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This study analyses the book of Ezekiel as a tool of communication, arguing that the book was designed to shape the self-understanding of the exilic community. A discussion of the historical context precedes a chapter that deals with the basic thrust and literary arrangement of Ezekiel. A detailed examination of individual rhetorical techniques (use of the watchman motif, legal traditions, emotional language, and others) and of crucial passages (especially 24:15-27 and 37:1-14) follows. The final chapter explores the book's suitability for the situation for which it was designed. This work gives readers the opportunity to study the book of Ezekiel as a whole and to explore some of its intricacies. Its methodology is an example of the fruitful integration of traditional critical methods and more recent literary and sociological approaches. This publication has also been published in paperback, please click here for details.
Scholars have long puzzled over the distinctive themes and sequence of John’s narrative in contrast to the Synoptic Gospels. Brian Neil Peterson now offers a remarkable explanation for some of the most unusual features of John, including the early placement of Jesus’ “cleansing” of the temple, the emphasis on “signs” confirming Jesus’ identity, the prominence of Jesus’ “I Am” sayings, and a number of others. The Fourth Evangelist relied on models, motifs, and even the macrostructure of the Book of Ezekiel.
In Language Contact, Colonial Administration, and the Construction of Identity in Ancient Israel, Boyd offers the first book-length incorporation of language contact theory with data from the Bible. It allows for a reexamination of the nature of contact between biblical authors and the Assyrian, Babylonian, and Achaemenid empires.
The Book of the Old Testament prophet Ezekiel (6th century B.C.E.) is a book of forceful language and impressive images. Its message is often clear, sometimes mysterious. The book had great impact in Jewish and early Christian literature as well as in western art. This book deals with the intentions of the book of Ezekiel, but also focuses on its use by subsequent writers, editors or artists. It traces Ezekiel's influence in Jesus' teaching about the Kingdom of God, in Paul, the Gospels, and Revelation, and also shows that Ezekiel's imagery, via Jewish mysticism, influenced the visionary art of William Blake. Presenting contributions from leading biblical scholars in Oxford and Leiden, based on their unique collaborative research, this book will be of interest to a wide range of scholars working in the field of biblical studies, including those studying the Hebrew Bible, its early versions, 'inter-testamental' Judaism, New Testament and Early Christianity, and the reception of Biblical literature in later centuries.
This book addresses the historical-critical agenda of Ezekiel and includes newer approaches and questions, such as psychological issues and the notion that Ezekiel should be regarded as a "character" within the book.
The analysis of biblical rhetoric has been developed only in the last 250 years. The first half of this book outlines the history of the method known as rhetorical analysis in biblical studies, illustrated by numerous texts. The work of Lowth (who focused on 'parallelism'), Bengel (who drew attention to 'chiasmus'), Jebb and Boys (the method's real founders at the turn of the ninteenth century) and Lund (the chief exponent in the mid-twentieth century) are all discussed, as is the current full blooming of rhetorical analysis. The second half of the book is a systematic account of the method, testing it on Psalms 113 and 146, on the first two chapters of Amos, and many other texts, especially from Luke. Translated by Luc Racaut.
The book argues that the relationship between Yahweh's ruah and Yahweh's word in the book of Ezekiel is to be understood not so much in terms of the inspiration and authentication of the prophet but in terms of the transformation of the book's addressees.