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Louisiana is one-of-a-kind among US states. Its rich cultural heritage, singular traditions, and natural beauty tie Louisianans to their past and enrich their present. But the state struggles with stark inequalities in health, education, living standards, youth disconnection, and incarceration, inequalities that will likely widen as a result of Covid-19, the worst economic decline since the Great Depression, and the most active hurricane season on record. Using the American Human Development Index-a measure that combines health, education, and earnings indicators into a single gauge of well-being-this report offers a way to understand which places and demographic groups will need the most assistance to recover from the crises of 2020. It also provides recommendations on how the state can help them build resilience to weather the health, economic, and environmental challenges of the future. The good news is that through better choices, real progress is possible: this report details various policies-some of which the state has already put in place-to close well-being gaps and expand opportunity for all Louisianans. Ultimately, A Portrait of Louisiana 2020 is a guide for the state's communities, advocates, and elected officials to learn exactly where those gaps-and opportunities-exist.
From the "Introduction": I first stood on Louisiana soil in Lafayette during May of 1982. There, I found myself standing at the crossroads of another culture. Shortly after, I heard about a Clifton Chenier gig scheduled for the next day at the Grant Street Dancehall. Clifton was very ill and could not perform that night, so Rockin' Dopsie filled in. That evening someone gave me Ambrose Thibodeaux's name and address written on a paper napkin. This is how it went every trip I took"€"acquiring names of musicians scribbled on little pieces of paper or cardboard beer coasters. . . . . This is my story"€"how I discovered Cajun music and its musicians. Several times I went back; time and again I was surprised by the cultural endurance of this relatively small group of people. Both old and young keep their history alive through a simple bond"€"the culture, the language, and the songs of their ancestors. . . . This is not a historical document about these people and their music, and it is far from complete when it comes to even musicians. These images instead record my journey into a culture that continually captivates me.
Rineke Dijkstra (b. 1959) is one of the most prominent and internationally acclaimed artists working within the genre of photography and video portraiture. Her large-scale photographs show a rare sense of humanity, empathy and intimacy without any trace of sentimentality or indiscretion. Dijkstra typically captures her subjects at moments of transition or vulnerability, thus focusing on the thematics of identity. Though absolutely modern, even timeless, her portraiture brings to mind the great masters of the Golden Age of Dutch art. 'I try to capture something of the personality of these people,' Rineke Dijkstra explains, 'but at the same time extract something universal relating to humanity in general. There has to be enough space to make your own stories; to interpret a picture the way you want.'
A lushly illustrated celebration of two centuries of creative work from Louisiana
Paul writes a letter home each of the twelve days he spends exploring Louisiana at Christmastime, as his cousin Rosalie shows him everything from a pelican in a cypress tree to twelve sparkly strands of Mardi Gras beads. Includes facts about Louisiana.
Since the late 1970s, Louisiana a state long known for outrageous politicians has witnessed a blossoming of the arts and their enthusiastic reception by a national, and even world-wide, audience. From John Kennedy Toole's A Confederacy of Dunces to James Lee Burke's detective Dave Robicheaux; from singers Fats Domino and Aaron Neville to jazz patriarch Ellis Marsalis and his music-making family; from George Rodrigue's blue dog to Chef Paul Prudhomme's transcendent cooking the list is long for Louisiana talent. Louisiana Faces documents in images and words the human texture of this remarkable renaissance, not only the painters, sculptors, chefs, musicians, poets, and writers who create the art, but also the ordinary people who in their daily and seasonal rhythms inform that art. Some are living legends, others well-kept secrets; all have a place, and a face, at the feast. Philip Gould confirms his own part in the renaissance with the 125 stunning portraits in Louisiana Faces. Gould's lively, poignant photographs capture a range of personalities in timeless settings that mirror the larger culture whether masked riders in a Cajun carnival or jazzmen playing a street funeral. Writer Jason Berry complements Gould's images with a probing, witty essay that explores the parallels between art and life. Using meld of interviews, anecdotes, history, and commentary, Berry treats outsized political figures and pop culture celebrities as a parade of inspiration for Louisiana artists.
Many years ago, during a long, confining illness in her native Australia, Margaret Stones whiled away the hours drawing the wildflowers friends placed at her bedside. Today she is acclaimed as one of the world's most distinguished botanical artists. Stones served for twenty-five years as the principal illustrator for Curtis's Botanical Magazine, contributing more than 400 drawings. She has also completed a six-volume illustrated work, The Endemic Flora of Tasmania, and has worked under commission for the Royal Botanical Gardens at Kew, England, the Royal Horticultural Society of England, and similar institutions the world over.In 1976, as part of the United States' bicentennial celebration, Louisiana State University commissioned Stones to execute six watercolor renderings of Louisiana flora. This initial project was so successful that Stones was asked to draw a much larger number of the state's native plants. Today Stones has completed more than 200 watercolors, all of which are maintained in the LSU Libraries' E. A. McIlhenny Natural History Collection. The drawings represent not only a collection of exquisite botanical art but an accurate scientific record of Louisiana's lush, varied, and beautiful flora.Flora of Louisiana reproduces the great bulk of Stones's collection. The volume contains more than 200 pages of full-color and black-and-white illustrations. Each drawing is accompanied by a short text that gives information about the plant, including a physical description and details about habitat and growing conditions.The publications of Flora of Louisiana is set to coincide with the first of several international exhibitions of Stones's drawings, beginning in April, 1991.
Although we remember John James Audubon’s years in Louisiana primarily for the art he produced there, his writings reflect the profound impact the region made on him and his artistic vision, especially in his magnificent collection of paintings published as The Birds of America. In Audubon on Louisiana, Ben Forkner compiles and explains in depth Audubon’s essential writings on the region. Beginning in 1810 as Audubon arrives in the upper Louisiana Territory, and continuing as he moves into southern Louisiana ten years later (and eventually brings his wife, Lucy, to join him), Audubon’s journals, essays, and letters reveal his struggles to fill his portfolio with new watercolors, his discoveries throughout the region, and the transformative effect the area had on both his art and his life. Forkner provides a detailed introduction to Audubon’s private journal of 1820–21, the Louisiana Journal, to guide readers through this compelling document. Until now, the difficulty of comprehending Audubon’s rough English has often kept readers from fully appreciating the Journal’s significance. The volume also contains a dozen essays that Audubon penned about his experiences in Louisiana; most of these “episodes” he published in his Ornithological Biography, a massive five-volume written work that complements the visual art of Birds of America. Letters describing Audubon’s last voyage to Louisiana in 1837 followed by nine of his Louisiana bird biographies round out the collection. These original texts, augmented with Forkner’s commentary, form a magisterial work that illuminates the importance of Louisiana to Audubon’s life and art. Audubon on Louisiana deepens appreciation of one of the most significant artists—and nature writers—of the nineteenth century.