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Two brothers set about to bring order to a chaotic existence -- and discover hidden secrets along the way.
This wonderful novel transports us to Nazareth in biblical times, where we meet Mary and Joseph–and understand them as never before: young, in love, and suddenly faced with an unexpected pregnancy. Aided by a great and abiding love, they endure challenges to their relationship as well as threats to their lives as they come to terms with the mysterious circumstances surrounding the birth of their child, Jesus. For Mary, the pregnancy is a divine miracle and a privilege. For Joseph, it is an ongoing test of his faith–in his wife as well as in his God. Exquisitely written and imbued with emotional truth and richness of detail, The Handmaid and the Carpenter explores lives touched profoundly by miracles large and small. Praise for The Handmaid and the Carpenter “The oldest story ever told becomes fresh, even modern. [Grade:] A.” –Entertainment Weekly “Poetic, reflective, and intricate . . . There is a crystalline humanity, a logical vulnerability in [Elizabeth] Berg’s imaginative interpretation [that] brings novel resplendence to a familiar story.” –Booklist “Sweetly lyrical and yet movingly realistic.” –New York Daily News “[Berg] movingly takes the story of the least ordinary couple in history, and by respectfully evoking the rhythms and rituals of daily life, makes them more human, yet no less transcendent.” –Richmond Times-Dispatch “Imaginative and compelling.” –Star Ledger
Hope Carpenter opens up about her personal struggles that nearly destroyed her family, her church, and her ministry, but then God did something miraculous—out of her brokenness, He made something beautiful. As co-pastor of one of the nation's largest megachurches, Hope Carpenter had perfected the roles of supportive wife, good mother, devoted worship leader, and dutiful homemaker. But inside, she was secretly ashamed, sad, and afraid. She didn't know who she was, and she didn't know how to ask for help without bringing down the whole façade. A series of bad choices led to multiple affairs; her husband kicked her out and announced from the pulpit of their church that their marriage was over. Hope was sure her life was done. But in her lowest moments, something beautiful happened. God met her there, and, with a lot of hard work, time, and mountains of therapy, she started to understand the pain that had caused her to act out. She and her family faced their brokenness together, and in powerful acts of forgiveness only God could have arranged, they all found real breakthrough and healing. Ron and Hope rebuilt their marriage and their family, and their ministry thrives today. In The Most Beautiful Disaster, Hope helps readers understand the lasting impact of childhood trauma and gives readers practical steps to uncovering the root of pain in their own lives. She shows how small decisions can lead to big changes, and helps readers find healing and wholeness in Scripture and prayer. Ultimately, readers will be led to hope, reconciliation, and true freedom.
"A departure at right angles to thinking in the modern Western world. An important, original work, that should get the widest possible hearing" (Iain McGilchrist, author of The Master and his Emissary) Middle Way Philosophy is not about compromise, but about the avoidance of dogma and the integration of conflicting assumptions. To rely on experience as our guide, we need to avoid the interpretation of experience through unnecessary dogmas. Drawing on a range of influences in Buddhist practice, Western philosophy and psychology, Middle Way Philosophy questions alike the assumptions of scientific naturalism, religious revelation and political absolutism, trying to separate what addresses experience in these doctrines from what is merely assumed. This Omnibus edition of Middle Way Philosophy includes all four of the volumes previously published separately: 1. The Path of Objectivity, 2. The Integration of Desire, 3. The Integration of Meaning, and 4. The Integration of Belief.
Ernest, Isabel and Grace Munday were blessed with childhoods full of fun and laughter, but the coming of the First World War will change their lives forever. Tom Munday, a skilled carpenter, is more than content with his lot in life: he's been blessed with a fine wife and three wonderful children. But when war breaks out, his firstborn, Ernest, is called upon to join the army. Tom's eighteen-year-old daughter Isabel finds the path of true love does not run smoothly in London's poor East End. And the youngest, fifteen-year-old Grace, wilful and headstrong, finds herself drawn down a path she never wished to embark on, and the consequences are far worse than she could ever have imagined.
Although Sinclair had written very critically of organized religion in his book The Profits of Religion, in this novel he takes a more human approach to the story of Christ. Of course, the Christ character is repulsed by the show of wealth he finds in 1920s California culture, which ultimately contributes to his leaving. In that sense, They Call Me Carpenter fits well into the canon of Upton Sinclair.
A Carpenter’s Daughter is the story of the difficulties and rewards of the educational system for one who was not meant to go through it. The single most reliable predictor of whether someone will earn a BA is whether at least one of their parents has one-yet, today, there are an increasing number of first-generation college students. A Carpenter’s Daughter is both a memoir of the author’s experiences growing up, going to school, and becoming an academic and a thoughtful commentary on the meaning of class in American culture. By connecting her own story with ideas from scholarly works on class and identity, Christopher shows how her individual experiences reflect common struggles that people of working-class background face when their education, profession, income, and lifestyles change. This work reminds us forcefully that "moving up" isn't necessarily good and that changing one’s class isn't as simple as going to class or even becoming the teacher of the class.—Sherry Linkon, author of Teaching Working Class The work is stellar, merging the tangled and complex webs of social mobility through education in ways that leave lots of loose ends dangling just the way it should. No pretty bows adorning carefully wrapped packages here. No straight and narrow trajectory toward a mainstream version of success. Instead, readers will be pulled along by nuanced narratives portraying the warped nature of society’s construction of success and a careful crafting of the book in its entirety as a disjointed text presenting shards of a life that can never be visible in a tidied-up tale.—Stephanie Jones, University of Georgia