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“Though absent long, These forms of beauty have not been to me, As is a landscape to a blind man's eye: But oft, in lonely rooms, and mid the din Of towns in cities, I have owed to them, In hours of weariness, sensations sweet, Felt in the blood, and felt along the heart” William Wordsworth's verse was the embodiment of the Romantic age, with its evocation of a unifying spirit running through all things. This collection brings together a rich and diverse selection of his works, from the epic autobiographical masterpiece The Prelude to much-loved shorter poems such as 'I Wandered Lonely as a Cloud' and 'She Was a Phantom of Delight'. Alongside his more personal and introspective compositions, poems such as 'Lines Written a Few Miles above Tintern Abbey', 'She Dwelt among the Untrodden Ways' and 'The Idiot Boy' demonstrate, in an era of political and social ferment, the manner in which Wordsworth, together with Samuel Taylor Coleridge, forged a revolutionary new poetic style through the publication of Lyrical Ballads – one that embraced the vernacular and subjects previously deemed unworthy of poetry – and thus changed the literary landscape of England for ever.
Praise for Saeed Jones: "Jones is the kind of writer who's more than wanted: he's desperately needed."—FlavorWire "I get shout-happy when I read these poems; they are the gospel; they are the good news of the sustaining power of imagination, tenderness, and outright joy."—D. A. Powell "Prelude to Bruise works its tempestuous mojo just under the skin, wreaking a sweet havoc and rearranging the pulse. These poems don't dole out mercy. Mr. Jones undoubtedly dipped his pen in fierce before crafting these stanzas that rock like backslap. Straighten your skirt, children. The doors of the church are open."—Patricia Smith "It's a big book, a major book. A game-changer. Dazzling, brutal, real. Not just brilliant, caustic, and impassioned but a work that brings history—in which the personal and political are inter-constitutive—to the immediate moment. Jones takes a reader deep into lived experience, into a charged world divided among unstable yet entrenched lines: racial, gendered, political, sexual, familial. Here we absorb each quiet resistance, each whoop of joy, a knowledge of violence and of desire, an unbearable ache/loss/yearning. This is not just a "new voice" but a new song, a new way of singing, a new music made of deep grief's wildfire, of burning intelligence and of all-feeling heart, scorched and seared. In a poem, Jones says, "Boy's body is a song only he can hear." But now that we have this book, we can all hear it. And it's unforgettable."—Brenda Shaughnessy "Inside each hunger, each desire, speaks the voice of a boy that admits "I've always wanted to be dangerous." This is not a threat but a promise to break away from the affliction of silence, to make audible the stories that trouble the dimensions of masculinity and discomfort the polite conversations about race. With impressive grace, Saeed Jones situates the queer black body at the center, where his visibility and vulnerability nurture emotional strength and the irrepressible energy to claim those spaces that were once denied or withheld from him. Prelude to a Bruise is a daring debut."—Rigoberto González From "Sleeping Arrangement": Take your hand out from under my pillow. And take your sheets with you. Drag them under. Make pretend ghosts. I can't have you rattling the bed springs so keep still, keep quiet. Mistake yourself for shadows. Learn the lullabies of lint. Saeed Jones works as the editor of BuzzfeedLGBT.
A darkly humorous new collection of poems by the Pulitzer Prize–winning journalist and author of Wideawake Field and Amity and Prosperity If Men, Then, Eliza Griswold’s second poetry collection, charts a radical spiritual journey through catastrophe. Griswold’s language is forthright and intimate as she steers between the chaos of a tumultuous inner world and an external landscape littered with SUVs, CBD oil, and go bags, talismans of our time. Alternately searing and hopeful, funny and fraught, the poems explore the world’s fracturing through the collapse of the ego, embodied in a character named “I”—a soul attempting to wrestle with itself in the face of an unfolding tragedy.
First published in 2005. An excellent introduction to Old English, this book begins with an elementary grammar, ably preparing students for the thirty-four texts that follow. Among the carefully selected stories, verses and histories can be found a wide sampling of dialects: West Saxon, Northumbrian, late and early Kentish and early Mercian. A comprehensive glossary is included.
A collection of poems, some of which had first appeared in Poetry, Blas, Others, The Little Review, and Arts and Letters.
For Martin Foroz, this volume reflects on the gallery of classic American and English poets whose voices have inspired him to develop a new voice of his own. Poe, Thomas, Pound, Eliot, Shelley, Yeats, Whitman, Ginsberg, Gray, Emerson...they have expanded his perceptions and concepts now that he is in his 50s. He has lived the narratives and the verse dramas arranged here in two parts. But for him, it does not matter whether he is depicting true life stories or has plotted the characters and events. It's more important, he argues, that the reader recreates the multiple meanings in every piece of the Louvre. He invites the reader to participate in meaning making rather than looking for a clear or cliché message.