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Describes growing up in small town West Texas in the early twentieth century focusing on fishing, festivals, and friendships. Also discusses the difficult struggles which many people experienced as well as portraying unusual people in humorous anecdotes.
“A richly observant memoir of a coast-to-coast journey along the US-Canada border . . . An armchair traveler’s delight” (Kirkus Reviews). “Part travelogue, part memoir, part meditation, part exploration,” North Country is an account of a trip along the northern border of the United States in search of the country’s last unspoiled frontiers (The Boston Sunday Globe). In this vast, sparsely settled territory, Howard Frank Mosher found both a harsh and beautiful landscape and some of the continent’s most independent men and women. Here, he brings this remote area to vivid life in a book “bright with anecdote and history and lore and most importantly with affection for his human subjects” (Richard Ford, Pulitzer Prize–winning author of Independence Day). “A classic road book. You could, with confidence, place this book on the shelf next to such American classics as John Steinbeck’s Travels with Charley and Jonathan Raban’s Old Glory.” —Detroit Free Press “What Mosher’s northern journey is really about is our society’s loss of Eden, the garden we were promised when we came here. The garden we’ve turned into pulp fiction and rocket ranges. The very fact that this brave book can stir up so many thoughts about the predicaments of civilization is surely an indication that it is well worth reading.” —Ottawa Citizen
In this wide-ranging collection of essays, Pius Adesanmi explores what Africa means to him as an African and as a citizen of the world. Examining the personal and the political, tradition and modernity, custom and culture, Adesanmi grapples with the complexity and contradictions of this vast continent, zooming in most closely on Nigeria, the country of his birth. The inspiration for the title of the collection, You're Not a Country, Africa, comes from a line of poetry: 'You are not a country Africa, you are a concept, fashioned in our minds, each to each'. The Africa fashioned in our minds - with our fears and our dreams - is the Africa that the reader will encounter in these essays. Through narratives and political and cultural reflections, Pius Adesanmi approaches the meaning of Africa from the perspective that you never actually define Africa: rather, it defines you in various contexts and for various people.
A groundbreaking collection of new pieces examining the effects of President George W. Bush and Attorney General John Ashcroft's legislative assault on civil liberties following the terrorist bombing of the Twin Towers and the Pentagon, with a foreword by Cornel West, author of Race Matters, and original pieces by Michael Moore, Matt Groening, Howard Zinn, Congresswoman Maxine Waters, Steve Earle, Tom Hayden, Congressman Jerrold Nadler and many, many more, plus firsthand stories from Middle Eastern and American victims of civil-liberty infringement.
Brilliant and engagingly written, Why Nations Fail answers the question that has stumped the experts for centuries: Why are some nations rich and others poor, divided by wealth and poverty, health and sickness, food and famine? Is it culture, the weather, geography? Perhaps ignorance of what the right policies are? Simply, no. None of these factors is either definitive or destiny. Otherwise, how to explain why Botswana has become one of the fastest growing countries in the world, while other African nations, such as Zimbabwe, the Congo, and Sierra Leone, are mired in poverty and violence? Daron Acemoglu and James Robinson conclusively show that it is man-made political and economic institutions that underlie economic success (or lack of it). Korea, to take just one of their fascinating examples, is a remarkably homogeneous nation, yet the people of North Korea are among the poorest on earth while their brothers and sisters in South Korea are among the richest. The south forged a society that created incentives, rewarded innovation, and allowed everyone to participate in economic opportunities. The economic success thus spurred was sustained because the government became accountable and responsive to citizens and the great mass of people. Sadly, the people of the north have endured decades of famine, political repression, and very different economic institutions—with no end in sight. The differences between the Koreas is due to the politics that created these completely different institutional trajectories. Based on fifteen years of original research Acemoglu and Robinson marshall extraordinary historical evidence from the Roman Empire, the Mayan city-states, medieval Venice, the Soviet Union, Latin America, England, Europe, the United States, and Africa to build a new theory of political economy with great relevance for the big questions of today, including: - China has built an authoritarian growth machine. Will it continue to grow at such high speed and overwhelm the West? - Are America’s best days behind it? Are we moving from a virtuous circle in which efforts by elites to aggrandize power are resisted to a vicious one that enriches and empowers a small minority? - What is the most effective way to help move billions of people from the rut of poverty to prosperity? More philanthropy from the wealthy nations of the West? Or learning the hard-won lessons of Acemoglu and Robinson’s breakthrough ideas on the interplay between inclusive political and economic institutions? Why Nations Fail will change the way you look at—and understand—the world.
A memoir of Cassie's life leading up to, and during her Expedition around the world. At age twenty-seven, Cassie De Pecol accomplished something remarkable. She became the first woman on record to travel to every country on Earth, and did it faster than anyone in history, male or female. She was inspired by her experiences on the Discovery Channel's Naked and Afraid both the three weeks she spent in the Panamanian wilderness and the cyberbullying she endured after the show. And it opened her eyes to the need for women to make a difference in the world. In Expedition 196, Cassie shares the secrets behind her personal triumphs and miraculous achievements. It's the story of a dreamer and a doer who went from restless college dropout to fearless adventurer to philanthropist and humanitarian activist dedicated to female empowerment and global sustainability. Thrilling, inspiring, and unforgettable, Expedition 196 views the world through the eyes of one extraordinary young woman whose heart took her farther than most people can even imagine.
A Variety Best Music Book of 2022 A No Depression Most Memorable Music Book of 2022 A Library Journal Best Arts and Humanities Book of 2022 A Pitchfork Best Music Book of 2022 A Boot Best Music Book of 2022 A Ticketmaster Best Music Book of 2022 A Happy Magazine Best Music Book of 2022 Though frequently ignored by the music mainstream, queer and transgender country and Americana artists have made essential contributions as musicians, performers, songwriters, and producers. Queer Country blends ethnographic research with analysis and history to provide the first in-depth study of these artists and their work. Shana Goldin-Perschbacher delves into the careers of well-known lesbian artists like k.d. lang and Amy Ray and examines the unlikely success of singer-songwriter Patrick Haggerty, who found fame forty years after releasing the first out gay country album. She also focuses on later figures like nonbinary transgender musician Rae Spoon and renowned drag queen country artist Trixie Mattel; and on recent breakthrough artists like Orville Peck, Amythyst Kiah, and chart-topping Grammy-winning phenomenon Lil Nas X. Many of these musicians place gender and sexuality front and center even as it complicates their careers. But their ongoing efforts have widened the circle of country/Americana by cultivating new audiences eager to connect with the artists’ expansive music and personal identities. Detailed and one-of-a-kind, Queer Country reinterprets country and Americana music through the lives and work of artists forced to the margins of the genre's history.
Up-Country Girl is the story of an African girl from a rural farming community, and the notable achievements and developments in her life, which coincided with many national events. Nigeria moved from being a British colony to independence, and the new democracy was disrupted by a series of coups detat bringing decades of military rule, before a return to civilian rule in 1999. Interwoven into her story are the authors personal views from experience, on old and new polygamy, corruption, sex education, the upbringing of children, business partnerships, the problems of a pluralistic society, work ethics, and other issues. Up-Country Girl also affords the reader a truthful and accurate portrayal of African culture. As a creative writer, the author wrote Nothing So Sweet which won First Prize in a British Council competition; several short stories which were broadcast by the B.B.C; Folktales and Fables published by Penguin Books, and short stories included in two recent anthologies. As an educationist, she is best known as the co-author of secondary school textbooks: New Practical English by Ogundipe and Tregidgo, and Brighter Grammar. She lives in Charlotte, North Carolina.
In country music, the men might dominate the radio waves. But it’s women—like Maren Morris, Mickey Guyton, and Kacey Musgraves—who are making history. This is the full and unbridled story of the past twenty years of country music seen through the lens of these trailblazers’ careers—their paths to stardom and their battles against a deeply embedded boys’ club, as well as their efforts to transform the genre into a more inclusive place—as told by award-winning Nashville journalist Marissa R. Moss. For the women of country music, 1999 was an entirely different universe—a brief blip in time, when women like Shania Twain and the Chicks topped every chart and made country music a woman’s world. But the industry, which prefers its stars to be neutral, be obedient, and never rock the boat, had other plans. It wanted its women to “shut up and sing”—or else. In 2021, women are played on country radio as little as 10 percent of the time, but they’re still selling out arenas, as Kacey Musgraves does, and becoming infinitely bigger live draws than most of their male counterparts, creating massive pop crossover hits like Maren Morris’s “The Middle,” pushing the industry to confront its racial biases with Mickey Guyton’s “Black Like Me,” and winning heaps of Grammy nominations. Her Country is the story of how in the past two decades, country’s women fought back against systems designed to keep them down and created entirely new pathways to success. It’s the behind-the-scenes story of how women like Kacey, Mickey, Maren, Miranda Lambert, Rissi Palmer, Brandi Carlile, and many more have reinvented their place in an industry stacked against them. When the rules stopped working for these women, they threw them out, made their own, and took control—changing the genre forever, and for the better.