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There have been few rock singers as beloved as the late/great Bon Scott of AC/DC. After all, it was his unmistakable vocals and street-wise/sexually-charged lyrics that were a major part of such all-time classic rock anthems as "Highway to Hell," "Sin City," "Whole Lotta Rosie," "Dirty Deeds Done Dirt Cheap," and "TNT." And it was the "Bon era" that set the stage for AC/DC to go on to become one of rock's most universally popular and enduring bands. But few rockers partied as hard as Bon-sadly resulting in his death at the age of 33, just before AC/DC scored their worldwide breakthrough, with the mega-selling 'Back in Black.' To mark 40 years since Bon's tragic passing, 'A Rockin' Rollin' Man: Bon Scott Remembered' has been assembled-comprised entirely of all-new interviews with renowned rockers, discussing what made Bon so special and unforgettable.
Formed in 1973 by brothers Angus and Malcolm Young, AC/DC has become one of the most popular rock ’n’ roll bands in history. This massive new title follows the band from its roots in Sydney, Australia, to its most recent releases and sold-out world tours. No stone is left unturned, from the AC/DC’s formation and early club gigs to its astounding worldwide success. A special cover incorporating Angus on a spinning disc gives way to more than 400 illustrations include handbills, posters, backstage passes, and vinyl from around the globe, as well as rare candid and performance photography. Sidebars from top rock scribes examine all studio releases and delve into the guitar gear of the Young brothers. The result is an awesome tribute to the band renowned for a live-wire stage show and a sonic attack that have attracted fans from all rock camps Contributors include: Phil Sutcliffe Joe Bonomo Danie Bukszpan Jen Jewel Brown Anthony Bozza Garth Cartwright Ian Christe David Dunlap Andrew Earles Dave Hunter James McNair Martin Popoff Sylvie Simmons Bill Voccia
Joshua Alberto Hamilton was born in 1973 in Northern Michigan as an only child. Pampered from birth, he got the legacy to cut loose on many things because he was raised in a carefree childhood. He was never a humdinger of a student or a clinical scholar, but rather, a frivolous character. A novel, Rockin, Rollin Rolpa offers a comparison between American and Nepalese life from an eye of an American youth who unintentionally lands in the Himalayan country to spend three months without any preparation, knowledge and excitement, due to a twist of fate on his twenty-first birthday. The story unfolds with a blend of humor, drama, and thrill to keep readers guessing about the following situations. It shares the adventures, mishaps, and lessons learned from a young man who faces a series of interesting choices. A must read for the ones who want to experience cultural differences between two opposite poles of the earth.
Grayson Donald, seventeen years old, has just hanged himself from a basketball hoop next to a playground in Centreville, North Virginia (NoVA). The question is, Why? In this incisive dissection of the author's hometown, James Boice scratches its shiny suburban surface to reveal a place formed from "a cloud that slid west and met with the humidity and spent buckshot cartridges and Civil War bones clad in blue and gray to create concrete and vinyl siding and front yards laid in chunks, child care centers and video rental places." An exciting new voice in fiction, James Boice blends sharp social observations with dark humor and remarkable prose. In both passing glimpses and intimate interior monologues, we come to know Grayson's family, his fellow students, his neighbors, and many who knew him only slightly, if at all. A portrait of a town emerges that renders Grayson's suicide both devastating and inevitable. NoVA is a unique and fascinating depiction of the American suburb.
“Raw and unsparing...as intimate and as painful as a therapy session, while chronicling the history of the band as it took shape in the Mod scene in 1960s London and became the very embodiment of adolescent rebellion and loud, anarchic rock ‘n’ roll.” — Michiko Kakutani, New York Times One of rock music's most intelligent and literary performers, Pete Townshend—guitarist, songwriter, editor—tells his closest-held stories about the origins of the preeminent twentieth-century band The Who, his own career as an artist and performer, and his restless life in and out of the public eye in this candid autobiography, Who I Am. With eloquence, fierce intelligence, and brutal honesty, Townshend has written a deeply personal book that also stands as a primary source for popular music's greatest epoch. Readers will be confronted by a man laying bare who he is, an artist who has asked for nearly sixty years: Who are you?
No ordinary memoir, this book aspires to be more than a mere exercise in narcissism. A street person in a zany California beach town at the end of the author's days provides the theme: planet Earth is the Galaxy Lunatic Training Asylum upon which each of us has been planted with one purpose, namely to rise from the stupidity and the darkness around us into the light, to regain in fact our sanity. Mama Earth is really tired of it all, the Lady opines, and recommends a journey inward. Taking a literary look back at his life, he sees she was right. In a series of poignant vignettes, it becomes clear that he and the whole country have been progressively descending into hopeless lunacy. Ah but theres more; there's an agend here. It seems its all been a macho ego trip---the whole of human history in fact---an unfortunate male mistake, a mere prelude to the new paradigm, the return of the goddess---meaning the spiritual androgyny that Jesus talks about in the Gospel of Thomas. We need to restore the balance between male and female. In a hilarious final chapter set in the aforementioned California city, it all comes together: Mama Earth, the Goddess Sophia and the Cosmic Lady, who is vindicated in an eschatological grand finale. She was right all along.
Young piano students will easily find an entry point into expressive playing with the animal adventures featured in The Bean Bag Zoo Collector's Series Book 1. Inspired by the imaginative world of beanbag toys, this elementary level volume helps students master musical concepts such as learning to play bouncy staccatos by picturing a leaping frog or a laughing chimp, or attaining floating legatos with the image of a beautiful rainbow fish.
(Guitar Educational). A comprehensive source designed to help guitarists develop both lead and rhythm playing. Covers: Texas, Delta, R&B, early rock and roll, gospel, blues/rock and more. Includes 21 complete solos; chord progressions and riffs; turnarounds; moveable scales and more. The audio features leads and full band backing.
This fascinating compendium explains the most unusual, obscure, and curious words and expressions from vintage blues music. Utilizing both documentary evidence and invaluable interviews with a number of now-deceased musicians from the 1920s and '30s, blues scholar Stephen Calt unravels the nuances of more than twelve hundred idioms and proper or place names found on oft-overlooked "race records" recorded between 1923 and 1949. From "aggravatin' papa" to "yas-yas-yas" and everything in between, this truly unique, racy, and compelling resource decodes a neglected speech for general readers and researchers alike, offering invaluable information about black language and American slang.
An essential part of a journalist's responsibility is to listen, observe, ask good questions, and then listen some more. For too long, too few journalists have taken this responsibility seriously. This has been particularly true in the Trump era. Most political journalists failed to anticipate Donald Trump's rise because they are utterly unable to understand his appeal. From the start, they treated Trumpism as a pathology. They dismissed his voters as being guided by bigotry, ignorance, and fear. Needless to say, this has skewed their coverage.Worst of all, no one seems to have learned anything. The media malpractice that characterized the 2016 presidential campaign has arguably become even worse during the Trump presidency. Most of the media have remained unwilling or unable to understand and objectively report on the people and places that put Trump in the White House. When reporters do venture into “Trump's America,” they typically parachute in for only a few hours in search of evidence to confirm their pre-written narratives. Daniel Allott decided to take a different approach. In the spring of 2017, he left his position at a Washington, D.C. political magazine and began reporting from across the country. He spent much of the following three years living in and reporting from nine counties that were crucial to understanding the 2016 election; they will be equally crucial to determining who will win in 2020. This book is not just a study of Trump voters. Allott spoke with as many people as he could regardless of their politics; farmers and professors; congressmen and homeless people; refugees and drug addicts; students and retirees; progressives, conservatives, and people with no discernible or consistent political ideology. His one preference was for “switchers” — people who voted one way in 2016 and have subsequently changed their minds ahead of the 2020 election. Allot discovered that these voters are like an endangered species in Trump's America. Allott's goal wasn't simply to learn why people had voted the way they did in 2016, or to predict how they might vote in 2020. It was also to chart how their lives and circumstances changed over the course of Trump's first term in office, and how the values and priorities that inform their political views might have changed. The accounts will challenge preconceived ideas about who the people in these places are, what motivates their decisions, and what animates their lives.