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Performing at the wedding of Sir Edmund Deneby's daughter, the player Joliffe has another task to perform—as a spy. As he uncovers the secrets of the Denebys' sordid history, it becomes clear that this wedding celebration is destined to end in tragedy.
Performing at the wedding of Sir Edmund Deneby's daughter, the player Joliffe has another task to perform—as a spy. As he uncovers the secrets of the Denebys' sordid history, it becomes clear that this wedding celebration is destined to end in tragedy.
Davenport offers a reassessment of The Pride of Lifeand the Macro Plays and argues for a new grouping of plays.
This collection of plays from late-medieval England includes a rich selection of noncycle plays and morality plays along with some of the better-known pageants from the cycle plays and some theatrical fragments never before anthologized. These plays and fragments illustrate the most widespread early theatrical practices in England and represent drama that fed directly into the Elizabethan theatrical experience.
MEDIUM AEVUM says of Heaven Singing, the general discussion of the subject from which the present volume follows on with examination of the individual plays: 'A formidable achievement, indispensable for any serious and comprehensive study of early English drama.'
In the spring of 1435, Joliffe and his fellow players are sent to the village of Ashewell not only to stage plays, but to uncover some dark secrets about the town’s three wealthy families: the Ashewells, the Medcotes, and the Gosyns. A rivalry has been brewing among the families, entangling the entire town in a web of seduction, deception, and blackmail. Matters go beyond the breaking point when someone turns to murder to settle their grievances. And if one murder is good, why not another? If all the world is a stage, then it’s up to Joliffe to bring the curtain down on this tragedy—before another man takes his final curtain call...
A reappraisal of the tail-rhyme form so strongly associated with medieval English romance, and how it became so appropriated.
In harvest time of 1436, Joliffe's troupe leader falls, leaving his players to find what work they can while he recovers. Joliffe finds work in a hospital where he unfortunately has to deal with Mistress Cisily Thorncoffyn, a widow expecting to be endlessly waited on for her mostly imaginary ailments. When patients begin mysteriously dying, Mistress Thorncoffyn loudly insists that someone is trying to kill her. With so many suspects wishing her ill, if not outright dead, Joliffe has no choice but to find out whose anger has turned to murderous hatred and whether-having missed their target-they mean to try again...
From the pages of the national bestselling Dame Frevisse mysteries. While performing in the theatrical and religious festival of Corpus Christi Day in Coventry, Joliffe is summoned by Bishop Beaufort to use his skills as a spy to uncover the mysteries of the town's elite. A merchant has gone missing, presumed dead-and members of Joliffe's company are implicated in the crime. To uncover the truth, Joliffe must unravel the devilish machinations of a secret sect of heretics bent on destroying the Church.