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Author of the biography of Whitman and several other books about the poet, general coeditor of The Collected Writings, and for 25 years the leading scholar of Leaves of Grass, Allen has now produced a critical guide for an intelligent reader's analysis and evaluation of current interpretations and approaches to Whitman's poetry. Its five sections are concerned with: a) the Whitman man-or-beast myth; 2) the 'long foreground' to the Leaves; 3) the nine editions, 1855-1892, of Whitman's book...; 4) the central themes or subject matter that give it unity, and the views of critics...; and 5) its form and structure as seen in a dozen individual lyrics. The result is a useful, valuable, and even remarkable capstone to a long career devoted to the study of 'A Bible for Democracy' (Whitman's phrase for Leaves of Grass).
Few authors are so well suited to historical study as Whitman, who is widely considered America's greatest poet. This Guide combines contemporary cultural studies and historical scholarship to illuminate Whitman's diverse contexts. The essays explore dimensions of Whitman's dynamic relationship to working-class politics, race and slavery, sexual mores, the visual arts, and the idea of democracy. The poet who emerges from this volume is no "solitary singer," distanced from his culture, but what he himself called "the age transfigured," fully enmeshed in his times and addressing issues that are still vital today.
Pulitzer Prize–winning poet C. K. Williams's personal reflection on the art of Walt Whitman In this book, Pulitzer Prize–winning poet C. K. Williams sets aside the mass of biography and literary criticism that has accumulated around Walt Whitman and attempts to go back to Leaves of Grass as he first encountered it—to explore why Whitman's epic "continues to inspire and sometimes daunt" him. The result is a personal reassessment and appreciation of one master poet by another, as well as an unconventional and brilliant introduction to Whitman. Beautifully written and rich with insight, this is a book that refreshes our ability to see Whitman in all his power.
A complete collection of Whitman's poems.
How did a New York printer become one of the most influential poets of all time? Find out in this addition to the Who HQ library! Walt Whitman was a printer, journalist, editor, and schoolteacher. But today, he's recognized as one of America's founding poets, a man who changed American literature forever. Throughout his life, Walt journeyed everywhere, from New York to New Orleans, Washington D.C. to Denver, taking in all that America had to offer. With the Civil War approaching, he saw a nation deeply divided, but he also understood the power of words to inspire unity. So in 1855, Walt published a short collection of poems, Leaves of Grass, a book about the America he saw and believed in. Though hated and misunderstood by many at the time, Walt's writing introduced an entirely new writing style: one that broke forms, and celebrated the common man, human body, and the diversity of America. Generations later, readers can still find themselves in Whitman's words, and recognize the America he depicts. Who Was Walt Whitman? follows his remarkable journey from a young New York printer to one of America's most beloved literary figures.
There are many ways to show our devotion to an author besides reading his or her works. Graves make for popular pilgrimage sites, but far more popular are writers' house museums. What is it we hope to accomplish by trekking to the home of a dead author? We may go in search of the point of inspiration, eager to stand on the very spot where our favorite literary characters first came to life—and find ourselves instead in the house where the author himself was conceived, or where she drew her last breath. Perhaps it is a place through which our writer passed only briefly, or maybe it really was a longtime home—now thoroughly remade as a decorator's show-house. In A Skeptic's Guide to Writers' Houses Anne Trubek takes a vexed, often funny, and always thoughtful tour of a goodly number of house museums across the nation. In Key West she visits the shamelessly ersatz shrine to a hard-living Ernest Hemingway, while meditating on his lost Cuban farm and the sterile Idaho house in which he committed suicide. In Hannibal, Missouri, she walks the fuzzy line between fact and fiction, as she visits the home of the young Samuel Clemens—and the purported haunts of Tom Sawyer, Becky Thatcher, and Injun' Joe. She hits literary pay-dirt in Concord, Massachusetts, the nineteenth-century mecca that gave home to Hawthorne, Emerson, and Thoreau—and yet could not accommodate a surprisingly complex Louisa May Alcott. She takes us along the trail of residences that Edgar Allan Poe left behind in the wake of his many failures and to the burned-out shell of a California house with which Jack London staked his claim on posterity. In Dayton, Ohio, a charismatic guide brings Paul Laurence Dunbar to compelling life for those few visitors willing to listen; in Cleveland, Trubek finds a moving remembrance of Charles Chesnutt in a house that no longer stands. Why is it that we visit writers' houses? Although admittedly skeptical about the stories these buildings tell us about their former inhabitants, Anne Trubek carries us along as she falls at least a little bit in love with each stop on her itinerary and finds in each some truth about literature, history, and contemporary America.
A collection of forty-two Walt Whitman poems, including "Birds of Passage," "A Glimpse," "Sometimes with One I Love," and "Whispers of Heavenly Death."
Walt Whitman was already famous for Leaves of Grass when he journeyed to the nation's capital at the height of the Civil War to find his brother George, a Union officer wounded at the Battle of Fredericksburg. Whitman eventually served as a volunteer "hospital missionary," making more than six hundred hospital visits and serving over eighty thousand sick and wounded soldiers in the next three years. With the 1865 publication of Drum-Taps, Whitman became poet laureate of the Civil War, aligning his legacy with that of Abraham Lincoln. He remained in Washington until 1873 as a federal clerk, engaging in a dazzling literary circle and fostering his longest romantic relationship, with Peter Doyle. Author Garrett Peck details the definitive account of Walt Whitman's decade in the nation's capital.