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A California lawyer’s dream job becomes a nightmare when her boss is murdered in this mystery by the author of Where Lawyers Fear to Tread. Fresh out of law school, Willa Jansson nabs a first-year associate position at a family friend’s law firm. Famous progressive attorney Julian Warneke has gotten Willa’s hippie parents out of legal trouble on several occasions, though his reputation for grandstanding landed Willa in jail for two traumatic months after she was arrested during a protest march. Regardless, she’s happy to be working for such an influential firm, even if it pays less than any other outfit in town and she’s assigned to all the divorces, landlord-tenant cases, and drunk-driving defenses . . . Willa’s caseload is the least of her worries when Julian’s poisoned to death at a fancy work lunch. When the investigation begins, the authorities are drawn to Willa as a suspect in the “law school murders.” Then there’s the matter of her mother being listed to inherit Julian’s house. As Willa begins working to clear their names, she must dodge a terrible ex-boyfriend and a charming cop—not to mention a killer who’s drawing ever closer . . . Praise for the Willa Jansson Mysteries “Matera's wit, grace with language, irreverence toward the legal system, and wry dissection of being a child of the Sixties make this a standout.” —Kirkus Reviews “Intelligent and entertaining . . . Absorbing . . . With sharp descriptions and crisp dialogue . . . Admirably delivers the complex situations and memorable characters of a ‘real novel’ while still managing to let the detective story have its day in court.” —The Wall Street Journal
A psychiatrist working with young members of radical groups discusses the dynamics of growing up, obstacles of middle class life, why adolescents join cults, and what really happens to them while they are involved in the cults
Senior year is over, and Lucy has the perfect way to celebrate: tonight, she's going to find Shadow, the mysterious graffiti artist whose work appears all over the city. He's out there somewhere--spraying color, spraying birds and blue sky on the night--and Lucy knows a guy who paints like Shadow is someone she could fall for. Really fall for. Instead, Lucy's stuck at a party with Ed, the guy she's managed to avoid since the most awkward date of her life. But when Ed tells her he knows where to find Shadow, they're suddenly on an all-night search around the city. And what Lucy can't see is the one thing that's right before her eyes. From the Hardcover edition.
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An English national treasure, Steven Patrick Morrissey has made barbed observations about modern culture for more than two decades. As renowned for his elegantly waspish interviews as for his celebrated song lyrics, his wit and vitriol are finally collected in a long overdue anthology.
Celebrates Brigid Brophy's life's work, its diversity, originality and achievementThe first critical book on Brigid Brophy covering all her interests from literature, music and art to animal rights and political activismIncludes previously unpublished written and illustrated material by BrophyContributions from leading literary scholars, biographers, creative writers and activistsThis book explores all aspects of Brophy's literary career, alongside contributions on animal rights, vegetarianism, anti-vivisectionism, humanism, feminism and sexual politics, not only celebrating Brophy's eclectic achievements but fully reflecting them. Contributors include literary critics, animal rights activists, Brophy's daughter, Kate Levey, and Brophy herself.
It is commonly assumed that capitalism has created an a-emotional world dominated by bureaucratic rationality; that economic behavior conflicts with intimate, authentic relationships; that the public and private spheres are irremediably opposed to each other; and that true love is opposed to calculation and self-interest. Eva Illouz rejects these conventional ideas and argues that the culture of capitalism has fostered an intensely emotional culture in the workplace, in the family, and in our own relationship to ourselves. She argues that economic relations have become deeply emotional, while close, intimate relationships have become increasingly defined by economic and political models of bargaining, exchange, and equity. This dual process by which emotional and economic relationships come to define and shape each other is called emotional capitalism. Illouz finds evidence of this process of emotional capitalism in various social sites: self-help literature, women's magazines, talk shows, support groups, and the Internet dating sites. How did this happen? What are the social consequences of the current preoccupation with emotions? How did the public sphere become saturated with the exposure of private life? Why does suffering occupy a central place in contemporary identity? How has emotional capitalism transformed our romantic choices and experiences? Building on and revising the intellectual legacy of critical theory, this book addresses these questions and offers a new interpretation of the reasons why the public and the private, the economic and the emotional spheres have become inextricably intertwined.
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