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Sienna Elizabeth Raimonde, will arrest your attention with her poetry. While she has been writing since childhood, this is her first published book. Poetry, she says, runs in her blood. Also, her two grandmothers were poets, and The Poet of the Adirondacks was her great+ grandfather. Raimonde, while a keen observer of both human nature and nature in general, speaks the language of her times through symbolism, metaphor, and simile. She composes her poetry with a unique blend of sobriety, humor, and mystery, juxtaposed with a philosophical twist that is both distinctive and unique. This is a book for everyone.
By 1943, the Nazi pogroms that began in 1938 had penetrated the borders of Netherlands. "Voor Joden Verboden" (for Jews Forbidden) signs appeared in public places. Rumors of death camps and racial genocide turned out to be true. Nationwide raids on universities resulted in mass deportations of dissenting professors and students to forced labor in Germany.
This book constitutes the thoroughly refereed post-conference proceedings of the 6th Congress of the Italian Association for Artificial Intelligence, AI*IA 99, held in Bologna, Italy, in September 1999. The 33 revised full papers presented were carefully reviewed and selected for inclusion in the book from a total of 64 congress submissions. The papers are organized in topical sections on knowledge representation; automated reasoning; temporal and qualitative reasoning; machine learning, data mining, and theory revision; natural language processing and web interfaces; multi-agent systems; perception and robotics; and planning and scheduling.
Stories from the Pow-Wow Trails and the Medicine Path
As the Seers send warriors to rescue Elise and bring restoration to the Authority City, ultimate victory in this battle against the powerful forces of evil rests with the strangely powerful girl who has felt forgotten but was never abandoned.
Whether they focus on the bewitching song of the Sirens, his cunning escape from the cave of the terrifying one-eyed Cyclops, or the vengeful slaying of the suitors of his beautiful wife Penelope, the stirring adventures of Ulysses/Odysseus are amongst the most durable in human culture. The picaresque return of the wandering pirate-king is one of the most popular texts of all time, crossing East-West divides and inspiring poets and film-makers worldwide. But why, over three thousand years, has the Odyssey's appeal proved so remarkably resilient and long-lasting? In her much-praised book Edith Hall explains the enduring fascination of Homer's epic in terms of its extraordinary susceptibility to adaptation. Not only has the story reflected a myriad of different agendas, but - from the tragedies of classical Athens to modern detective fiction, film, travelogue and opera - it has seemed perhaps uniquely fertile in generating new artistic forms. Cultural texts as diverse as Joyce's Ulysses, Suzanne Vega's Calypso, Monteverdi's Il Ritorno d'Ulisse in Patria, the Coen Brothers' O Brother Where Art Thou?, Daniel Vigne's Le Retour de Martin Guerre and Anthony Minghella's Cold Mountain all show that Odysseus is truly a versatile hero. His travels across the wine-dark Aegean are journeys not just into the mind of one of the most brilliantly creative of all the ancient Greek writers. They are as much a voyage beyond the boundaries of a narrative which can plausibly lay claim to being the quintessential global phenomenon.
What if Dr. Norman Bethune returned to China in 2014? A novel look at Bethune and the New China.
The End of the World and Other Teachable Moments follows the remarkable itinerary of Jacques Derrida’s final seminar, “The Beast and the Sovereign” (2001–3), as the explicit themes of the seminar—namely, sovereignty and the question of the animal—come to be supplemented and interrupted by questions of death, mourning, survival, the archive, and, especially, the end of the world. The book begins with Derrida’s analyses, in the first year of the seminar, of the question of the animal in the context of his other published works on the same subject. It then follows Derrida through the second year of the seminar, presented in Paris from December 2002 to March 2003, as a very different tone begins to make itself heard, one that wavers between melancholy and an extraordinary lucidity with regard to the end. Focusing the entire year on just two works, Daniel Defoe’s Robinson Crusoe and Martin Heidegger’s seminar of 1929–30, “The Fundamental Concepts of Metaphysics,” the seminar comes to be dominated by questions of the end of the world and of an originary violence that at once gives rise to and effaces all things. The End of the World and Other Teachable Moments follows Derrida as he responds from week to week to these emerging questions, as well as to important events unfolding around him, both world events—the aftermath of 9/11, the American invasion of Iraq—and more personal ones, from the death of Maurice Blanchot to intimations of his own death less than two years away. All this, the book concludes, makes this final seminar an absolutely unique work in Derrida’s corpus, one that both speaks of death as the end of the world and itself now testifies to that end—just one, though hardly the least, of its many teachable moments.