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‘Does anyone here present...’ Scarlett Redwood takes an enormous risk interrupting Vincenzo Borgia’s wedding. He’s rich and powerful, whereas she’s penniless and alone but she needs his help... to protect their unborn child!
‘Does anyone here present...’ Scarlett Redwood takes an enormous risk interrupting Vincenzo Borgia’s wedding. He’s rich and powerful, whereas she’s penniless and alone but she needs his help... to protect their unborn child!
Surprises are in store for an English woman and a Greek bad boy after a steamy fling in this contemporary romance by a USA Today–bestselling author. Notorious playboy Loukas Kyprianos cannot forget his wild night with sweet, innocent Emily Seymour. But when he arrives in London to offer a no-strings arrangement, Loukas uncovers a surprise consequence of their passion—Emily is expecting! Despite their exquisite encounter, Emily knows Loukas can’t give her the fairy tale she dreams of—so when he insists they wed, she agrees for their child’s sake alone. But their engagement fuels their hunger, and when the irresistible Greek’s protection turns to seduction it’s only a matter of time before Emily succumbs to his touch!
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
Galileo Unbound traces the journey that brought us from Galileo's law of free fall to today's geneticists measuring evolutionary drift, entangled quantum particles moving among many worlds, and our lives as trajectories traversing a health space with thousands of dimensions. Remarkably, common themes persist that predict the evolution of species as readily as the orbits of planets or the collapse of stars into black holes. This book tells the history of spaces of expanding dimension and increasing abstraction and how they continue today to give new insight into the physics of complex systems. Galileo published the first modern law of motion, the Law of Fall, that was ideal and simple, laying the foundation upon which Newton built the first theory of dynamics. Early in the twentieth century, geometry became the cause of motion rather than the result when Einstein envisioned the fabric of space-time warped by mass and energy, forcing light rays to bend past the Sun. Possibly more radical was Feynman's dilemma of quantum particles taking all paths at once — setting the stage for the modern fields of quantum field theory and quantum computing. Yet as concepts of motion have evolved, one thing has remained constant, the need to track ever more complex changes and to capture their essence, to find patterns in the chaos as we try to predict and control our world.
Englishwoman Felicia Gordon should be floating on air. After all, she's engaged to a man who is kind, charming, considerate.... But he doesn't inspire the least amount of passion in her blood. It isn't until Felicia flies to Kuwait to meet her fiancé's family that she finds the electricity she's been missing—in her fiancé's uncle, Sheikh Raschid al Hamid al Sabah! Raschid is hardly the "uncle" she imagined—tall, powerful, unnervingly masculine and shockingly arrogant. But beneath Raschid's contempt lies a passion that burns hotter than the desert sun, a fire Felicia never knew she craved...until now.
Gathers quotations about agriculture, anthropology, astronomy, the atom, energy, engineering, genetics, medicine, physics, science and society, and research
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Ten grids that changed the world: the emergence and evolution of the most prominent visual structure in Western culture. Emblematic of modernity, the grid is the underlying form of everything from skyscrapers and office cubicles to paintings by Mondrian and a piece of computer code. And yet, as Hannah Higgins makes clear in this engaging and evocative book, the grid has a history that long predates modernity; it is the most prominent visual structure in Western culture. In The Grid Book, Higgins examines the history of ten grids that changed the world: the brick, the tablet, the gridiron city plan, the map, musical notation, the ledger, the screen, moveable type, the manufactured box, and the net. Charting the evolution of each grid, from the Paleolithic brick of ancient Mesopotamia through the virtual connections of the Internet, Higgins demonstrates that once a grid is invented, it may bend, crumble, or shatter, but its organizing principle never disappears. The appearance of each grid was a watershed event. Brick, tablet, and city gridiron made possible sturdy housing, the standardization of language, and urban development. Maps, musical notation, financial ledgers, and moveable type promoted the organization of space, music, and time, international trade, and mass literacy. The screen of perspective painting heralded the science of the modern period, classical mechanics, and the screen arts, while the standardization of space made possible by the manufactured box suggested the purified box forms of industrial architecture and visual art. The net, the most ancient grid, made its first appearance in Stone Age Finland; today, the loose but clearly articulated networks of the World Wide Web suggest that we are in the middle of an emergent grid that is reshaping the world, as grids do, in its image.