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Read this classic romance by bestselling author Sandra Marton, now available for the first time in e-book! The heat is on…and so is their marriage! Ryan Kincaid doesn’t like being told what to do. When his grandfather pressures him to marry and introduces him to a suitable bride, Ryan is furious. Devon Franklin is the most argumentative, grasping female he’s ever met! So what if she’s gorgeous and he can’t stop thinking about her? Devon is perfectly capable of running her own life. She doesn’t need a husband and certainly not one like Ryan—disgustingly rich, dangerously handsome, infuriatingly smug…! Who cares if his kisses turn her knees to jelly? Perhaps the solution is a whirlwind wedding…and an equally quick divorce? Originally published in 1996
This volume addresses the current boom in biographical fictions across the globe, examining the ways in which gendered lives of the past become re-imagined as gendered narratives in fiction. Building on this research, this book is the first to address questions of gender in a sustained and systematic manner that is also sensitive to cultural and historical differences in both raw material and fictional reworking. It develops a critical lens through which to approach biofictions as ‘fictions of gender’, drawing on theories of biofiction and historical fiction, life-writing studies, feminist criticism, queer feminist readings, postcolonial studies, feminist art history, and trans studies. Attentive to various approaches to fictionalisation that reclaim, appropriate or re-invent their ‘raw material’, the volume assesses the critical, revisionist and deconstructive potential of biographical fictions while acknowledging the effects of cliché, gender norms and established narratives in many of the texts under investigation. The introduction of this book is available open access under a CC BY 4.0 license at link.springer.com Chapter 1 is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.
Challenges the view that this fiction is conservative, uniform and unchanging. It examines the 'Australianness' of Australian romance writing and considers the attitudes of several authors in relation to gender and race issues. Juliet Flesch is with the University of Melbourne.
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