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News items and events spanning 3 years of the notorious Brushy Mountain State Penitentiary. In the pages of this book you will get a taste of what life was like for the last residences of this 113-year-old relic of the convict-lease system. Men from the inside produced a publication that outlasted the prison and has been preserved here for your review.That's not to say everything you read in these pages will be exactly what it seems. The Mountain Review went out on a limb now and then, but it was a government document, a censored publication - "the man" got to read it long before the prisoners did. That is why you may have to read between the lines as you journey through these publications; many of the real stories are a little deeper than what is apparent at first glance.What will be apparent is that not every person in prison is the type of character you see on television (though there are a few). Prisoners still make much hay about being a "convict," but the ideas on how a person in the system should act are more andmore convoluted everyday. What it comes down to is a split between the decent and the devious, and the majority who are much of both.Fortunately for me, in the almost 10 years I worked on this publication, the decent seemed to be the ones with the most tosay. We hope that this book serves as a testament that there are a few good people who have put themselves in really bad placesand a handful more that realized their mistakes and are trying to turn it around. The proceeds from this book will help folks likethese make the inside a better place and help insure that the ones who get out never return.
News items and events coving the close of the notorious Brushy Mountain State Penitentiary and the turmoil that ensued at her sister site, the Morgan County Correctional Complex. In the pages of this book you will get a taste of what life was like for the last residences of this 113-year-old relic of the convict-lease system, and learn what happens when administrators throw caution to the wind in their oversite of a volatile situation. The prisoner-written Mountain Review cover these events as best as could be expected of a censored publication. But if you pay attention to what is being said - and how it's being said - the inside story takes shape. I will help along the way as the situation spirals to the point that innuendo no longer does the job. The real story, however, is of the long-term residents at MCCX who took it all in stride, kept their cool, and came out the other side intact. This book is dedicated to them and serves as a testament that there are a few good people who have put themselves in really bad places, and a handful more that realized their mistakes and are trying to turn it around. The proceeds from this book will help folks like these make the inside a better place and help insure that the ones who get out never return.
"Breaking The Chains, A Survivor's Journey written by Wayne Davidson is the story of his life centering mainly on his time as a prisoner at Brushy Mountain State Penitentiary. Wayne had a hard childhood but he does not use that as an excuse for the substantial criminal activity he participated in. He describes these crimes in an honest straightforward way. He is a person that has lived outside the law much of his life, but was never one to hurt anyone physically, not even in prison, where he learned to survive by his wits rather than fists or shanks. It's a great read and most interesting in terms of local history, crime, our success or lack thereof in our treatment and rehabilitation of criminals." - Jim SloanWhen I was a child growing up in a small town in East Tennessee, I knew that I would end up in prison. How could I not when the only way of life that I knew was to steal from others? Do you feel like you've gone down a path for so long that there's no turning back and you can't break the chains? I spent 32 years in and out of penitentiaries and ended up with a life sentence. But I didn't let my story end there. This book is an account of how I survived through one prison sentence after another, the crimes that I committed to earn these sentences, to my present day life as a tour guide at Brushy Mountain Prison and sharing my life experiences with others. My story begins with my childhood filled with bootlegging, abandonment, theft and deceit. My first prison sentence at 18 years old landed me in Brushy Mountain Penitentiary, where the worst of the worst were sent. I was an inmate with a one year sentence and was thrown in with lifelong criminals that had 100+ years' sentences for murder, rape and other violent crimes. It didn't take me long to learn that if I was to survive in this environment, I needed to outsmart the others. I have served time with many "famous" prisoners, such as James Earl Ray, Steven Hugueley, Tim Kirk, and Benny Hodge, just to name a few. Follow my journey through several different prisons located in Tennessee and Georgia. Learn about the prison way of life filled with violence and politics.Breaking The Chains is the story of my life, the good, the bad and the ugly.
Following his acclaimed history of the Situationist International up until the late sixties, The Beach Beneath the Street, McKenzie Wark returns with a companion volume which puts the late work of the Situationists in a broader and deeper context, charting their contemporary relevance and their deep critique of modernity. Wark builds on their work to map the historical stages of the society of the spectacle, from the diffuse to the integrated to what he calls the disintegrating spectacle. The Spectacle of Disintegration takes the reader through the critique of political aesthetics of former Situationist T.J. Clark, the Fourierist utopia of Raoul Vaneigem, René Vienet’s earthy situationist cinema, Gianfranco Sangunetti’s pranking of the Italian ruling class, Alice-Becker Ho’s account of the anonymous language of the Romany, Guy Debord’s late films and his surprising work as a game designer. At once an extraordinary counter history of radical praxis and a call to arms in the age of financial crisis and the resurgence of the streets, The Spectacle of Disintegration recalls the hidden journeys taken in the attempt to leave the twentieth century, and plots an exit from the twenty first. The dustjacket unfolds to reveal a fold-out poster of the collaborative graphic essay combining text selected by McKenzie Wark with composition and drawings by Kevin C. Pyle.
The adventurous spirit of Texans has led to much travel lore, from stories of how ancestors first came to the state to reflections of how technology has affected the customs, language, and stories of life "on the go." This Publication of the Texas Folklore Society features articles from beloved storytellers like John O. West, Kenneth W. Davis, and F. E. Abernethy as well as new voices like Janet Simonds. Chapters contain traditional "Gone to Texas" accounts and articles about people or methods of travel from days gone by. Others are dedicated to trains and cars and the lore associated with two-wheeled machines, machines that fly, and machines that scream across the land at dangerous speeds. The volume concludes with articles that consider how we fuel our machines and ourselves, and the rituals we engage in when we're on our way from here to there.
Indigenous knowledge that embraces ornithology takes in whole social dimensions that are inter-linked with environmental ethos, conservation and management for sustainability. In contrast, western approaches have tended to reduce knowledge to elemental and material references. This book looks at the significance of indigenous knowledge of birds and their cultural significance, and how these can assist in framing research methods of western scientists working in related areas. As well as its knowledge base, this book provides practical advice for professionals in conservation and anthropology by demonstrating the relationship between mutual respect, local participation and the building of partnerships for the resolution of joint problems. It identifies techniques that can be transferred to different regions, environments and collections, as well as practices suitable for investigation, adaptation and improvement of knowledge exchange and collection in ornithology. The authors take anthropologists and biologists who have been trained in, and largely continue to practise from, a western reductionist approach, along another path - one that presents ornithological knowledge from alternative perspectives, which can enrich the more common approaches to ecological and other studies as well as plans of management for conservation.
Over a century before Monopoly invited child players to bankrupt one another with merry ruthlessness, a lively and profitable board game industry thrived in Britain from the 1750s onward, thanks to publishers like John Wallis, John Betts, and William Spooner. As part of the new wave of materials catering to the developing mass market of child consumers, the games steadily acquainted future upper- and middle-class empire builders (even the royal family themselves) with the strategies of imperial rule: cultivating, trading, engaging in conflict, displaying, and competing. In their parlors, these players learned the techniques of successful colonial management by playing games such as Spooner’s A Voyage of Discovery, or Betts’ A Tour of the British Colonies and Foreign Possessions. These games shaped ideologies about nation, race, and imperial duty, challenging the portrait of Britons as "absent-minded imperialists." Considered on a continuum with children’s geography primers and adventure tales, these games offer a new way to historicize the Victorians, Britain, and Empire itself. The archival research conducted here illustrates the changing disciplinary landscape of children’s literature/culture studies, as well as nineteenth-century imperial studies, by situating the games at the intersection of material and literary culture.
Ty Rosenow goes into the depths of archives of The Evergreen State College by looking at the stories of the college.
Tohopeka contains a variety of perspectives and uses a wide array of evidence and approaches, from scrutiny of cultural and religious practices to literary and linguistic analysis, to illuminate this troubled period. Almost two hundred years ago, the territory that would become Alabama was both ancient homeland and new frontier where a complex network of allegiances and agendas was playing out. The fabric of that network stretched and frayed as the Creek Civil War of 1813-14 pitted a faction of the Creek nation known as Red Sticks against those Creeks who supported the Creek National Council. The war began in July 1813, when Red Stick rebels were attacked near Burnt Corn Creek by Mississippi militia and settlers from the Tensaw area in a vain attempt to keep the Red Sticks’ ammunition from reaching the main body of disaffected warriors. A retaliatory strike against a fortified settlement owned by Samuel Mims, now called Fort Mims, was a Red Stick victory. The brutality of the assault, in which 250 people were killed, outraged the American public and “Remember Fort Mims” became a national rallying cry. During the American-British War of 1812, Americans quickly joined the war against the Red Sticks, turning the civil war into a military campaign designed to destroy Creek power. The battles of the Red Sticks have become part of Alabama and American legend and include the famous Canoe Fight, the Battle of Holy Ground, and most significantly, the Battle of Tohopeka (also known as Horseshoe Bend)—the final great battle of the war. There, an American army crushed Creek resistance and made a national hero of Andrew Jackson. New attention to material culture and documentary and archaeological records fills in details, adds new information, and helps disabuse the reader of outdated interpretations. Contributors Susan M. Abram / Kathryn E. Holland Braund/Robert P. Collins / Gregory Evans Dowd / John E. Grenier / David S. Heidler / Jeanne T. Heidler / Ted Isham / Ove Jensen / Jay Lamar / Tom Kanon / Marianne Mills / James W. Parker / Craig T. Sheldon Jr. / Robert G. Thrower / Gregory A. Waselkov