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Introduced by Sarah Perry, the best-selling author of The Essex Serpent. Uncanny. Mysterious. Eerie. Gothic. It draws us in with its air of mystery and repels us with its violence and darkness. But who were the first practitioners of the now-prevalent genre?
Contributions in honour of John J. Dobbins, Professor of Roman Art and Archaeology at the University of Virginia, offers new readings of archaeological data and art, illustrating the impact that one professor can have on the wider field of Roman art and archaeology through the continuing work of his students.
Describes the physical features and behaviors of dragons and unicorns
What if a book existed that gave answers to everything you've ever wondered about? What would you do to learn its secrets? Tales of such books have abounded for millennia and are legend in occult history. One of the most pervasive modern iterations is that of the Necronomicon, said to be a genuine occult text from the 8th century. The Necronomicon really is the creation of science fiction writer H.P. Lovecraft (1891-1937), in whose books the magic volume first appears in print. In The Necronomicon Files two occult authorities explore all aspects of The Necronomicon, from its first appearance in Lovecraft's fiction to its ongoing pervasive appearance in cult and occult circles. The Necronomicon Files, revised and expanded further, reveals the hoax of the Necronomicon. Harms and Gonce show that the apocryphal history of the Necronomicon was concocted by Lovecraft to lend it verisimilitude in his fiction. The magical text was transformed into an icon among Lovecraft's literary circle, who added to the book's legend by referring to it in their own writing. People became convinced that it was a real book and its references in literature and film continue to grow. The book also examines what people have undergone to find the Necronomicon and the cottage industry that has arisen over the past three decades to supply the continuing demand for a book that does not exist. Scholarly yet accessible, humorous and intriguing, The Necronomicon Files illuminates the depth of the creative process and the transformations of modern myth, while still managing to preserve much of the romance and fascination that surrounds the Necronomicon in our culture.
Introduced by Sarah Perry, the best-selling author of The Essex Serpent. Uncanny. Mysterious. Eerie. Gothic. It draws us in with its air of mystery and repels us with its violence and darkness. But who were the first practitioners of the now-prevalent genre?
The classic EDGAR ALLAN POE poem 'The Raven' also includes 20 original illustrations by GUSTAVE DORE and a 'Comment on the Poem' by EDMUND C. STEDMAN. 'The Raven' delves into the hidden horrors of the human psyche. Originally published in 1845, the poem is narrated by a melancholy scholar brooding over Lenore, a woman he loved who is now lost to him. One bleak December at midnight, a raven with fiery eyes visits the scholar and perches above his chamber door. Struggling to understand the meaning of the word his winged visitant repeats -- "Nevermore!" -- the narrator descends by stages into madness..."
The poetry of Edgar Allan Poe has had a rough ride in America, as Emerson’s sneering quip about “The Jingle Man” testifies. That these poems have never lacked a popular audience has been a persistent annoyance in academic and literary circles; that they attracted the admiration of innovative poetic masters in Europe and especially France—notably Baudelaire, Mallarmé, and Valéry—has been further cause for embarrassment. Jerome McGann offers a bold reassessment of Poe’s achievement, arguing that he belongs with Whitman and Dickinson as a foundational American poet and cultural presence. Not all American commentators have agreed with Emerson’s dim view of Poe’s verse. For McGann, a notable exception is William Carlos Williams, who said that the American poetic imagination made its first appearance in Poe’s work. The Poet Edgar Allan Poe explains what Williams and European admirers saw in Poe, how they understood his poetics, and why his poetry had such a decisive influence on Modern and Post-Modern art and writing. McGann contends that Poe was the first poet to demonstrate how the creative imagination could escape its inheritance of Romantic attitudes and conventions, and why an escape was desirable. The ethical and political significance of Poe’s work follows from what the poet takes as his great subject: the reader. The Poet Edgar Allan Poe takes its own readers on a spirited tour through a wide range of Poe’s verse as well as the critical and theoretical writings in which he laid out his arresting ideas about poetry and poetics.
“Full of intelligence and insights, as the author gleefully turns ideas upside down to better understand them. . . Replete with lots of nifty, whimsical footnotes, this clever, speculative book challenges our beliefs with jocularity and perspicacity.” —Kirkus (starred review) “Klosterman’s trademark humor and unique curiosity propel the reader through the book. He remains one of the most insightful critics of pop culture writing today and this is his most thought-provoking and memorable book yet.” —Publishers Weekly (starred review) The tremendously well-received New York Times bestseller by cultural critic Chuck Klosterman, exploring the possibility that our currently held beliefs and assumptions about the world will eventually be proven wrong—now in paperback. But What If We're Wrong? is a book of original, reported, interconnected pieces, which speculate on the likelihood that many universally accepted, deeply ingrained cultural and scientific beliefs will someday seem absurd. Covering a spectrum of objective and subjective topics, the book attempts to visualize present-day society the way it will be viewed in a distant future. Klosterman cites original interviews with a wide variety of thinkers and experts—including George Saunders, David Byrne, Jonathan Lethem, Alex Ross, Kathryn Schulz, Neil deGrasse Tyson, Brian Greene, Junot Díaz, Amanda Petrusich, Ryan Adams, Dan Carlin, Nick Bostrom, and Richard Linklater. Klosterman asks straightforward questions that are profound in their simplicity, and the answers he explores and integrates with his own analysis generate the most thought-provoking and propulsive book of his career.
For over a century, the works of Edgar Allan Poe have sparked the imaginations and sent shivers up the spines of horror-lovers of all ages. While most people know the story or "The Tell-tale Heart" and "The Black Cat" and many can recite "The Raven" from memory, there are many great stories and poems by Poe that remain "forgotten lore." This book collects many of the lesser known tales and poems from the great mind of Edgar Allan Poe and combines them with wonderful illustrations from many of today's up-and-coming illustrators: Jason Keith Phillips, Dan Gorman, Tyler Sowles, Joshua Werner, Diana Busby, Jeff Sornig, Darcey Young, Summer Ketchum, and Aaron Trendy.