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“A lyrical masterpiece.” —School Library Journal (starred review) Originally performed at the Kennedy Center for the unveiling of the Martin Luther King Jr. Memorial, and later as a tribute to Walter Dean Myers, this stirring and inspirational poem is New York Times bestselling author and National Book Award finalist Jason Reynolds’s rallying cry to the young dreamers of the world. For Every One is exactly that: for every one. For every one person. For every one who has a dream. But especially for every kid. The kids who dream of being better than they are. Kids who dream of doing more than they almost dare to imagine. Kids who are like Jason Reynolds, a self-professed dreamer. Jason does not claim to know how to make dreams come true; he has, in fact, been fighting on the front line of his own battle to make his own dreams a reality. He expected to make it when he was sixteen. Then eighteen. Then twenty-five. Now, some of those expectations have been realized. But others, the most important ones, lay ahead, and a lot of them involve kids, how to inspire them: All the kids who are scared to dream, or don’t know how to dream, or don’t dare to dream because they’ve NEVER seen a dream come true. Jason wants kids to know that dreams take time. They involve countless struggles. But no matter how many times a dreamer gets beat down, the drive and the passion and the hope never fully extinguishes—because simply having the dream is the start you need, or you won’t get anywhere anyway, and that is when you have to take a leap of faith. A pitch-perfect graduation, baby, or inspirational gift for anyone who needs to me reminded of their own abilities—to dream.
A wonderful treasury containing poems about all kinds of people, for all kinds of people, written by all kinds of people.Including a whole host of poets such as Ted Hughes, Charles Causley, Christina Rossetti, Maya Angelou, and Roger McGough, this beautifully-illustrated treasury is a celebration of humans in all their diversity. Here, you'll find people sad and happy, busy and idle, young and old - engaged in allmanner of activities, at their best and at their worst.* Michael Harrison and Christopher Stuart-Clark have edited a large number of classic poetry anthologies for OUP, including the best-selling One Hundred Years of Poetry for Children. * A fantastic selection of poetry, including both old favourites and less familiar poems, from a host of well-known names* Beautifully illustrated throughout in black and white by a range of artists including Laura Stoddart* Michael Harrison and Christopher Stuart-Clark live in Oxfordshire
Poems tall or short or wide— All are infinite inside. In Gilles Tibo’s wonder-filled tribute to poetry, poems bloom in fields, fly on the wings of birds, and float on the foam of the sea. They are written in the dark of night, in the light of happiness, and in the warmth of the writer’s heart. Each poem is illustrated with Manon Gauthier’s whimsical paper collage art, which is both child-like and sophisticated. Rhymed or unrhymed, regular or irregular, the verses bring not just poems but the very concept of poetry to the level of a child, making them accessible to all. If all the world is a poem, then anyone can be a poet!
A cultural “biography” of Robert Frost’s beloved poem, arguably the most popular piece of literature written by an American “Two roads diverged in a yellow wood . . .” One hundred years after its first publication in August 1915, Robert Frost’s poem “The Road Not Taken” is so ubiquitous that it’s easy to forget that it is, in fact, a poem. Yet poetry it is, and Frost’s immortal lines remain unbelievably popular. And yet in spite of this devotion, almost everyone gets the poem hopelessly wrong. David Orr’s The Road Not Taken dives directly into the controversy, illuminating the poem’s enduring greatness while revealing its mystifying contradictions. Widely admired as the poetry columnist for The New York Times Book Review, Orr is the perfect guide for lay readers and experts alike. Orr offers a lively look at the poem’s cultural influence, its artistic complexity, and its historical journey from the margins of the First World War all the way to its canonical place today as a true masterpiece of American literature. “The Road Not Taken” seems straightforward: a nameless traveler is faced with a choice: two paths forward, with only one to walk. And everyone remembers the traveler taking “the one less traveled by, / And that has made all the difference.” But for a century readers and critics have fought bitterly over what the poem really says. Is it a paean to triumphant self-assertion, where an individual boldly chooses to live outside conformity? Or a biting commentary on human self-deception, where a person chooses between identical roads and yet later romanticizes the decision as life altering? What Orr artfully reveals is that the poem speaks to both of these impulses, and all the possibilities that lie between them. The poem gives us a portrait of choice without making a decision itself. And in this, “The Road Not Taken” is distinctively American, for the United States is the country of choice in all its ambiguous splendor. Published for the poem’s centennial—along with a new Penguin Classics Deluxe Edition of Frost’s poems, edited and introduced by Orr himself—The Road Not Taken is a treasure for all readers, a triumph of artistic exploration and cultural investigation that sings with its own unforgettably poetic voice.
All American Poem embraces the ecstatic nature of our daily lives. Introduction by Tony Hoagland.
Poignant, quirky, and trouble poems rife with characters who stumble, speakers who suffer, and wisdoms that bristle with the darkest and lightest aspects of being alive.
"The novelist and poet Ben Lerner argues that our hatred of poetry is ultimately a sign of its nagging relevance"--
Parents get their dinosaurs to bed.
Presents a collection of poetry covering a wide range of subjects, themes, and emotions.
"In a time of war, dirty air, missile worship when all oracles seem silenced, from every eco-lyric pore these fine auroras of This Connection of Everyone With Lungs have been streaming. Registering 9/11 as cellular rupture, this is a work of full globality which redeems our time, makes us remember all that poetry is capable of as form, frame, syntax linking air, earth, lung; what Emerson meant by lyric language as nothing less than externalization of planet's soul."—Rob Wilson, author of Waking in Seoul "By listing, by naming, the atrocities—the harrowing stats, the scary particulars—in our world-at-endless-war—we might at least exert control over our sanity and extend our mind and compassion to others. It is a connected universe as Spahr so forcefully and powerfully reminds us. This Connection of Everyone with Lungs is a sustained and anaphoric meditation, a catharsis for our predicament."—Anne Waldman