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Let's face reality. We need our Maker. In spite of our impressive accomplishments, we still do not hold the power to create life. We hold no power over death. And outside the scope of faith, we hold no hope beyond the grave. A godless philosophy relegates after-life to a myth.In Portrait of God, Frank Chesser stands the reader face-to-face with God by reviewing the scope of the Scriptures from Genesis to Revelation. The book reveals man's reflection of his Creator and explains how He redeems us. Portrait of God opens a window for the breeze of understanding to flow over the soul who seeks to embrace it.
The puritan pastor Stephen Charnock (1628-1680) wrote what is considered to be the fullest treatment of the attributes of God. However, today's reader may find the 1100 pages a bit daunting. Pastor Daniel Chamberlin has summarized the treatise in a reader-friendly format that maintains the theological depth and practical application of the original. No serious student of Holy Scripture can afford to be ignorant of the contents of this book.
God wants you to be a beautiful woman. Using His Word and the metaphor of a masterful work of art, Dorothy Davis shows how God can fashion you into a beautiful woman for Him. 13 lessons
Originally published: New York: Random House, Ã1976.
Fifteen essays accompanied by full-color illustrations explore the nature of prayer across the world: its methods, its effects, and its social structure.
A dramatic tension confronts every Christian believer and interpreter of Scripture: on the one hand, we encounter images of God commanding and engaging in horrendous violence: one the other hand, we encounter the non-violent teachings and example of Jesus, whose loving, self-sacrificial death and resurrection is held up as the supreme revelation of God’s character in the New Testament. How do we reconcile the tension between these seemingly disparate depictions? Are they even capable of reconciliation? Throughout Christian history, many different answers have been proposed, ranging from the long-rejected explanation that these contrasting depictions are of two entirely different ‘gods’ to recent social and cultural theories of metaphor and narrative representation. The Crucifixion of the Warrior God takes up this dramatic tension and the range of proposed answers in an epic constructive investigation. Over two volumes, renowned theologian and biblical scholar Gregory A. Boyd argues that we must take seriously the full range of Scripture as inspired, including its violent depictions of God. At the same time, we must take just as seriously the absolute centrality of the crucified and risen Christ as the supreme revelation of God. Developing a theological interpretation of Scripture that he labels a “cruciform hermeneutic,” Boyd demonstrates how Scripture’s violent images of God are completely reframed and their violence subverted when they are interpreted through the lens of the cross and resurrection. Indeed, when read through this lens, Boyd argues that these violent depictions can be shown to bear witness to the same self-sacrificial character of God that was supremely revealed on the cross.
By using recent developments in literary theory, W. Lee Humphreys uses Genesis to show how God functions as a character in the Genesis narrative. Very creatively, Humphreys explores the coherence and consistency of God as a character, the way in which God's character changes and develops throughout the narrative, and how giving attention to the character of God enriches our experience of reading Genesis.
Published in association with a traveling exhibition opening at the International Center of Photography in 1993. Harris is known for his black and white photos documenting the people and culture of northern New Mexico. To accompany this collection of color photos, he supplies an essay telling of his feelings for the area and the people and discussing his transition to color work. Annotation copyright by Book News, Inc., Portland, OR
Jerusalem without God leads the reader through the streets, malls, suburbs, traffic jams, and squares of Jerusalem's present moment, into the daily lives of the men and women who inhabit it. Caridi brings contemporary Jerusalem alive by describing it as a place of sights and senses, sounds and smells, but she also shows us a city riven by the harsh asymmetry of power and control embodied in its lines, limits, walls, and borders. She explores a cruel city, where Israeli and Palestinian civilians sometimes spend hours in the same supermarkets, only to return to the confines of their respective districts, invisible to each other.