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Meet Rona Parish, a talented biographer who has a skill for writing about the past and encountering danger along the way, and her adorable golden retriever, Gus. Rona Parish has to verify a rumour of what seems to be a huge scandal which happened a long time ago at a closed-down school. But will the past catch up with her before she can unravel the truth? Biographer Rona Parish is at her wits' end when she struggles to finish her latest writing project. Open to distraction, she catches up with her friends and family and tries to clear her head in the meantime. An old school photograph in which someone seems to have been blacked out hints at a curious event . . . A far more inconvenient distraction, her twin sister Lindsey persuades her to use her detective skills for a discovery concerning an old school photograph in which someone deliberately blacked out a figure. Who is the mysterious person in the photograph and why would someone want to hide their identity? Rona Parish has to uncover long-forgotten secrets and a rumoured scandal that took place decades ago . . . Reluctantly, Rona takes on the job and tries to put the pieces together. But investigating a decades-old scandal proves trickier than she anticipated, and brings up the question if this story will stay buried after all . . . A page-turning cosy mystery set in the fictional English market town of Marsborough in the stunning Chiltern Hills. Fans of M.C. Beaton, Richard Osman, Reverend Richard Coles, G.M. Malliet, Margery Allingham, Betty Rowlands and Faith Martin will love this series. READERS ADORE RONA PARISH: "Excellent mystery" "I enjoy this series and like catching up with Rona Parish and her extended family" "This is a good clean murder mystery" "British cozy fans will enjoy the sophisticated plot and country atmosphere" Booklist "Solid plotting complements the author's in-depth examinations of the varied relationships among her characters, in particular the bond between Rona and Lindsey" Publishers Weekly The Rona Parish mysteries 1. Brought to Book 2. Jigsaw 3. Person or Persons Unknown 4. A Family Concern 5. Rogue in Porcelain 6. Next Door to Murder 7. Unfinished Portrait 8. A Question of Identity 9. Justice Postponed 10. Retribution
‘‘‘Who am I?’ and ‘Who are we?’ are the existential, foundational questions in our lives. In our modern world, there is no construct more influential than ‘identity’ – whether as individuals or as groups. The concept of group identity is the focal point of a research group named “A Question of Identity” at the Mandel Scholion Interdisciplinary Research Center in the Humanities at the Hebrew University of Jerusalem. The papers collected in this volume represent the proceedings of a January 2017 conference organized by the research group which dealt with identity formation in six contextual settings: Ethno-religious identities in light of the archaeological record; Second Temple period textual records on Diaspora Judaism; Jews and Christians in Sasanian Persia; minorities in the Persian achaemenid period; Inter-ethnic dialogue in pre-1948 Palestine; and redefinitions of Christian Identity in the Early Modern period.
'Serrailler, Hill's brilliant detective, is the central character in the great writer's crime fiction novels' CAMILLA, DUCHESS OF CORNWALL How do you catch a killer who doesn't exist? One snowy night in the cathedral city of Lafferton, an old woman is dragged from her bed and strangled with a length of flex. DCS Simon Serrailler and his team search desperately for clues to her murderer. All they know is that the killer will strike again, and will once more leave the same tell-tale signature. Then they track down a name: Alan Keyes. But Alan Keyes has no birth certificate, no address, no job, no family, no passport, no dental records. Nothing. Their killer does not exist. 'As addictive as Rankin' Scotsman
"A spectacular collection of essays by the most noted theorists of identity. The book well frames the issues around identity that presently are defining living in the early 21st century ... A must read." - Patricia Ticineto Clough, City University, New York "A wonderfully disparate and impressively distinguished set of authors to address the question of identity. The result is exciting and fruitful. No other book connects so elegantly sociological notions of individualization with the psychoanalysis of melancholy." - Scott Lash, Goldsmiths, University of London Identity in Question brings together in a single volume the world′s leading theorists of identity to provide a decisive account of the debates surrounding self and identity. Presenting incisive analyses of the impact of globalization, postmodernism, psychoanalysis and post-feminism upon our imaginings of self, this book explores the complexity, contentiousness and significance of current debates over identity in the social sciences and the public sphere. As these contributions make clear, mapping the contours and consequences of transformations in identity in our globalizing world is not simply an academic exercise. It is a pressing concern for public and political debates. As identity continues its move to the centre of political life, so too do the possibilities for creatively re-imagining how we choose to live, both individually and collectively, in an age of uncertainty and insecurity. Identity in Question is essential reading for all students of self, identity, individualism and individualization.
Why and how do contemporary questions of culture so readily become highly charged questions of identity? The question of cultural identity lies at the heart of current debates in cultural studies and social theory. At issue is whether those identities which defined the social and cultural world of modern societies for so long - distinctive identities of gender, sexuality, race, class and nationality - are in decline, giving rise to new forms of identification and fragmenting the modern individual as a unified subject. Questions of Cultural Identity offers a wide-ranging exploration of this issue. Stuart Hall firstly outlines the reasons why the question of identity is so compelling and yet so problematic. The cast of outstanding contributors then interrogate different dimensions of the crisis of identity; in so doing, they provide both theoretical and substantive insights into different approaches to understanding identity.
In 1391 many of the Jews of Spain were forced to convert to Christianity, creating a new group whose members would be continually seeking a niche for themselves in society. The question of identity was to play a central role in the lives of these and later converts whether of Spanish or Portuguese heritage, for they could not return to Judaism as long as they remained on the Peninsula, and their place in the Christian world would never be secure. This book considers the history of the Iberian conversos-both those who remained in Spain and Portugal and those who emigrated. Wherever they resided the question of identity was inescapable. The exile who chose France or England, where Jews could not legally reside, was faced with different considerations and options than the converso who chose Holland, a newly formed Protestant country where Jews had not previously resided. Choosing Italy entailed a completely different set of options and dilemmas. Renée Levine Melammed compares and contrasts the lives of the New Christians of the Iberian Peninsula with those of these countries and the development of their identity and sense of ethnic solidarity with "those of the Nation." Exploring the knotty problem of identity she examines a great variety of individual choices and behaviors. Some conversos tried to be sincere Catholics and were not allowed to do so. Others tried but failed either theologically or culturally. While many eventually opted to form Jewish communities outside the Peninsula, others were unable to make a total commitment to Judaism and became "cultural commuters" who could and did move back and forth between two worlds whereas others had "fuzzy" or attenuated Jewish identities. In addition, the encounter with modernity by the descendants of conversos is examined in three communities, Majorca, Belmonte (Portugal) and the Southwestern United States, revealing that even today the question of identity is still a pressing issue. Offering the only broad historical survey of this fascinating and complex group of migrants, this book will appeal to a wide range of academic and general readers.
A bold vision of liberal humanism for navigating today’s complex world of growing identity politics and rising nationalism Collective identities such as race, nationality, religion, gender, and sexuality clamor for recognition and respect, sometimes at the expense of other things we value. To what extent do they constrain our freedom, and to what extent do they enable our individuality? Is diversity of value in itself? Has the rhetoric of human rights been overstretched? Kwame Anthony Appiah draws on thinkers through the ages and across the globe to explore such questions, developing an account of ethics that connects moral obligations with collective allegiances and that takes aim at clichés and received ideas about identity. This classic book takes seriously both the claims of individuality—the task of making a life—and the claims of identity, these large and often abstract social categories through which we define ourselves.
As virulent nationalism increases in Europe and th debate surrounding political correctness continues to rage in the US, this volume provides a theoretical analysis of these events and the questions they raise for critical theory.
An award-winning author explores why so many people commit crimes in the name of identity. "Makes for compelling reading in America today."--"The New York Times."
Before Identity represents the first attempt to provide a comprehensive examination of the methodological ground of Japan studies. At its most basic level, the field presupposes the immediate empirical existence of an entity known as the "Japanese people" or "Japanese culture," from which it then carves out its various objects of inquiry. Richard F. Calichman attempts to show that this presupposition is itself ineluctably bound up with modern forms of knowledge formation, thereby enlarging the scope of what is meant by modernity. In this way, he aims to bring about a heightened level of theoretical-critical vigilance in the field. Calichman explores the methodological commitments implied or expressed in the work of a range of writers and scholars—Murakami Haruki, Komori Yōichi, Harry Harootunian, Tomi Suzuki, Alan Tansman, and Dennis Washburn—and how such commitments have shaped and limited the field. If theoretical issues in Japan studies are not subjected to this sort of in-depth scrutiny, Calichman argues, then the field will continue to remain ghettoized relative to other disciplines in the humanities and social sciences, which have typically been more receptive to conceptual discourse. By showing that scholarly inquiry must begin not at the level of the object but rather at the more fundamental level of methodology, Calichman aims to introduce a greater degree of theoretical rigor to the discipline of Japan studies as a whole.