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Relates in verse the origin and uses of string.
Relates in verse the origin and uses of string.
Relates in verse the origin and uses of string.
Maitre Hauchecome spots a piece of string on the ground during his walk into town. As he bends down to pick it up, he could never have imagined the chaos that would soon ensue. His arch-nemesis Maitre Malandain is laying in wait. Hauchecome has walked straight into a trap intended to demolish his reputation in one blow. "The Piece of String" is an atmospheric revenge tale that portrays human nature, human cruelty, and malice that knows no limits. Guy de Maupassant (1850-1893) was a French writer. Famed for being a master of the short story, he also wrote travel books and occasionally dabbled in poetry. His stories mainly focus on the relationships between men and women sitting at crossroads in their lives - whether personal or professional. His dramatic flair is largely influenced by French novelist Gustave Flaubert and is perfect for fans of Anton Chekhov's short stories. The most notable of the 300 short stories that he wrote include 'Bel Ami', 'Une Vie', and 'The Dumpling'.
String players face a bewildering array of terms related to their instruments. Because string playing is a living art form, passed directly from master to student, the words used to convey complex concepts such as bow techniques and fingering systems have developed into an extensive vocabulary that can be complicated, vague, and even contradictory. Many of these terms are derived from French, Italian, or German, yet few appear in any standard music dictionary. Moreover, the gulf separating classical playing from fiddle, bluegrass, jazz, and other genres has generated style-specific terms rarely codified into any reference work. All Things Strings: An Illustrated Dictionary bridges this gap, serving as the only comprehensive resource for the terminology used by the modern string family of instruments. All of the terms pertaining to violin, viola, cello, and double bass, inclusive of all genres and playing styles, are defined, explained, and illustrated in a single text. Entries include techniques from shifting to fingerboard mapping to thumb position; the entire gamut of bowstrokes; terms found in orchestral parts; instrument structure and repair; accessories and equipment; ornaments (including those used in jazz and bluegrass); explanations of various bow holds; conventions of orchestral playing; and types of strings, as well as information on a select number of famous luthiers, influential pedagogues, and legendary performers. All Thing Strings is expertly illustrated with original drawings by T. M. Larsen and musical examples from the standard literature. Appendixes include an extensive bibliography of recommended reading for string players and a detailed chart of bowstrokes showing notation and explaining execution. As the single best source for understanding string instruments and referencing all necessary terminology, All Things Strings is an essential tool for performers, private teachers, college professors, and students at all levels. It is also an invaluable addition to the libraries of orchestra directors and composers wishing to better understand the complexities of string playing. With the inclusion of terms relevant to all four modern string instruments played in all genres—from jazz to bluegrass to historically informed performance—this resource serves the needs of every string musician.
Alan Nelson was not a prolific writer, and as far as I know he wrote (or at least had published) only short stories. No novels. However, these stories are true gems. They originally appeared in some of the most prestigious venues for short fiction of the 1940s and 1950s. Many of Nelson's fantasy tales first appeared in The Magazine of Fantasy & Science Fiction, where they were very popular, but his stories also appeared in Bluebook, Weird Tales, and even Cosmopolitan. Wherever these appeared, readers could always be assured that any Alan Nelson story would be something special, something that would be great fun to read and eminently entertaining-often thoughtful-always wonderful!" -- GARY LOVISI