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Writing Philosophy: A Student's Guide to Reading and Writing Philosophy Essays, Second Edition, is a concise, self-guided manual that covers how to read philosophy and the basics of argumentative essay writing. It encourages students to master fundamental skills quickly--with minimal instructor input--and provides step-by-step instructions for each phase of the writing process, from formulating a thesis, to creating an outline, to writing a final draft, supplementing this tutorial approach with model essays, outlines, introductions, and conclusions. Writing Philosophy is just $5 when packaged with any Oxford University Press Philosophy text. Contact your Oxford representative for details and package ISBNs.
"For millennia, idleness and laziness have been regarded as vices. We're all expected to work to survive and get ahead, and devoting energy to anything but labor and self-improvement can seem like a luxury or a moral failure. Far from questioning this conventional wisdom, modern philosophers have worked hard to develop new reasons to denigrate idleness. In Idleness, the first book to challenge modern philosophy's portrayal of inactivity, Brian O'Connor argues that the case against an indifference to work and effort is flawed--and that idle aimlessness may instead allow for the highest form of freedom. Idleness explores how some of the most influential modern philosophers drew a direct connection between making the most of our humanity and avoiding laziness. Idleness was dismissed as contrary to the need people have to become autonomous and make whole, integrated beings of themselves (Kant); to be useful (Kant and Hegel); to accept communal norms (Hegel); to contribute to the social good by working (Marx); and to avoid boredom (Schopenhauer and de Beauvoir). O'Connor throws doubt on all these arguments, presenting a sympathetic vision of the inactive and unserious that draws on more productive ideas about idleness, from ancient Greece through Robert Burton's Anatomy of Melancholy, Schiller and Marcuse's thoughts about the importance of play, and recent critiques of the cult of work. A thought-provoking reconsideration of productivity for the twenty-first century, Idleness shows that, from now on, no theory of what it means to have a free mind can exclude idleness from the conversation."--Provided by publisher
This work aims to reopen the fundamental question of being. It raises the question of being after the natural sciences and phenomenology have run their course and pursues it according to a method that is properly metaphysical as well as critical.
It’s a platitude – which only a philosopher would dream of denying – that whereas words are connected to what they represent merely by arbitrary conventions, pictures are connected to what they represent by resemblance. The most important difference between my portrait and my name, for example, is that whereas my portrait and I are connected by my portrait’s resemblance to me, my name and I are connected merely by an arbitrary convention. The first aim of this book is to defend this platitude from the apparently compelling objections raised against it, by analysing depiction in a way which reveals how it is mediated by resemblance. It’s natural to contrast the platitude that depiction is mediated by resemblance, which emphasises the differences between depictive and descriptive representation, with an extremely close analogy between depiction and description, which emphasises the similarities between depictive and descriptive representation. Whereas the platitude emphasises that the connection between my portrait and me is natural in a way the connection between my name and me is not, the analogy emphasises the contingency of the connection between my portrait and me. Nevertheless, the second aim of this book is to defend an extremely close analogy between depiction and description. The strategy of the book is to argue that the apparently compelling objections raised against the platitude that depiction is mediated by resemblance are manifestations of more general problems, which are familiar from the philosophy of language. These problems, it argues, can be resolved by answers analogous to their counterparts in the philosophy of language, without rejecting the platitude. So the combination of the platitude that depiction is mediated by resemblance with a close analogy between depiction and description turns out to be a compelling theory of depiction, which combines the virtues of common sense with the insights of its detractors.
Preface Sources 1 Death 2 The absurd 3 Moral luck 4 Sexual perversion 5 War and massacre 6 Ruthlessness in public life 7 The policy of preference 8 Equality 9 The fragmentation of value 10 Ethics without biology 11 Brain bisection and the unity of consciousness 12 What is it like to be a bat? 13 Panpsychism 14 Subjective and objective Index.
This collection provides a panoramic view of practical philosophical insight, ranging across a spectrum of humanistic themes. These essays cast light on our perennially imperfect human condition. They are written from the complementary standpoints of a classical liberal scholar with one foot planted in the academy, and of a peripatetic pioneer whom The New York Times called "the world's most successful marketer of philosophical counseling." These writings, therefore, span space in which theory and praxis are mutually informative and seamlessly collaborative. The collection ranges from Alfred Korzybski's general semantics; Thomas Mann's prognosis for Western civilization; Hume's moral skepticism applied to globalization; Jungian synchronicity and encounters with Irvin Yalom; J.S. Mill's harm principle applied to cyberspace; Ayn Rand's prophetic apocalypse; philosophical practice as Dadaist activism; humanities-based therapies as remedies for culturally induced illnesses; biological roots of human conflict; deconstruction and critique of "sustainable development"; dangers and detriments of over-digitalized and hyper-virtualized lifestyles and learning methods; and calls for the re-emergence of philosophy from inactive academic entombment to pro-active modes of personal guidance, social influence, consumer advocacy, and political engagement. A unifying claim of this anthology is the cautionary tale that humanity's recurrent and conflict-ridden predicaments are only exacerbated by myopic analyses, toxic ideologies, and expedient prescriptions. While philosophy is scarcely a panacea for human afflictions, its proper exercise illuminates our understanding of them, thereby suggesting better as opposed to worse ways forward. Overall, the thrust of this collection can be viewed as a realization of John Dewey's forthright vision, expressed in 1917: "Philosophy recovers itself when it ceases to be a device for dealing with the problems of philosophers and becomes a method, cultivated by philosophers, for dealing with the problems of men." Indeed, these essays deal with problems of humanity writ large. They also constitute a compelling response to Mortimer Adler's clarion call in 1965, that philosophy "must cease to be an activity conducted by moles, each burrowing in its own hole, and become a public and cooperative enterprise." As these essays reveal, Marinoff has accomplished Adler's mission, transforming and returning philosophy to the agora, which in contemporary parlance amounts to the global village. That his popular books on philosophy for everyday life have sold millions of copies in dozens of languages has distracted some--perhaps too many--philosophers from exploring what he has written for a philosophical audience itself. This book helps remedy that distraction.
Creativity pervades human life. It is the mark of individuality, the vehicle of self-expression, and the engine of progress in every human endeavor. It also raises a wealth of neglected and yet evocative philosophical questions. The Philosophy of Creativity takes up these questions and, in doing so, illustrates the value of interdisciplinary exchange.
Originally published in 1966. This volume analyzes the general structure of scientific theories, their relation to experience and to non-scientific thought. Part One is concerned with the logic underlying empirical discourse before its subjection to the various constraints, imposed by the logico-mathematical framework of scientific theories upon their content. Part Two is devoted to an examination of this framework and, in particular, to showing that the deductive organization of a field of experience is by that very act a modification of empirical discourse and an idealization of its subject matter. Part Three analyzes the concordance between theories and experience and the relevance of science to moral and religious beliefs.
The first book to address the historical failures of philosophy—and what we can learn from them Philosophers are generally unaware of the failures of philosophy, recognizing only the failures of particular theories, which are then remedied with other theories. But, taking the long view, philosophy has actually collapsed several times, been abandoned, sometimes for centuries, and been replaced by something quite different. When it has been revived it has been with new aims that are often accompanied by implausible attempts to establish continuity with a perennial philosophical tradition. What do these failures tell us? The Failures of Philosophy presents a historical investigation of philosophy in the West, from the perspective of its most significant failures: attempts to provide an account of the good life, to establish philosophy as a discipline that can stand in judgment over other forms of thought, to set up philosophy as a theory of everything, and to construe it as a discipline that rationalizes the empirical and mathematical sciences. Stephen Gaukroger argues that these failures reveal more about philosophical inquiry and its ultimate point than its successes ever could. These failures illustrate how and why philosophical inquiry has been conceived and reconceived, why philosophy has been thought to bring distinctive skills to certain questions, and much more. An important and original account of philosophy’s serial breakdowns, The Failures of Philosophy ultimately shows how these shortcomings paradoxically reveal what matters most about the field.