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In a time of inflated posturing and relentless self-promotion, Kari Gunter-Seymour's poems offer quiet intensity. Her work provides a refuge where one's curiosity, intelligence, and awareness of the complexities of contemporary Appalachian female culture and the struggle to hold on to "old ways" while embracing the new, take shape. The work is firmly and unapologetically attached to the poet's home soil. More than merely commenting, Gunter-Seymour's work searches for meaning. It takes readers outside and indoors, into the world and into bodies and minds, a foray into the tangled bonds of family, weighted with memories. Her work speaks to a knowing that as the threads of our lives unravel, so too, gifts materialize. Here, relationship issues, trauma and disappointment are transformed into a journey of revelation, a testament to the complexity and power of love even as it contends with circumstances beyond its control. Each poem is earthy and rich, filled with imagery, exploring beyond the boundaries of feminism, science, and spirituality. There is specific cultural musicality of language and line, a strong sense of observation, giving readers a renewed sense of understanding and discovery of today's Appalachian woman.
Deeply rooted in respect and compassion for Appalachia and its people, these poems are both paeans to and dirges for past and present family, farmlands, factories, and coal. Kari Gunter-Seymour’s second full-length collection resounds with candid, lyrical poems about Appalachia’s social and geographical afflictions and affirmations. History, culture, and community shape the physical and personal landscapes of Gunter-Seymour’s native southeastern Ohio soil, scarred by Big Coal and fracking, while food insecurity and Big Pharma leave their marks on the region’s people. A musicality of language swaddles each poem in hope and a determination to endure. Alone in the House of My Heart offers what only art can: a series of thought-provoking images that evoke such a clear sense of place that it’s familiar to anyone, regardless of where they call home.
Let Me Say This: A Dolly Parton Poetry Anthology offers 54 poets’ takes on often-unsung facets of this diamond in a rhinestone world—calling in Dolly’s impeccable comedic timing, her lyric mastery, her business acumen, and her Dollyverse advocacy. These poems remind us to be better and to do better, to subvert Dolly cliché, and they encourage us to weave Dolly metaphor into our own family lore. Within these pages, Dolly takes the stage and the dinner table; readers see the public Dolly of the silver screen and the private Dolly of identity contemplation. Dolly raises praise and question, and she butterflies into our hearts to unabashedly to claim the mantra In Dolly We Trust. With Dolly poems from 54 contributors: Kelli Russell Agodon • Nin Andrews • Lana K. W. Austin • David-Matthew Barnes • Nicky Beer • Julie E. Bloemeke • Emma Bolden • Dustin Brookshire • Phillip Watts Brown • Marina Carreira • Denise Duhamel • teri elam •Rupert Fike • Diamond Forde • Chad Frame • Makayla Gay • Tyler Gillespie • Kari Gunter-Seymour • Robert Gwaltney • Beth Gylys • Karen Head • Raye Hendrix • Collin Kelley • Dorianne Laux • Chin•Sun Lee • Arden Levine • Katie Manning • Kelly McQuain • Lynn Melnick • Jenny Molberg • Rachel Morgan • Caridad Moro-Gronlier • Carolyn Oliver • Dion O’Reilly • Jeffrey Perkins • Stephen Roger Powers • Steven Reigns • Linda Neal Reising • Benjamin Anthony Rhodes • Micah Ruelle • Anna Sandy-Elrod • Roberta Schultz • Maureen Seaton • Gregg Shapiro • L.J. Sysko • Nicole Tallman • Kerry Trautman • Rosemerry Wahtola Trommer • Dan Vera • Isaiah Vianese • Donna Vorreyer • Julie Marie Wade • Jennifer Wheelock • Yvonne Zipter
"The flood came at night, forcefully and quickly, destroying so many lives in its wake. Unfortunately, I'm afraid it will happen again and again."--Carter Sickels In late July 2022, a catastrophic flash flood claimed the lives of more than forty people and devastated homes and communities in Central Appalachia. The forty-fifth annual Appalachian Writers' Workshop at Hindman Settlement School in eastern Kentucky was in progress when surging floodwater forced the participants and staff to rush to higher ground. The school lost classrooms, housing, and gathering areas, as well as valuable equipment, and irreplaceable artifacts such as historical books and documents, photographs, and handmade musical instruments from the school archives were damaged. As the floodwaters receded throughout the region, countless lives were forever changed. In this visceral and powerful anthology, well-known and emerging Appalachian writers create an authentic space for processing and healing as they document and share the depth of the flood's devastation. Through words and images, Troublesome Rising reveals the writers' fears, desperation, sadness, and anger while detailing and examining the disaster's causes, the need for solutions, and how flooding has historically impacted the Appalachian community and culture. In a shared, varied, and resounding voice, this compelling collection not only serves as a historical document and an in-depth investigation of the event, but also as a celebration of Appalachian strength, determination, and resilience.
From the author of How the Word is Passed: A Reckoning with the History of Slavery Across America * Winner, 2017 Black Caucus of the American Library Association Literary Award * Finalist, 2017 NAACP Image Awards * "One Book One New Orleans" 2017 Book Selection * Published in The New Yorker, The New York Times Magazine, Poetry Magazine, The Paris Review, New Republic, Boston Review, The Guardian, The Rumpus, and The Academy of American Poets "So many of these poems just blow me away. Incredibly beautiful and powerful." -- Michelle Alexander, Author of The New Jim Crow "Counting Descent is a tightly-woven collection of poems whose pages act like an invitation. The invitation is intimate and generous and also a challenge; are you up to asking what is blackness? What is black joy? How is black life loved and lived? To whom do we look to for answers? This invitation is not to a narrow street, or a shallow lake, but to a vast exploration of life. And you’re invited. -- Elizabeth Acevedo, Author of Beastgirl & Other Origin Myths "These poems shimmer with revelatory intensity, approaching us from all sides to immerse us in the America that America so often forgets." -- Gregory Pardlo "Counting Descent is more than brilliant. More than lyrical. More than bluesy. More than courageous. It is terrifying in its ability to at once not hide and show readers why it wants to hide so badly. These poems mend, meld and imagine with weighted details, pauses, idiosyncrasies and word patterns I've never seen before." -- Kiese Laymon, Author of Long Division Clint Smith's debut poetry collection, Counting Descent, is a coming of age story that seeks to complicate our conception of lineage and tradition. "Do you know what it means for your existence to be defined by someone else’s intentions?" Smith explores the cognitive dissonance that results from belonging to a community that unapologetically celebrates black humanity while living in a world that often renders blackness a caricature of fear. His poems move fluidly across personal and political histories, all the while reflecting on the social construction of our lived experiences. Smith brings the reader on a powerful journey forcing us to reflect on all that we learn growing up, and all that we seek to unlearn moving forward.
A TIME Magazine Best Paperback of 2017 One of Oprah Magazine's "Ten Best Books of 2017" "This singular poetry collection is a dynamic meditation on the experience of, and societal narratives surrounding, contemporary black womanhood. . . . These exquisite poems defy categorization." —The New Yorker The only thing more beautiful than Beyoncé is God, and God is a black woman sipping rosé and drawing a lavender bath, texting her mom, belly-laughing in the therapist’s office, feeling unloved, being on display, daring to survive. Morgan Parker stands at the intersections of vulnerability and performance, of desire and disgust, of tragedy and excellence. Unrelentingly feminist, tender, ruthless, and sequined, these poems are an altar to the complexities of black American womanhood in an age of non-indictments and deja vu, and a time of wars over bodies and power. These poems celebrate and mourn. They are a chorus chanting: You’re gonna give us the love we need.
A nationally best-selling volume of wise, powerful poetry from the first Native American Poet Laureate of the United States. In this stunning collection, Joy Harjo finds blessings in the abundance of her homeland and confronts the site where the Mvskoke people, including her own ancestors, were forcibly displaced. From her memory of her mother’s death, to her beginnings in the Native rights movement, to the fresh road with her beloved, Harjo’s personal life intertwines with tribal histories to create a space for renewed beginnings.
The instant #1 New York Times bestseller and #1 USA Today bestseller Amanda Gorman’s electrifying and historic poem “The Hill We Climb,” read at President Joe Biden’s inauguration, is now available as a collectible gift edition. “Stunning.” —CNN “Dynamic.” —NPR “Deeply rousing and uplifting.” —Vogue On January 20, 2021, Amanda Gorman became the sixth and youngest poet to deliver a poetry reading at a presidential inauguration. Taking the stage after the 46th president of the United States, Joe Biden, Gorman captivated the nation and brought hope to viewers around the globe with her call for unity and healing. Her poem “The Hill We Climb: An Inaugural Poem for the Country” can now be cherished in this special gift edition, perfect for any reader looking for some inspiration. Including an enduring foreword by Oprah Winfrey, this remarkable keepsake celebrates the promise of America and affirms the power of poetry.
The Congressional Record is the official record of the proceedings and debates of the United States Congress. It is published daily when Congress is in session. The Congressional Record began publication in 1873. Debates for sessions prior to 1873 are recorded in The Debates and Proceedings in the Congress of the United States (1789-1824), the Register of Debates in Congress (1824-1837), and the Congressional Globe (1833-1873)