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Michel de Certeau considers the uses to which social representation and modes of social behavior are put by individuals and groups, describing the tactics available to the common man for reclaiming his own autonomy from the all-pervasive forces of commerce, politics, and culture. In exploring the public meaning of ingeniously defended private meanings, de Certeau draws on an immense theoretical literature in analytic philosophy, linguistics, sociology, semiology, and anthropology--to speak of an apposite use of imaginative literature.
The work that Maurice Merleau-Ponty planned to call The Prose of the World, or Introduction to the Prose of the World, was unfinished at the time of his death. The book was to constitute the first section of a two-part work whose aim was to offer, as an extension of his Phenomenology of Perception, a theory of truth. This edition's editor, Claude Lefort, has interpreted and transcribed the surviving typescript, reproducing Merleau-Ponty's own notes and adding documentation and commentary.
Robert Musil (1880 - 1942) was an Austro-Hungarian novelist and essayist, known for his masterpiece "The Man Without Qualities." He was born on November 6, 1880, in Klagenfurt, Austria, during the era of the Austro-Hungarian monarchy. Musil, influenced by the philosophical and cultural currents of his time, stood out for his keen observation of society and his profound psychological analysis. His most famous work, "The Man Without Qualities," is a monumental novel that examines the decadence of European society on the eve of World War I. Musil addressed themes such as alienation, the search for meaning, and the crisis of traditional values, establishing himself as a precursor of existentialism.
Revolutionary essays on design, aesthetics and materialism - from one of the great masters of modern architecture Adolf Loos, the great Viennese pioneer of modern architecture, was a hater of the fake, the fussy and the lavishly decorated, and a lover of stripped down, clean simplicity. He was also a writer of effervescent, caustic wit, as shown in this selection of essays on all aspects of design and aesthetics, from cities to glassware, furniture to footwear, architectural training to why 'the lack of ornament is a sign of intellectual power'. Translated by Shaun Whiteside With an epilogue by Joseph Masheck