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Pain and injury are near constant companions for professional musicians. Aching hands, painful joint swelling, back problems, among other ailments were all thought to be part of the price musicians had to pay to be performers. However, thanks to an increasing awareness of both the kinesiology and biology of movement, as well as proper techniques for fostering good performance habits, musicians no longer have to suffer in silence. Perhaps no group of musicians has been more prone to career-threatening injury than percussionists, and the demands for speed, power, control, and endurance are only increasing. Often musicians wait until an injury is so aggravated that it's too late to be fully treated. In almost every case, if the drummer had done some very simple preventative (or early) care, the injury would never have become a serious issue. The Percussionists' Guide to Injury Treatment and Prevention is designed to aid in that early prevention and treatment. Although it is not a substitute for clinical diagnosis or medical care from a trained physician, it can educate the musician as to how the human body works; the role of muscles and skeletal structure in supporting movement; and understanding specifically how to prevent and treat common injuries. The book begins with a general discussion of how the body works and basic prevention concepts. It then covers each specific area of the body (where it hurts), suggesting practical ways to prevent and treat it. Basic anatomy is covered in terms that a musician can understand. For all percussion students and professionals, The Percussionists' Guide to Injury Treatment and Prevention will be an indispensable companion.
While composers and percussionists are working more closely than ever with one another, there are few resources that address this collaborative relationship in depth. Samuel Z. Solomon, himself a percussionist and teacher, offers How to Write for Percussion to fill this longstanding need. The first edition, self-published in 2004, provided musicians and music programs the world over with practical and indispensible information about issues of notation, concert production, and much more. This new edition expands the survey of behind-the-scenes processes-from instrument choice and notation to logistics, execution, and concert production-to uncover the tools a composer needs to comfortably create innovative and skilled percussion composition. Featuring an extensive Online Video Companion containing over nine hours of videos with demonstrations, performances, interviews, and analysis, How to Write for Percussion is sure to appeal to a wide swath of musicians and composers. Those familiar with the first edition will welcome the upgrade, and those who have yet to benefit from Solomon's perspective will find his insights illuminating. Book jacket.
(Meredith Music Percussion). Confused with the growing list of percussion instruments and terms? This new Meredith publication provides both definitions and an artistic interpretation of how each term is applied to the literature. A great source for conductors, composers, performers and students.
Now you can learn the art of drum circle facilitation from master percussionist, educator, and award winning drum circle facilitator, Kalani. His Drum Circle Music approach makes it easy to effectively create and facilitate programs for music education, health & wellness, personal & professional development, and recreation. Help people from all walks of life reach their full potential, develop valuable life skills, and embrace the joys of music as we all come Together in Rhythm.
Today's total percussionist is confronted with many technical challenges in modern and classical percussion literature. The purpose of this book is to present fundamental technique information in a clear, concise way so students and teachers can overcome any challenges presented in their music. Found throughout this book are technique explanations for the most commonly used percussion instruments accompanied by music applications for additional practice. These examples can be used effectively by individuals or groups. Students and teachers alike will find this quick access resource valuable when presented with challenges in rehearsals and during individual practice.
The second half of the twentieth century saw vast changes in all aspects of percussion - the instruments themselves, playing techniques, and percussion writing - plus the huge influence of pop music, jazz, and film scores. Additionally, the revolution in travel and communications has meant that composers have become much more aware of a seemingly endless variety of ethnic instruments from around the world. Holland aims to show the world of percussion as it is today, and to answer some common questions about it. Today's professional players frequently find themselves performing in many countries where the availability of percussion instruments can vary widely. Practical Percussion contains a section on manufacturers and suppliers all over the world. In addition to this list of manufacturers, the percussion requirements - both instruments and players - for some 1500 works are also listed. The foreword by Pierre Boulez further assists the reader in appreciating and understanding the richness, variety, and function of percussion instruments the world over.
Designed to assist you in developing a real-world vocabulary of drum fills as played by top professional drummers in every style, Filling in the Grooves by Jim Toscano covers all the fills drummers ask about: odd groupings, filling over the barline, hand-foot combinations, double-bass fills, groupings, stylistic fills, and much more. In addition, the book dissects legendary fills played by the giants of the drums, including Billy Cobham, Phil Collins, Stewart Copeland, Steve Gadd, Gavin Harrison, Neil Peart, Simon Phillips, Jeff Porcaro, Tony Williams and more. Included are downloadable digital files containing nine play-along tracks and audio and video demonstrations of nearly every example in the book.
"Priscilla Plays Percussion" is the story of a young monkey whose life is changed the day her dad brings home a drum and she discovers her passion for percussion. Follow Priscilla as she explores different types of drums and percussion instruments.
NINE MINUTE DRILL picks up where its predecessor, FIVE MINUTE DRILL, leaves off with a series of ¿next level¿ exercises for practice pad and mallet keyboard. Take your students through the paces with their technique, rudiments, and ultimately their musicianship. The accompanying CD-ROM contains engaging play-along tracks at a variety of styles and tempos. Set up your pads or mallet instruments, press PLAY¿and away you go! More fun than any metronome alone could ever be, these tracks will engage students in a way that only real musical compositions can.
Larrick has written a hybrid work, one that is filled with autobiographical references to the author's (extensive) career as a percussionist alongside his observations and annotations of the bibliography. The text is divided into a long list of alphabetized entries, which include drum duets, the drum set, French percussion, German bibliography, health ideas, jazz, and John Cage. Larrick was on the music faculty at the U. of Wisconsin at Stevens Point. Annotation copyrighted by Book News, Inc., Portland, OR.