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It has often been said that love, both sacred and profane, is the only true subject of the lyric poem. Nothing better justifies this claim than the splendid poems in this volume, which range from the writings of ancient China to those of modern-day America and represent, at its most piercing, a universal experience of the human soul. Includes poems by John Donne, Christina Rossetti, W. H. Auden, Edna St. Vincent Millay, Robert Graves, e. e. cummings, Dorothy Parker, William Shakespeare, Sappho, Bhartrhari, Anna Akhmatova, and W. B. Yeats, among many others.
A comprehensive selection from Ferlinghetti's famed City Lights Pocket Poets Series, published on the 60th anniversary of its founding.
Robert Frost is one of the foremost writers of American poetry. This is a thorough compilation of his seminal works.
This rousing anthology features the work of more than twenty-five writers from the great twentieth-century countercultural literary movement. Writing with an audacious swagger and an iconoclastic zeal, and declaiming their verse with dramatic flourish in smoke-filled cafés, the Beats gave birth to a literature of previously unimaginable expressive range. The defining work of Allen Ginsberg and Jack Kerouac provides the foundation for this collection, which also features the improvisational verse of such Beat legends as Gregory Corso, Lawrence Ferlinghetti, Gary Snyder, and Michael McClure and the work of such women writers as Diane DiPrima and Denise Levertov. LeRoi Jones’s plaintive “Preface to a Twenty Volume Suicide Note” and Bob Kaufman’s stirring “Abomunist Manifesto” appear here alongside statements on poetics and the alternately incendiary and earnest correspondence of Beat Generation writers. Visceral and powerful, infused with an unmediated spiritual and social awareness, this is a rich and varied tribute and, in the populist spirit of the Beats, a vital addition to the libraries of readers everywhere.
Killer Verse: Poems of Murder and Mayhem is a spine-tingling collection of terrifically creepy poems about the deadly art of murder. The villains and victims who populate these pages range from Cain and Abel and Bluebeard and his wives to Lizzie Borden, Jack the Ripper, and Mafia hit men. The literary forms they inhabit are just as varied, from the colorful melodramas of old Scottish ballads to the hard-boiled poetry of twentieth-century noir, from lighthearted comic riffs to profound poetic musings on murder. Robert Browning, Thomas Hardy, W. H. Auden, Stevie Smith, Mark Doty, Frank Bidart, Toi Derricotte, Lynn Emanuel, and Cornelius Eady are only a few of the many poets, old and new, whose work is captured in this heart-stopping—and criminally entertaining—collection.
Throughout history, poets have felt the ancient pull of the sea, exploring the full range of mankind's nautical fears, dreams, and longings. The colorful legends of the sea-pirates and mermaids, phantom ships and the sunken city of Atlantis-have inspired as many imaginations as have the realities of lighthouses and shipwrecks, of icebergs and frothing foam and seaweed. This marvelous collection includes classics old and new, from Homer and Milton to Plath and Merwin. Here are Tennyson's seductive sea-fairies next to Poe's beloved Annabel Lee. Here is Coleridge's darkly brooding "The Rime of the Ancient Mariner" alongside the grandeur of Shakespeare's "Full Fathom Five." And here is Masefield's "I must go down to the seas again" alongside Cavafy's "Ithaka" and Stevens's "The Idea of Order at Key West." In the wide variety of lyrics collected here-sonnets and sea chanteys, ballads and hymns and prayers-we feel the encompassing power of our planet's restless
Usher in National Poetry Month with Mr. Tiffin and his students, stars of the hugely popular How Many Seeds in a Pumpkin? and The Apple Orchard Riddle. Once again, Margaret McNamara sets her playful, child-friendly story in the classroom, and this time, poetry—from metaphors to acrostics to haiku—is the name of the game. The focus here is on Elinor, whose confidence falters as she tries to write something "perfect" for Poem in Your Pocket Day and impress a visiting poet. G. Brian Karas's accessible, adorable illustrations add to the fun. Includes a list of Mr. Tiffin's tips for celebrating Poem in Your Pocket Day. "A nimble introduction to poetry as well as a sensitive look at the perils of perfectionism." —The New York Times "Pair this book with the works of Shel Silverstein, Paul B. Janeczko, Jack Prelutsky, Douglas Florian, or Robert Louis Stevenson." —School Library Journal, Starred
In this enchanting and comprehensive collection, the lullabies we all were rocked to sleep with, such as “Rock-a-Bye Baby” and “Hush Little Baby, Don’t You Cry,” mingle with traditional lullabies from around the world. Here are beautiful lyrics to sing or read to little ones, from Shakespeare’s lullaby for the fairy queen, Titania, to Brahms’s “Lullaby”; and from Gershwin’s “Summertime” to Langston Hughes’s lovely lullaby for a “night black baby.” Here, too, are poems for children that range from tender to nonsensical, from quiet to raucous–from Walter de la Mare to T. S. Eliot to Lewis Carroll, Edward Lear, and Ogden Nash. Whether the intent is to soothe or to amuse, there’s something here for every mood, every child, and the child in every adult. A delightful, gift-perfect collection.
This compact compendium contains the best work by the nineteenth-century British Romantic poets including William Blake, William Wordsworth, Samuel Taylor Coleridge, Lord Byron, Percy Bysshe Shelley, and John Keats. It includes some of the greatest poems in the English language, among them Keats's Ode on a Grecian Urn, Shelley's Ozymandias, Wordsworth's Tintern Abbey, and Coleridge's Kubla Khan.