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Minjung Theology is introduced here through theological biographical sketches of its main representatives. They formulated a protestant liberation theology under the South Korean military dictatorship of the 1970s and 80s. Their strong emphasis on the suffering (han) of the people (minjung) led them to the formulation of a genuine theology of the cross in Asia. Volker Küster explores the reception of Minjung Theology and raises the question what happened to it during the democratization process and the rise of globalization in the 1990s. Interpretations of art works by Minjung artists provide deep insights into these transformation processes. Prologue and epilogue abstract from the Korean case and offer a concise theory of contextual theology in an intercultural framework.
Minjung Theology is introduced here through theological biographical sketches of its main representatives. They formulated a protestant liberation theology under the South Korean military dictatorship of the 1970s and 80s. Their strong emphasis on the suffering (han) of the people (minjung) led them to the formulation of a genuine theology of the cross in Asia. Volker Küster explores the reception of Minjung Theology and raises the question what happened to it during the democratization process and the rise of globalization in the 1990s. Interpretations of art works by Minjung artists provide deep insights into these transformation processes. Prologue and epilogue abstract from the Korean case and offer a concise theory of contextual theology in an intercultural framework.
In this excellent work on Christology, Douglas Webster demonstrates what can be done when one takes evangelical theology from a purely defensive stance to a creative, honest, and forward-looking criticism of modern theologies. His biblical seriousness and his pastoral concern make the book readable, stimulating, and edifying.
Widely regarded as the twentieth century s greatest theologian, Karth Barth refocused the task of Christian theology and demonstrated its relevance to every domain of human life, from the spiritual to the social to the political. It is precisely the broad sweep of Barth s theology that makes a book like The Great Passion of such great value a succinct yet comprehensive introduction to Barth s entire theological program. Of the many people who write on the life and thought of Karl Barth, Eberhard Busch is uniquely placed. A world-renowned expert on Barth s theology, he also served as Barth s personal assistant from 1965 to 1968. As Busch explains, one cannot fully understand Barth the theologian apart from understanding Barth the man. In this book he weaves doctrine and biography into a superb presentation of Barth s complete work. Busch s purpose in this introduction is to guide readers through the main themes of the multivolume Church Dogmatics against the horizon of our own times and problems. In ten sections Busch clearly explains Barth s views on all of the major subject areas of systematic theology: the nature of revelation, Israel and Christology, the Trinity and the doctrine of predestination, the problem of religion, gospel and law, creation, salvation, the Holy Spirit, ecclesiology, and eschatology. A distinctive feature of the book is the way Busch lets Barth speak for himself, often through surprising quotations and paraphrases. Busch also shows how Barth s writing should be read as a dialogue, constantly and consciously engaging other voices past and present, both inside and outside the church. Most important, The Great Passion demonstrates that Barth s thought is still remarkably helpful today.
Youth and the Quest for a Passionate Church.
Protestant ethics has often been associated with work and duty, excluding sensuality, sexuality and other pleasures. In an age of body worship as well as body loathing, Elisabeth Gerle explores new paths, embarking on a conversation with Martin Luther in dialogue with contemporary theologians on attitudes towards desire, ethics and politics. She draws on Eros theology to challenge traditional Lutheran stereotypes, such as the dichotomies between different forms of love, as well as between spirit and body. Gerle argues that Luther's spiritual breakthrough, where grace and gifts of creation became central, provides new meaning to sex and desire as well as to work, body and ordinary life. Women are seen in a new light - as companions, autonomous ethical agents, part of the priesthood of all. This had revolutionary consequences in Europe at the time, and it represents a challenge to contemporary theologies with a nostalgic appetite for austerity, asceticism and female submission. Luther'serotic and genderfluid language is a healthy challenge to oppressive political structures centred on greed, profit and competition. A revised Scandinavian creation theology and a deep sense of the incarnational mystery are resources for contemporarytheology and ethics.
This is a sequel to Richard Viladesau's well-received study, The Beauty of the Cross: The Passion of Christ in Theology and the Arts from the Catacombs to the Eve of the Renaissance. It continues his project of presenting theological history by using art as both an independent religious or theological "text" and as a means of understanding the cultural context for academic theology. Viladesau argues that art and symbolism function as alternative strands of theological expression sometimes parallel to, sometimes interwoven with, and sometimes in tension with formal theological reflection on the meaning of crucifixion and its role in salvation history. This book examines the two great revolutionary movements that gave birth to the modern West: the Renaissance and the Protestant Reformation. This period was eventful for both theology and art, and thus particularly fruitful for Viladesau's project. Using individual works of art, over sixty of which are reproduced in this book, to epitomize particular artistic and theological models, he explores the contours of each paradigm through the works of representative theologians as well as liturgical, poetic, artistic, and musical sources. To name a few examples, the theologies of Savonarola, Luther, Calvin, and the Council of Trent, are examined in correlation to the new situation of art in the era of Fra Angelico, Leonardo, Michelangelo, Dürer, Cranach, and the Mannerists. In this book, Viladesau continues to deepen our understanding of the foremost symbol of Christianity.