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God blesses each of us with gifts and opportunities, and he encourages us to use these blessings for the glory of his kingdom. He has written out our stories before we were even born, and although what we want isnt always the same as what God wants for us, the stories of our lives are filled with opportunities to serve God and be the person he wants us to be. In A Play on Sundays, author, storyteller, and playwright C. Arturo Ariel shares three lighthearted dramatic plays that are centered on faith in God and Jesus Christ. Inspired by his time as a Sunday school teacher, these faith-based plays are fun to read and act out for children, parents, and adults of all ages. And while each play is focused on unique topics like inspiration, family, and salvation from sin, all three come together to weave an engaging, full story of faith and trust in God. God is always at the center of our lives, even when we arent sure. God always blesses us with talents and opportunities, even when we dont know our purpose. But with faith we can find God working through us and discover our purpose, and then we can act out the story of our lives, serving God and bringing honor to his name.
(Applause Libretto Library). This 1995 Pulitzer Prize-winning musical was inspired by the painting A Sunday Afternoon on the Island of La Grande Jatte by Georges Seurat. A complex work revolving around a fictionalized Seurat immersed in single-minded concentration while painting the masterpiece, the production has evolved into a meditation on art, emotional connection, and community. This publication contains the entire script of the musical. " Sunday is itself a modernist creation, perhaps the first truly modernist work of musical theatre that Broadway has produced ... a watershed event that demands nothing less than a retrospective, even revisionist, look at the development of the serious Broadway musical." Frank Rich, The New York Times Magazine
"60 easily prepared piano arrangements for services throughout the year."
This innovative collection, featuring three plays by Carlos Morton, spans five centuries of Mexican and Mexican American history. In the tradition of teatro campesino, these plays present provocative revisions of historical events. The first play, La Malinche, challenges the historical record of the tragic clash between Indians and Spaniards. The near-mythical La Malinche, who betrayed her country for love of Hernan Cortez but was then betrayed by him, is freed from the bonds of history to have her vengeance. She saves her legacy and destroys the legacy of the conquistador. In the second play, Dreaming on a Sunday in the Alameda, characters from a mural by painter Diego Rivera come to life to depict four centuries of Mexican history. Among these, Frida Kahlo, Rivera’s wife, finally steps out of his shadow as a woman and artist in her own right. Esperanza, a libretto for an opera, tells the story of Mexican miners who labored in twentieth-century Silver City, New Mexico. Based on the classic movie Salt of the Earth, this play deftly portrays the crisis that foretold the rise of the Chicano movement.
Not only was it probably the most cutthroat pennant race in baseball history; it was also a struggle to define how baseball would be played. This book re-creates the rowdy, season-long 1897 battle between the Baltimore Orioles and the Boston Beaneaters. The Orioles had acquired a reputation as the dirtiest team in baseball. Future Hall of Famers John McGraw, Wee Willie Keeler, and “Foxy” Ned Hanlon were proven winners—but their nasty tactics met with widespread disapproval among fans. So it was that their pennant race with the comparatively saintly Beaneaters took on a decidedly moralistic air. Bill Felber brings to life the most intensely watched team sporting event in the country’s history to that time. His book captures the drama of the final week, as the race came down to a three-game series. And finally, it conveys the madness of the third and decisive game, when thirty thousand fans literally knocked down the gates and walls of a facility designed to hold ten thousand to watch the Beaneaters grind out a win and bring down baseball’s first and most notorious evil empire.
Originally published: New York: Doubleday, a division of Random House, 2007.
A star baseball player decides that attending church is more important than the game he grew up loving and that will earn him millions. While his team works to keep him playing everyday, his wife must deal with the life she has come to expect turned upside down. At the same time, a Baptist pastor is faced with the loss of his church's property for his decision to lead the church out of an association. A lawyer's encounter with the athlete and the pastor causes him to see as never before how his own life has become defined by his job. Never on Sundays examines the division—and the hope—created by choosing the best path.
"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio, New Delhi. From 1950,it was turned into a weekly journal. Later, The Indian listener became "Akashvani" (English ) w.e.f. January 5, 1958. It was made fortnightly journal again w.e.f July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION: 14 JULY, 1974 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 48 VOLUME NUMBER: Vol. XXXIX, No.28 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 12-46 ARTICLE: 1. India’s Assurance and Pakistan’s Reflexes 2. Humour in Files 3. Fashion 4. Hoarders: A New Social Mix 5. Educated Unemployment AUTHOR: 1. R. D. Kwatra 2. N. P. Bhatt 3. E. N. Shullai 4. Girish Mathur 5. Dr. P. G. Deo KEYWORDS : 1. No war’ pact refused,a lame excuse, imaginary fears 2. Human handiwork, the bureaucracy and the file, cry wolf from housetop 3. The impact of modern, in recent years, successive 4. A new class, stocks found, new trade pattern, rural disparities 5. Right to work,positive role,imbalance Prasar Bharati Archives has the copyright in all matters published in this “AKASHVANI” and other AIR journals. For reproduction previous permission is essential.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.