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From the author of Unholy Death in Princeton. For some patrons of Princeton’s library, books are their whole lives. But for one bookworm, they will also spell death. McLeod Dulaney has returned to Princeton as a visiting professor—and as a lifelong lover of the written word, she spends a good amount of time browsing the Rare Books collection, where she makes fast friends. But soon she finds one of her new friends murdered in an 18th-century study—and the murder weapon is missing. To further confuse matters, McLeod learns that her temporary home was the site of a murder some years back, and everyone seems to have a different version of the story. A seasoned reporter, McLeod’s intrigued and goes about investigating both murders. Could they have been connected? Only one thing is for sure—this is not murder by the book. Recipes included! Praise for Ann Waldron’s Princeton mysteries: “Very enjoyable.”—The Romance Reader’s Connection “In the very best tradition of the whodunit.”—The Trenton Times
"Faculty brunch recipes included"--Cover.
For the mystery book lovers of Ashton Corners, burial plots tell the most intriguing stories. The members of the Ashton Corners Mystery Readers and Cheese Straws Society are all chipping in as Molly Mathews, now owner of the bookstore the Book Nook, prepares the first annual Mystery Book Fair. While gossip circulates about the guest authors, club member Lizzie Turner is unpleasantly surprised to see a certain book publicist make an appearance. It seems Lizzie has a history with Ashley Dixon—a chapter of her life she’d rather leave closed. But when someone gives Ashley a death sentence, Lizzie becomes the prime suspect in a murder mystery she can’t put down. Now Lizzie and her fellow book buffs have to read between the lines of the publicist’s past and catch the real killer before Lizzie is written off for good.
Hosting an award-winning novelist is quite a Christmas coup for the Ashton Corners Mystery Readers and Cheese Straw Society. But when he’s murdered in Lizzie Turner’s house, she’s got a holiday homicide on her hands … For their very first guest author event, most of the book club members can’t wait to pull out all the stops in Southern hospitality. But for Lizzie, Derek Alton is nothing but trouble—from his massive ego to his smarmy moves. When he’s found murdered in her living room, it seems someone decided that this womanizing writer would be better off dead than read. After suspicion falls on Lizzie’s friend, she and her fellow book club members discover that Derek wasn’t who he pretended to be. Cracking this case means going up against Lizzie’s boyfriend, police chief Mark Dreyfus, and unearthing a novel’s worth of nasty secrets. And as they get closer to uncovering Derek’s scandalous final manuscript, someone hiding in plain sight is out to write finis to Lizzie’s sleuthing for good…
"Explores the architectural and cultural history of Princeton University from 1750 to the present. Includes 150 historical illustrations"--Provided by publisher.
A rare behind-the-scenes look at the work of forensic scientists The findings of forensic science—from DNA profiles and chemical identifications of illegal drugs to comparisons of bullets, fingerprints, and shoeprints—are widely used in police investigations and courtroom proceedings. While we recognize the significance of this evidence for criminal justice, the actual work of forensic scientists is rarely examined and largely misunderstood. Blood, Powder, and Residue goes inside a metropolitan crime laboratory to shed light on the complex social forces that underlie the analysis of forensic evidence. Drawing on eighteen months of rigorous fieldwork in a crime lab of a major metro area, Beth Bechky tells the stories of the forensic scientists who struggle to deliver unbiased science while under intense pressure from adversarial lawyers, escalating standards of evidence, and critical public scrutiny. Bechky brings to life the daily challenges these scientists face, from the painstaking screening and testing of evidence to making communal decisions about writing up the lab report, all while worrying about attorneys asking them uninformed questions in court. She shows how the work of forensic scientists is fraught with the tensions of serving justice—constantly having to anticipate the expectations of the world of law and the assumptions of the public—while also staying true to their scientific ideals. Blood, Powder, and Residue offers a vivid and sometimes harrowing picture of the lives of highly trained experts tasked with translating their knowledge for others who depend on it to deliver justice.
In the popular misconception fostered by blockbuster action movies and best-selling thrillers--not to mention conventional explanations by social scientists--violence is easy under certain conditions, like poverty, racial or ideological hatreds, or family pathologies. Randall Collins challenges this view in Violence, arguing that violent confrontation goes against human physiological hardwiring. It is the exception, not the rule--regardless of the underlying conditions or motivations. Collins gives a comprehensive explanation of violence and its dynamics, drawing upon video footage, cutting-edge forensics, and ethnography to examine violent situations up close as they actually happen--and his conclusions will surprise you. Violence comes neither easily nor automatically. Antagonists are by nature tense and fearful, and their confrontational anxieties put up a powerful emotional barrier against violence. Collins guides readers into the very real and disturbing worlds of human discord--from domestic abuse and schoolyard bullying to muggings, violent sports, and armed conflicts. He reveals how the fog of war pervades all violent encounters, limiting people mostly to bluster and bluff, and making violence, when it does occur, largely incompetent, often injuring someone other than its intended target. Collins shows how violence can be triggered only when pathways around this emotional barrier are presented. He explains why violence typically comes in the form of atrocities against the weak, ritualized exhibitions before audiences, or clandestine acts of terrorism and murder--and why a small number of individuals are competent at violence. Violence overturns standard views about the root causes of violence and offers solutions for confronting it in the future.