legal scandals the form provoked--to articulate the material networks of reception and circulation through which modernism took shape, revealing a little explored popular history within its development. Producers as well as consumers used elements of the controversial roman á clef, a genre that challenges the idea of fiction as autonomous from the social and political world. In turn, this widespread practice provoked not only a generative aesthetic crisis, but also a gradually unfolding legal quandary that led Britain's highest courts to worry that fiction itself might be illegal. Modernism sat squarely, for a time, between literature and the law. With skillful close readings aided by extensive archival research, Latham illuminates the world of backbiting, gossip, litigation, and sensationalism through chapters on Oscar Wilde's trial, Joyce's Ulysses, celebrity salons, and Parisian bohemia. Original, colorful, and perceptive, The Art of Scandal both salvages the reputation of the roman á clef form and traces its curious itinerary through the early twentieth century. Seeking out the best new interdisciplinary work, this series explores the cultural bearings of literary modernism across multiple fields, geographies, symbolic forms, and media.
There are many types of political scandals: sex, corruption, and election scandals are but a few. Political scandals are public events that have tremendous consequence on citizenry and can undermine democratic institutions-when we pay attention to scandal, we risk ignoring weightier matters. This volume brings together an array of academics to explore the impact of political scandals. What makes this book different from others is the wide spectrum of perspectives brought together to help analyze a single subject.
Mitte März 2018 skandalisierten Medien die Datenberatungsfirma Cambridge Analytica und den Milliardenkonzern Facebook wegen fragwürdiger Methoden, die während der Brexit-Kampagne und des US-Wahlkampfs 2016 Anwendung fanden. Die Affäre um die beiden Unternehmen machte deutlich, dass viele Skandalfälle nicht an Ländergrenzen Halt machen und je nach kulturellem Hintergrund unterschiedlich beurteilt werden. "Scandalogy 2: Cultures of Scandals – Scandals in Culture" vereint aktuellste Forschungsergebnisse internationaler Forscher zum Themenfeld "Skandale". Ein besonderer Fokus liegt dabei auf der Skandalberichterstattung, etwa durch eine Langzeitstudie in Großbritannien oder durch eine Analyse der Berichterstattung über Spionage im Kalten Krieg in den USA. Andere Beiträge widmen sich Online-Skandalisierungformen wie dem sogenannten "Shit Storm". Der Sammelband richtet sich an Forscher und Studenten, insbesondere in den Kommunikations- und Medienwissenschaften, der Politikwissenschaft und Soziologie. Die Befunde sind außerdem für Berufspraktiker, vor allem für PR-Berater, Pressesprecher und Krisenkommunikationsexperten, von hohem Interesse.
Mahatma Gandhi once chided a Christian friend, "All you Christians, missionaries and all, must begin to live more like Jesus Christ." And what Christian among us would disagree with him? After the holy wars and witch-hunts, after persecutions and political machinations, there is a broad sense today that the Church, however well-meaning, is on the wrong side of history. But do we really know our history? In this collaboration with historian Arnold Angenendt, best-selling German author Manfred Lütz dares to show us what contemporary historians actually say about Christianity's track record over the ages. This detailed overview begins with the ancient pagans, passing through Israel, the early Church martyrs, Constantine's Rome, the reign of Charlemagne, the Crusades, the Inquisition, the Reformation, the Borgia popes, the Galileo affair, the conquistadores, the French Revolution, the slave trade, the Holocaust, the sex abuse crisis, and more. The Scandal of the Scandals separates myth from fact, giving us a candid portrait of Christendom with its scars and all. Prepare to be amazed at how little you really knew about Christianity.
Are sex scandals simply trivial distractions from serious issues or can they help democratize politics? In 1820, George IV's "royal gambols" with his mistresses endangered the Old Oak of the constitution. When he tried to divorce Queen Caroline for adultery, the resulting scandal enabled activists to overcome state censorship and revitalize reform. Looking at six major British scandals between 1763 and 1820, this book demonstrates that scandals brought people into politics because they evoked familiar stories of sex and betrayal. In vibrant prose woven with vivid character sketches and illustrations, Anna Clark explains that activists used these stories to illustrate constitutional issues concerning the Crown, Parliament, and public opinion. Clark argues that sex scandals grew out of the tension between aristocratic patronage and efficiency in government. For instance, in 1809 Mary Ann Clarke testified that she took bribes to persuade her royal lover, the army's commander-in-chief, to promote officers, buy government offices, and sway votes. Could women overcome scandals to participate in politics? This book also explains the real reason why the glamorous Georgiana, Duchess of Devonshire, became so controversial for campaigning in a 1784 election. Sex scandal also discredited Mary Wollstonecraft, one of the first feminists, after her death. Why do some scandals change politics while others fizzle? Edmund Burke tried to stir up scandal about the British empire in India, but his lurid, sexual language led many to think he was insane. A unique blend of the history of sexuality and women's history with political and constitutional history, Scandal opens a revealing new window onto some of the greatest sex scandals of the past. In doing so, it allows us to more fully appreciate the sometimes shocking ways democracy has become what it is today.
This book provides a thoroughly documented discussion of ancient Roman ideologies of masculinity and sexuality with a focus on ancient representations of sexual experience between males. It gathers a wide range of evidence from the second century B.C. to the second century A.D.--above all from such literary texts as courtroom speeches, love poetry, philosophy, epigram, and history, but also graffiti and other inscriptions as well as artistic artifacts--and uses that evidence to reconstruct the contexts within which Roman texts were created and had their meaning. The book takes as its starting point the thesis that in order to understand the Roman material, we must make the effort to set aside any preconceptions we might have regarding sexuality, masculinity, and effeminacy. Williams' book argues in detail that for the writers and readers of Roman texts, the important distinctions were drawn not between homosexual and heterosexual, but between free and slave, dominant and subordinate, masculin and effeminate as conceived in specifically Roman terms. Other important questions addressed by this book include the differences between Roman and Greek practices and ideologies; the influence exerted by distinctively Roman ideals of austerity; the ways in which deviations from the norms of masculine sexual practice were negotiated both in the arena of public discourse and in real men's lives; the relationship between the rhetoric of "nature" and representations of sexual practices; and the extent to which same-sex marriages were publicly accepted.