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A satire directed principally against the English government.
Considering the fact that Charles Pigott's satirical A Political Dictionary (1795) is regularly quoted and referred to in analyses of late eighteenth-century radical culture, it is surprising that until now it has remained unavailable to readers outside of a few specialised research libraries. Until his death on the 24th of June 1794, Pigott was one of England's most prolific satirists in the decade of revolutionary unrest following the French Revolution, writing a number of pamphlets and plays of which only a small proportion have survived. Pigott finished A Political Dictionary in prison, where he served a sentence for sedition. He died before his release and the book was published posthumously. The Dictionary was a brilliant satire on the "language of Aristocracy" and combined radical politics with a high entertainment value. Indeed, part of what he wrote was considered so scurrilous that the printer left out certain lines in the printed version. Modern scholars will find Pigott's work an unrivalled resource for mapping the rhetorical landscape of political debate in the 1790s, and one that yields a unique insight into the sentiments and rhetoric of radical discourse. The text stands as a convenient handbook, providing some of the wittiest and most acidic turns on familiar satirical conventions of the time, such as the "swinish multitude" metaphor and the comparison of King George III to the mad King Nebuchadnezzar. It will be an invaluable aid to students and researchers of the period - both as a highly amusing source of illustrative quotations, and as an encyclopaedia over the central sites of ideological struggle at the time.
Considering the fact that Charles Pigott's satirical A Political Dictionary (1795) is regularly quoted and referred to in analyses of late eighteenth-century radical culture, it is surprising that until now it has remained unavailable to readers outside of specialised research libraries. Until his death on 24 June 1794, Pigott was one of England's most prolific satirists in the decade of revolutionary unrest following the French Revolution, writing a number of pamphlets and plays of which only a small part has survived. The Dictionary was a brilliant satire on the "language of Aristocracy" and combined radical politics with a high entertainment value. Indeed, part of what he wrote was considered so scurrilous that the printer left out certain lines in the printed version. Modern scholars will find Pigott's work an unrivalled resource for mapping the rhetorical landscape of political debate in the 1790s, and one that yields a unique insight into the sentiments and rhetoric of radical discourse.
This collection provides new insights into the ’Age of Revolutions’, focussing on state trials for treason and sedition, and expands the sophisticated discussion that has marked the historiography of that period by examining political trials in Britain and the north Atlantic world from the 1790s and into the nineteenth century. In the current turbulent period, when Western governments are once again grappling with how to balance security and civil liberty against the threat of inflammatory ideas and actions during a period of international political and religious tension, it is timely to re-examine the motives, dilemmas, thinking and actions of governments facing similar problems during the ‘Age of Revolutions’. The volume begins with a number of essays exploring the cases tried in England and Scotland in 1793-94 and examining those political trials from fresh angles (including their implications for legal developments, their representation in the press, and the emotion and the performances they generated in court). Subsequent sections widen the scope of the collection both chronologically (through the period up to the Reform Act of 1832 and extending as far as the end of the nineteenth century) and geographically (to Revolutionary France, republican Ireland, the United States and Canada). These comparative and longue durée approaches will stimulate new debate on the political trials of Georgian Britain and of the north Atlantic world more generally as well as a reassessment of their significance. This book deliberately incorporates essays by scholars working within and across a number of different disciplines including Law, Literary Studies and Political Science.
This work seeks to provide a comprehensive and accessible survey of the international dimension of trauma and memory and its manifestations in various cultural contexts. Drawing together contributions and case studies from scholars around the globe, the book explores the international political dimension of feeling, suffering, forgetting, remembering and memorializing traumatic events and to investigate how they function as social practices for overcoming trauma and creating social change. Divided into two sections, the book maps out the different theoretical debates and then moves on to examine emerging themes such as ontological security, social change, gender, religion, foreign policy & natural disasters. Throughout the chapters, the editors consider the social, political and ethical implications of forgetting and remembering traumatic events in world politics Showcasing how trauma and memory deepen our understanding of IR, this work will be of great interest to students and scholars of international relations, memory and trauma studies and security studies.
This text considers landscape not simply as an object to be seen or a text to be read, but as an instrument of cultural force, a central tool in the creation of national and social identities. This edition adds a new preface and five new essays.
The recently developed field of transatlantic literary studies has encouraged scholars to move beyond national literatures towards an examination of communications between Britain and the Americas. The true extent and importance of these material and literary exchanges is only just beginning to be discovered. This collection of original essays explores the transatlantic literary imagination during the key period from 1660 to 1830: from the colonization of the Americas to the formative decades following political separation between the nations. Contributions from leading scholars from both sides of the Atlantic bring a variety of approaches and methods to bear on both familiar and undiscovered texts. Revealing how literary genres were borrowed and readapted to a different context, the volume offers an index of the larger literary influences going backwards and forwards across the ocean.