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This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1972.
William Poole recounts Milton's life as England’s self-elected national poet and explains how the greatest poem of the English language came to be written. How did a blind man compose this staggeringly complex, intensely visual work? Poole explores how Milton’s life and preoccupations inform the poem itself—its structure, content, and meaning.
This collection's title points to the underlying philosophy expressed in these poems: that earthly joy is, or ought to be, just within, but is often beyond our reach, denied by racism, misogyny, physical cruelty and those with the class power to deny others their share of worldly goods and pleasures.
"Including Paradise lost, Paradise regain'd & 50 other works" -- Cover.
A Paradise of Poets is Jerome Rothenberg's tenth book of poetry to be published by New Directions, beginning with his Poland/1931(1974). In considering the title of his newest collection, he says: "Writing poetry for me has always included an involvement with the life of poetry--& through that life an intensification, when it happened, of my involvement with the other life around me. In an earlier poem I spoke of this creating a paradise of poets ... I do not of course believe that such a paradise exists in any supernatural or mystical sense, but I have sometimes felt it come to life among my fellow poets and, even more, in writing--in the body of the poem." In Rothenberg's hands, the body of the poem is an extraordinarily malleable object. Collage, translation, even visual improvisation serve to open up his latest book to the presence of poets and artists he has known and to others, past and present, who he feels have somehow touched him, among them Nakahara Chuya, Jackson Mac Low, Pablo Picasso, Leonardo da Vinci, Federico Garcia Lorca, Kurt Schwitters, and Vitezslav Nezval. Kenneth Rexroth once commented: "Jerome Rothenberg is one of our truly great American poets who has returned U.S. poetry to the mainstream of international modern literature. No one has dug deeper into the roots of poetry." With A Paradise of Poets, it is clear that this evaluation is as fresh today as it was twenty-five years ago.