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Edited by Julia F. Andrews and Kuiyi Shen. Essays by Jonathan Spence, Xue Yongnian and Mayching Kao.
This book constitutes the refereed post-proceedings of the third Asian Simulation Conference, AsiaSim 2004, held in Jeju Island, Korea in October 2004. The 78 revised full papers presented together with 2 invited keynote papers were carefully reviewed and selected from 178 submissions; after the conference, the papers went through another round of revision. The papers are organized in topical sections on modeling and simulation methodology, manufacturing, aerospace simulation, military simulation, medical simulation, general applications, network simulation and modeling, e-business simulation, numerical simulation, traffic simulation, transportation, virtual reality, engineering applications, and DEVS modeling and simulation.
Intended for aspiring and new practitioners of Participatory Research and Development (PR&D) as well as field-based researchers in developing countries. Highlights that agricultural research and development has become a joint approach to deal with diverse biophysical environments, multiple livelihood goals, rapid changes in local and global economies, and an expanded range for stakeholders over agriculture and natural resources.
This volume on contemporary Asian art surveys art created in Asia or by Asian artists from the 1990s onwards. In four thematic chapters, the full scope of Asian art is covered, from calligraphy and ceramics, to installation and Internet art.
Color Chart celebrates a paradox: the lush beauty that results when contemporary artists assign colour decisions to chance, readymade source or arbitrary system. Midway through the 20th century, long-held convictions regarding the spiritual truth or scientific validity of particular colours gave way to an excitement about colour as a mass-produced and standardized commercial product. The Romantic quest for personal expression instead became Andy Warhol's 'I want to be a machine'; the artistry of mixing pigments was eclipsed by Frank Stella's 'Straight out of the can; it can't get better than that'. This book, and the exhibition it accompanies, is the first devoted to this pivotal transformation, and features work by some forty artists ranging from Ellsworth Kelly and Gerhard Richter to Sherrie Levine and Damien Hirst.
This first survey of Asian American modernists active during the era of Abstract Expressionism reevaluates an entire generation of neglected but important artists. The works of 58 artists, including Isamu Noguchi and Kenzo Okada, reveal the strong tradition in Asian art of abstract techniques and show how East Asian art prefigured or paralleled "modern" stylistic developments in the West. 194 illustrations, 84 in color.