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I had been searching for love my whole life. It took the opening up of the world via technology for me to find my soulmate. Once I laid eyes on her, at the arrivals gate, I knew I was never going to let her go. The following is a collection of poems I wrote to my angel, from our first meeting up until our wedding day. I was working crazy hours as a chef and I had a long commute. I chose my commuting time to pen her a poem each day. These poems speak of our life, our challenges and our growth together...in every aspect they speak of our love. May this book give someone the courage to let their special someone know how much they care for them and how much they mean to them. Saying I love you is a gift you can give many times a day.
Drawing from a broad range of contemporary British poets, including Thomas Kinsella, Kathleen Jamie, and Alice Oswald, this study examines the inherently spatial and affective nature of our engagement with poetry. Adding to the expanding field of geocritical studies, Yeung specifically discusses ideas of space and constructions of voice in poetry.
In this incisive volume Siler traces the uneasy relationship between the content of Keats' poems and social history. In the process, he discovers that the early poems are linked with the mission statement of the radical journal Annals of the Fine Arts, whilst the poems after Endymion reveal a poet more concerned with the nature of poetic representation--its why and wherefore.
This anthology of poetry collects 21st century American works by both established and emerging poets that deal with the public events, government policies, ecological and political threats, economic uncertainties, and large-scale violence that have largely defined the century to date. But these 138 poems by 50 poets do not simply describe, lament, or bear witness to contemporary events; they also explore the linguistic, temporal, and imaginative problems involved in doing so. In this way, the anthology offers a comprehensive look at contemporary American poetry, demonstrating that poets are moving at once toward a new engagement with public concerns and toward a focus on the problems of representation. A detailed introduction by the editors along with poetics statements by many of the poets add depth and context to a book that will appeal to anyone interested in the state and evolution of contemporary American poetry. Instructors considering this book for use in a course may request an examination copy here.
In this incisive volume Siler traces the uneasy relationship between the content of Keats' poems and social history. In the process, he discovers that the early poems are linked with the mission statement of the radical journal Annals of the Fine Arts, whilst the poems after Endymion reveal a poet more concerned with the nature of poetic representation--its why and wherefore.
Including the complete collaborative poems of Sheila E. Murphy and the late Michelle Greenblatt; three free-verse poems and 59 American ghazals. With a Foreword by Vincent A. Cellucci.
Through careful analysis of Levertov's social verse, she demonstrates that there is a consistency and pattern in what the artist herself has termed the "poems of engagement." Denise Levertov began her career in England as a lyric poet in the Romantic mode, but even then was touched by the reductive nature of war, revealed in her first published poem, "Listening to Distant Guns." During the mid-1960s Levertov's social conscience, notably her strong antiwar sentiment, was reawakened by the Vietnam War. This reawakening resulted in several volumes of poetry that mirrored her concerns with the war (and political activism at home) and her perplexity at the nature of human beings - often great and compassionate, but at times cruel and insensitive. There exists a common thread in Levertov's pilgrimage from her beginning as a lyric poet to her status as an artist definitively in the world: she has always responded to everything within the compass of her experience.
Poems can teach us in ways that surpass other forms of understanding, especially when the subject concerns matters of the heart. When the heart’s whispers are too faint for us to hear in ordinary ways, poetry can speak to us with another kind of eloquence. From the leap of joy that a couple takes on their wedding day to a fiftieth wedding anniversary that acknowledges the deep connection that a life together can bring, marriage takes us on a journey that passes through seasons and stages, peaks and valleys. This book honors that journey through twenty poems that celebrate and illuminate some of these major stages and provides not only inspiration for the journey but also solace and wisdom. Roger Housden, the author of Ten Poems to Change Your Life, provides essential insights into the poems, creating a collection of reflective prose and poetry that makes this an inspirational guidebook as much as a volume of poetry. In Twenty Poems to Bless Your Marriage, Roger Housden offers poems and essays that will give voice to your heart, offering up words and wisdom not just for special occasions but to act as friends and guides to refer to throughout the life of a marriage.
The newest collection by noted poet and translator Chana Bloch
Exploring the potential of poetry and poetic language as a means of conveying perspectives on ageing and later life, this book examines questions such as 'how can we understand ageing and later life?' and 'how can we capture the ambiguities and complexities that the experiences of growing old in time and place entail?' As poetic language illuminates, transfigures and enchants our being in the world, it also offers insights into the existential questions that are amplified as we age, including the vulnerabilities and losses that humble us and connect us. Literary gerontology and narrative gerontology have highlighted the importance of linguistic representations of ageing. While the former has been concerned primarily with the analysis of published literary works, the latter has foregrounded the individual and collective meaning making through narrative resources in old age. There has, however, been less interest in how poetic language, both as a genre and as a practice, can illuminate ageing. This volume suggests a path towards the poetics of ageing by means of presenting analyses of published poetry on ageing written by poets from William Shakespeare to Wallace Stevens; the use of reading and writing poetry among ordinary people in old age; and the poetic nuances that emerge from other literary practices and contexts in relation to ageing – including personal poetic reflections from many of the contributing authors. The volume brings together international scholars from disciplinary backgrounds as diverse as cultural psychology, literary studies, theology, sociology, narrative medicine, cultural gerontology and narrative gerontology, and will deploy a variety of empirical and critical methodologies to explore how poetry and poetic language may challenge dominant discourses and illuminate alternative understandings of ageing.