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The ‘whores’ and ‘highwaymen’ of Gregory Durston’s title are just some of the dubious characters met within this absorbing work, including thief-takers, trading justices, an upstart legal profession whose lower orders developed various ways to line their own pockets and magistrates and clerks who often preferred dealing with those cases which attracted fees. The book shows how little was planned by government or the authorities, and how much sprang up due to the efforts of individuals—so that the origins of social control, particularly at a local level, had much to do with personal ideas of morality, class boundaries and perceived threats, serious and otherwise. Based on news reports, Old Bailey and local archives, and other solid records the book weaves a compelling picture of a critical time in English history, through the voices of contemporary observers as well as the best of writings by experts ever since. At its broadest point, the book spans the period from the Glorious Revolution to the early 1820s. It falls into three parts: Crime and the Metropolis—including Metropolitan crime, attitudes to crime and policing, explanations for crime, and criminal law and procedure. Policing—including policing the metropolis, constables, the watch, beadles, the role of the military, and the detection of crime. Justice—including the magistracy and its work, ways of prosecution, trial in the lower and higher courts, and the penal regimes of the day. A colourful account, which captures the essence of the period.
Sentimentalism became popular in the eighteenth century, part of the philosophical idea that truth is founded on emotion or moral sentiment. Peace uses the London Magdalen Hospital for Penitent Prostitutes as a prism through which to explore the sentimental writing of this period.
The eighteenth century saw profound changes in the way prostitution was represented in literary and visual culture. This collection of essays focuses on the variety of ways that the sex trade was represented in popular culture of the time, across different art forms and highlighting contradictory interpretations.
From the civility of Westminster's newly paved streets to the dangerous pleasures of Vauxhall Gardens and the grand designs of the Universal Register Office, this book examines the identities, practices, and power relations of the modern city as they emerged within and transformed the geographies of eighteenth-century London. Ogborn draws upon a wide variety of textual and visual sources to illuminate processes of commodification, individualization, state formation, and the transformation of the public sphere within the new spaces of the metropolis.
This book explores what remains an under-studied aspect of Samuel Johnson’s profile as a person and writer – namely, his attitude to social improvement. The interpretive framework provided here is cross-disciplinary, and applies perspectives from social and cultural history, legal history, architectural history and, of course, English literature. This allows Johnson’s writings to be read against the peculiarities of their historical milieu, and reveals Johnson in a new light – as an advocate of social improvement for human betterment. Considering the multiplicity of narrative modes that have been employed, the book points to the blurred boundaries and overlapping between history, testimony and fiction, and argues that a future biography of Samuel Johnson has to recognise that throughout his life he valued the utilitarian aspect of his manifesto as a writer to impart a more charitable attitude in the pursuit of a more caring society.
Dress, Distress and Desire explores representations of sartorial experience in eighteenth-century literature. Batchelor's study brings together for the first time canonical and non-canonical texts including novels, conduct books and women's magazines to investigate the pressures that the growth of the fashion market placed on conceptions of female virtue and propriety. It shows how dress dispelled the sentimental myth that the body acted as a moral index and enabled the women reader to resist some of sentimental literature's more prescriptive advice.
First published in 1759, this novel aims to promote the cause of the Magdalen House, a charity which sought to rehabilitate prostitutes by fitting them for a life of virtuous industry. It challenges long-standing prejudices against prostitutes by presenting them as victims of inadequate education, male libertinism and sexual double standards.
Sexual Outcasts presents a wide range of texts selected to illustrate the diversity of responses to the concealed body and to the secret or forbidden sexual practices of 1750-1850. Each volume follows the means by which prohibitions and taboos were produced and circulated. The reader can therefore explore the processes that disciplined the representation of the body and the constuction of sexual outcasts.This four-volume set presents a wide range of textual material: criminal reports; scientific and medical publications; newspaper items; sex manuals; guidebooks; speculative accounts, and case histories. The variety of sources permits a multiple perspective on the body, sexual drives, gendered psychologies and perverse behaviour across the century.