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Does true love break curses or begin them? The dark sorceress of “Sleeping Beauty” reclaims her story in this sequel to Malice. “Fans of reimagined fairy tales and LGBTQ+ themes will be delighted with the conclusion of this fantasy duology.”—Booklist (starred review) The Dark Grace is dead. Feared and despised for the sinister power in her veins, Alyce wreaks her revenge on the kingdom that made her an outcast. Once a realm of decadence and beauty, Briar is now wholly Alyce’s wicked domain. And no one will escape the consequences of her wrath. Not even the one person who holds her heart. Princess Aurora saw through Alyce’s thorny facade, earning a love that promised the dawn of a new age. But it is a love that came with a heavy price: Aurora now sleeps under a curse that even Alyce’s vast power cannot seem to break. And the dream of the world they would have built together is nothing but ash. Alyce vows to do anything to wake the woman she loves, even if it means turning into the monster Briar believes her to be. But could Aurora love the villain Alyce has become? Or is true love only for fairy tales? Book Two of the Malice Duology
A passionate call for citizen action to uphold the rule of law when government does not. This book is a passionate call for citizen action to uphold the rule of law when government does not. Arguing that post-9/11 legislation and foreign policy severed the executive branch from the will of the people, Elaine Scarry in Rule of Law, Misrule of Men offers a fierce defense of the people's role as guarantor of our democracy. She begins with the groundswell of local resistance to the 2001 Patriot Act, when hundreds of towns, cities, and counties passed resolutions refusing compliance with the information-gathering the act demanded, showing that citizens can take action against laws that undermine the rights of citizens and noncitizens alike. Scarry, once described in the New York Times Sunday Magazine as “known for her unflinching investigations of war, torture, and pain,” then turns to the conduct of the Iraqi occupation, arguing that the Bush administration led the country onto treacherous moral terrain, violating the Geneva Conventions and the armed forces' own most fundamental standards. She warns of the damage done to democracy when military personnel must choose between their own codes of warfare and the illegal orders of their civilian superiors. If our military leaders uphold the rule of law when civilian leaders do not, might we come to prefer them? Finally, reviewing what we know now about the Bush administration's crimes, Scarry insists that prosecution—whether local, national, or international—is essential to restoring the rule of law, and she shows how a brave town in Vermont has taken up the challenge. Throughout the book, Scarry finds hope in moments where citizens withheld their consent to grievous crimes, finding creative ways to stand by their patriotism.
The modern world has been transformed into a land of myth, a magical place where fabulous beasts soar on the air currents, a terrifying place where shape-shifting monsters stalk the cities. Mankind’s days appear numbered. Our only hope—the Brothers and Sisters of Dragons —are scattered and broken after a terrible defeat. Their last chance may lie in the great court of the old gods, reached by an otherworldly ship filled with fantastical and frightening creatures. But if our champions fail, the ancient Celtic festival of Samhain will dawn, and the dark god Balor will usher in the eternal night.
In the early 1970s, trainer Tommy Hansel attempts a horse racing scam at a small, backwoods track in West Virginia, but nothing goes according to his plan when the horses refuse to cooperate and nearly everyone at the track seems to know his scheme.
Escorting the nine-day queen Lady Jane Grey across the Tower of London from throne room into imprisonment is Elizabeth Tilney, who surprised even herself by volunteering for the job. All Elizabeth knows is she's keen to be away from home; she could do with some breathing space. And anyway, it won't be for long: everyone knows Jane will go free as soon as the victorious new queen is crowned. Which is a good thing because the two sixteen-year-olds, cooped up together in a room in the Gentleman Gaoler's house, couldn't be less compatible. Protestant Jane is an icily self-composed idealist, and Catholic Elizabeth is . . . well, anything but.They are united though by their disdain for the seventeen-year-old boy to whom Jane has recently been married: petulant, noisily-aggrieved Guildford Dudley, held prisoner in a neighboring tower and keen to pursue his prerogative of a daily walk with his wife.As Jane's captivity extends into the increasingly turbulent last months of 1553, the two girls learn to live with each other, but Elizabeth finds herself drawn into the difficult relationship between the newlyweds. And when, at the turn of the year, events take an unexpected and dangerous direction, her newfound loyalties are put to the test.
When Jack Churchill and Ruth Gallagher encounter a terrifying, misshapen giant beneath a London bridge they are plunged into a mystery which portends the end of the world as we know it. All over the country, the ancient gods of Celtic myth are returning to the land from which they were banished millennia ago. Following in their footsteps are creatures of folklore: fabulous bests, wonders and dark terrors. As technology starts to fail, Jack and Ruth are forced to embark on a desperate quest for four magical items - the last chance for humanity in the face of powers barely comprehended.