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Features 50 compositions from early Middle Ages to mid-18th century, including a Gregorian hymn, English lute piece, operatic arias, instrumental and vocal motets; works by Vivaldi, Telemann, Scarlatti, and others. Features commentary.
Winters introduces Richard Flagg and Erma Flagg's collection of some hundred objects made during 1450 to 1900. Most of the beautifully crafted, highly decorative, yet functional pieces are examples of Renaissance and Baroque marvels; they include clocks (a particularly varied and sumptuaous collection), sculpture, inlaid boxes, china and glassware, tankards, metalwork, and furniture. Each of the 77 individual chefs-d'oeuvres documented in this catalog, celebrating the gift of the Flaggs to the Milwaukee Art Museum, are exceptional examples of artisty combined with technical achievement. Such is the case with a 15th-century Cassone from Florence replete with intarsia and coat of arms, signaling a marital alliance between the nobility. Another magnificent piece, highlighted through an individual entry in the catalog, is a 15th-century limestone tympanum, possibly from the Burgundy region of France, showing the enthroned Virgin and Child. The physical properties of this volume are as elaborate as the objects it defines; lavish full-page color plates illustrate the pieces, lengthy catalog entries provide detailed information, and the whole is supplemented with appendixes consisting of checklist and glossary. 69 colour & 29 b/w illustrations
Collection of 761 miniature works of art representing 500 years of the bookplate from the first known example -- ca. 1450 -- to a wide range of fascinating 20th-century designs. Introduction.
Eight classic picture books by the legendary author, brought together in one lavish slipcased volume This glorious treasury brings together eight iconic tales by Tomi Ungerer, featuring well-known classics (The Three Robbers, Moon Man, Otto), acclaimed recent works (Fog Island), and lost gems (Zeralda's Ogre, Flix, The Hat, and Emile), some of which are being published for the first time in 50 years! Special features include a personal letter from Tomi, new quotes and anecdotes about each story, an exclusive interview, photos and previously unpublished materials from the making of some of his most celebrated works, such as storyboards, sketches, photographs, and images that inspired him.
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Elaborately wrought designs for gates, fences, finials, banisters, window grilles, bedsteads, cathedral screens, other architectural and decorative appointments, Gothic to Art Nouveau — meticulously rendered in black-and-white drawings reprinted from vintage publications.
The Green Vault is the most magnificent treasure chamber museum in Europe Home to the Dresden Green Diamond, the Green Vault houses more than 120 precious objects, most of them dating from the Renaissance through to the late Baroque period Housed in the Residence Palace of Dresden, this storehouse of treasures displays, some of the most important works of European culture.
"Selected from precious fourteenth- and fifteenth-century manuscripts-many of which have never before been published, these pages from books of hours are arranged and annotated as a guide to understanding both the prayers and the illustrations the books contain. They are also an invitation to readers young and old to dream, to savor, and to immerse themselves in their ardor and mystery and to take delight in some of the most beautiful works of European art."--Back of book.
This gallery of stunning architectural accents from Italy's Middle Ages has been assembled from a rare early-20th-century publication. Grotesques from carved panels of choir stalls, tombstone and ceiling ornaments, pierced stone balcony panels, and more, are reproduced in 60 richly detailed illustrations. A modestly priced treasury of authentic Renaissance style.