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A "picture panorama, with text, of all axpects of American Negro life from African origins through slavey days to the present [integration efforts]. The pictures were collected ... from prints, engravings, woodcuts, photographs, paintings."
Black Magic Langston Hughes's last book, presents the vast, sweeping story of African-American entertainers--the artists and the musicians, the singers and the dancers, the obscure and the illustrious--from the tragic beginnings in slavery to he triumphant artistic achievements of the late 1960s. Long considered the most comprehensive history of African-Americans in the performing arts, this milestone in black history features hundreds of rare and beautiful illustrations. Covering both the obstacles to achievement that these artists faced, and their eventual triumph, Black Magic—long out-of-print—is an essential book of American history.
The most inclusive pictorial history of the Black Panther party, with more than 150 historical photos and drawings from personal archives. Taylor is chief his-torian of the African-American Studies department at Berkeley; Lewis, the first female Black Panther. 200 illustrations, 50 in color, chronology, bibliography, index.
A meticulously documented look at a lesser-known aspect of African-American history is based on the personal writings of the explorers, cowboys, settlers, and soldiers of pioneer America. Reprint. 20,000 first printing.
Blending a vivid narrative with more than 150 images of artwork, Painter offers a history--from before slavery to today's hip-hop culture--written for a new generation.
A pictorial history of J. Gutzon Borglum's shrine to four U.S. presidents, Mt. Rushmore.
The Aztecs and Mixtecs of ancient Mexico recorded their histories pictorially in images painted on hide, paper, and cloth. The tradition of painting history continued even after the Spanish Conquest, as the Spaniards accepted the pictorial histories as valid records of the past. Five Pre-Columbian and some 150 early colonial painted histories survive today. This copiously illustrated book offers the first comprehensive analysis of the Mexican painted history as an intellectual, documentary, and pictorial genre. Elizabeth Hill Boone explores how the Mexican historians conceptualized and painted their past and introduces the major pictorial records: the Aztec annals and cartographic histories and the Mixtec screenfolds and lienzos. Boone focuses her analysis on the kinds of stories told in the histories and on how the manuscripts work pictorially to encode, organize, and preserve these narratives. This twofold investigation broadens our understanding of how preconquest Mexicans used pictographic history for political and social ends. It also demonstrates how graphic writing systems created a broadly understood visual "language" that communicated effectively across ethnic and linguistic boundaries.
A pictorial history of the Civil War, featuring articles and illustrations that appeared in Harper's Magazine beginning with the events leading up to the firing on Fort Sumter through Reconstruction.