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A child's mind is a wonderful place to create a fantasy. In this children's tale, a young girl holds her father's hand as she confronts her fears. Fortunately, the child learns a valuable life lesson. Our fears are almost always worse than what reality might bring. Moreover, the girl learns that confronting her fears is the best way to conquer them. Rachel Bogel was raised near Toledo, Ohio in a small community that Norman Rockwell would have loved. As a child, she frequently visited amusement parks with her family. This book was inspired by the thrilling roller coaster rides she enjoyed with her father. Rachel attended Skidmore College in upstate New York where she was graduated with a B.A. in Psychology and a minor in Education and Business. Rachel also completed her MBA and Master in Real Estate and Construction Management at the University of Denver. Rachel and her husband, Dalton, live in Colorado where they own their own real estate company.
Discover the monstrous realm of Ikoria in this thrilling story, inspired by Magic: The Gathering's card set Ikoria: Lair of Behemoths! Lukka is a proud captain of the Coppercoats, the elite military force that defends Drannith from the savage monsters lurking outside its city walls. For the Coppercoats, the only good monster is a dead monster. Lukka's world is forever altered when he unexpectedly forms a mystical connection with a ferocious, winged cat. But such bonds are high crimes in Drannith, punishable by death. Running for his life, Lukka flees the very home he was sworn to protect. Now an outcast monster "bonder," Lukka must survive the wilds of Ikoria while being ruthlessly hunted by his former brothers-in-arms, including the sadistic General Kudro. With help from planeswalker Vivien Reid, can Lukka learn to tame his newfound powers before he wields vengeance--and an army of nightmarish monsters--against his beloved Drannith?
Denis Johnson's New York Times bestseller, The Laughing Monsters, is a high-suspense tale of kaleidoscoping loyalties in the post-9/11 world that shows one of our great novelists at the top of his game. Roland Nair calls himself Scandinavian but travels on a U.S. passport. After ten years' absence, he returns to Freetown, Sierra Leone, to reunite with his friend Michael Adriko. They once made a lot of money here during the country's civil war, and, curious to see whether good luck will strike twice in the same place, Nair has allowed himself to be drawn back to a region he considers hopeless. Adriko is an African who styles himself a soldier of fortune and who claims to have served, at various times, the Ghanaian army, the Kuwaiti Emiri Guard, and the American Green Berets. He's probably broke now, but he remains, at thirty-six, as stirred by his own doubtful schemes as he was a decade ago. Although Nair believes some kind of money-making plan lies at the back of it all, Adriko's stated reason for inviting his friend to Freetown is for Nair to meet Adriko's fiancée, a grad student from Colorado named Davidia. Together the three set out to visit Adriko's clan in the Uganda-Congo borderland—but each of these travelers is keeping secrets from the others. Their journey through a land abandoned by the future leads Nair, Adriko, and Davidia to meet themselves not in a new light, but rather in a new darkness.
"Swiss Fairy Tales" by William Elliot Griffis. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
What prompts children to tell stories? What does the word "story" mean to a child at two or five years of age? The Folkstories of Children, first published in 1981, features nearly five hundred stories that were volunteered by fifty children between the ages of two and ten and transcribed word for word. The stories are organized chronologically by the age of the teller, revealing the progression of verbal competence and the gradual emergence of staging and plot organization. Many stories told by two-year-olds, for example, have only beginnings with no middle or end; the "narrative" is held together by rhyme or alliteration. After the age of three or four, the same children tell stories that feature a central character and a narrative arc. The stories also exhibit each child's growing awareness and management of his or her environment and life concerns. Some children see their stories as dialogues between teller and audience, others as monologues expressing concerns about fate and the forces of good and evil. Brian Sutton-Smith discusses the possible origins of the stories themselves: folktales, parent and teacher reading, media, required writing of stories in school, dreams, and play. The notes to each chapter draw on this context as well as folktale analysis and child development theory to consider why and how the stories take their particular forms. The Folkstories of Children provides valuable evidence and insight into the ways children actively and inventively engage language as they grow.
A fun, fast-paced novel about friendship, family, fighting for what’s right, and standing out from the crowd while standing up for yourself. Twelve-year-old Brooklyn Ace is ready to take the Valentine World Scouts by storm and build her own cookie empire. She nearly won the top cookie selling spot last year and is determined to make her mom—who recently passed away—proud by coming in first this time around. With her fabulous best friends by her side, Brooklyn knows she’ll become Santa Monica’s District Cookie Queen. The crown is practically in the bag. Then Piper Parker arrives. Piper has a rich dad, a fancy hotel, and a drive to steal the cookie crown right off Brooklyn’s head. Before long, most of the seventh grade is under Piper’s spell. But Brooklyn is in it to win the biggest cookie war the school has ever seen. With the help of her cookie squad, her rockstar grandmother, her super cool therapist, and a lot of self-love and inner growth, maybe—just maybe—Brooklyn can end up a winner after all.
Offers aspiring authors of novels and screenplays advice on using the classic themes of universal folklore and mythology to structure their works, and provides examples from well-known fiction and films.
Cave paintings at Lascaux, France and Altamira, Spain, fraught with expression thousands of years later; point to an early human desire to form a cultural identity. In the Oxford Companion to World Mythology, David Leeming explores the role of mythology, or myth-logic, in history and determines that the dreams of specific cultures add up to a larger collective story of humanity. Stopping short of attempting to be all-inclusive, this fascinating volume will nonetheless be comprehensive, opening with an introduction exploring the nature and dimensions of myth and proposing a definition as a universal language. Briefly dipping into the ways our understanding of myth has changed from Aristotle and Plato to modern scholars such as Joseph Campbell, the introduction loosely places the concept in its present context and precedes articles on influential mythologists and mythological approaches that appear later in the Companion. The main body of Leeming's work consists of A-Z entries covering all aspects of mythology, including substantial essays on the world's major mythological traditions (Greek, Native American, Indian, Japanese, Sumerian, Egyptian), mythological types and motifs (Descent to the Underworld, the Hero, the Trickster, Creation, the Quest), mythological figures (Odysseus, Zeus, Osiris, Spider Woman, and Inanna) as well as numerous interrelated subjects such as fairly tales and legends. The Companion also locates myth in our lives today, relating it to language patterns, psychology, religion, politics, art, and gender attitudes. Many of the better-known and more significant myths are vividly retold in this volume that will be illustrated with maps, more than 70 black and white images, and eight pages of color highlighting the central role art has often played in the transmission and perpetuation of myth. Following the entries, a rich section of appendices will include family trees of the major pantheons, equivalency charts for the gods of Greece and Rome, Babylon and Sumer, as well as other traditions, an extensive bibliography, and an index.
The gods, heroes, and monsters of Greek mythology come wondrously alive in this second volume of Bernard Evslin’s award-winning series Book two of Bernard Evslin’s extraordinary work opens with the story of Hercules, the strongest man on Earth. Son of a mortal woman and Zeus, feared and hated by Zeus’s wife, Hera, Hercules is condemned to twelve labors in which he must fight the world’s most terrifying monsters. It seems that the world’s mightiest hero may have met his match against the Hydra, a beast with one hundred heads that spew lethal poison. Other tales feature Atlas, the Titan condemned to bear the world on his shoulders; the hideous gorgon Medusa, who turns men to stone; the half-man, half-bull Minotaur; the Sphinx; and many more. Greek myths come to thrilling life in these timeless stories of love and revenge, sorcery and enchantment, in which gods and demigods, mortals, fiends, and demons battle between good and evil. It is a world where bushes become bears, the four winds go to war, and the Nemean Lion and giant crab Cancer strike terror into the hearts of all.