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An outgrowth of the recent meeting of the International Society of the History of Rhetoric, this collection challenges the reader to reexamine the broad influence of 18th- and 19th-century Scottish rhetoric, often credited for shaping present-day studies in psychology, philosophy, literary criticism, oral communication, English literature, and composition. The contributors examine its influence and call for a new appraisal of its importance in light of recent scholarship and archival research. Many of the essays in the first section discuss the contributions of recognized influential figures including Adam Smith and Hugh Blair. Other essays focus on the importance of 18th-century Scottish sermons in relation to public discourse, audience analysis, peer evaluation, and professional rhetoric. Essays in the second section address 19th-century rhetorical theory and its influence on North American composition practice.
In A Scholarly Edition of Samuel P. Newman’s A Practical System of Rhetoric, Beth L. Hewett argues that Newman and his successful nineteenth-century textbook should be evaluated within the era’s educational culture and goals, thus establishing their value in rhetorical history.
Reprint of the original, first published in 1843.
Though we all think we know what good writing is when we see it, it's difficult to define it precisely; and without a satisfactory definition, it becomes problematical to assess as well as to teach. In What Is Good Writing?, Geoffrey J. Huck advances the contemporary debate on writing achievement by drawing on empirical research in linguistics and the other cognitive sciences that shed light on the development of fluency in language. The utility of defining "good writing" as "fluent writing" or writing that is on par with the typical fluency in speech attained by normal adults, is demonstrated by the progress it permits in evaluating the success of current writing programs in school and university--programs which, for the most part, have proved unable to deliver writing assessments that are both valid and reliable. Huck advances an alternative approach that rests on more scientific footing. He explains why reading is key to good writing and why standard composition programs often do not live up to their aspirations.